Yang Rong's acting career is like a drama with ups and downs, from supporting role to protagonist, she has walked a challenging road. has been in the entertainment industry for many years, and Yang Rong first rose to prominence because she played the role of a classic villain in a costume drama.
At that time, she had sharp eyes and showed the charm of a villain in her gestures, which left a deep impression on the audience.
In the drama "Palace Lock Bead Curtain", Yang Rong created a deep, disdainful and contemptuous character image of the city government with her superb acting skills, and completely showed the inner world of the villain.
In "The Legend of Lu Zhen", Xiao Zhaoyun portrayed by Yang Rong is scheming, her performance is delicate and nuanced, making the audience love and hate this role, and in "Made in Beauty", the Su Lianyi she portrayed is even more memorable to the audience, and her every look and action is full of dramatic tension.
Although Yang Rong's acting career has been widely recognized, it has never made her truly a first-line actress. Although her acting skills are good enough, she is always one step behind.
This may be because she plays the villain role too often, or because she lacks a brilliant protagonist script, although works such as Noodle Restaurant and Wang Ye have successfully shaped her character image, but it does not seem to have brought a substantial boost to her acting career.
At this stage, Yang Rong's expression management is always just right, but this fixed image has also become a major obstacle to her future transformation. Standing at the crossroads of her career, Yang Rong seems to have lost her way and doesn't know how to break through herself and move towards a broader stage.
She has missed many opportunities to appear in works such as "Happy Times", "Like Fog, Like Wind and Like Rain" and "Jade Guanyin" directed by Zhang Yimou, and her non-contentious attitude makes people wonder if she really cares about her acting career.
Over time, Yang Rong came to realize that she needed to make a change. She hopes to break through the original image and try more types of roles. However, opportunities are always fleeting, and whether Yang Rong can seize the next opportunity and successfully transform has become a major challenge in her career.
In 2022, "Daughter of the Mountain", a highly acclaimed poverty alleviation drama, brought new hope to Yang Rong's acting career. The show has a score of 9.3 on Douban, surpassing "Hurricane" in one fell swoop and ranking first among popular dramas.
Yang Rong created the role of the protagonist Huang Wenxiu in the play, from college to 30 years old, she can perform perfectly at the age of forty, as if she has found the most suitable role for herself.
In order to perfectly interpret the role of Huang Wenxiu, Yang Rong has made unimaginable efforts. She went deep into Huang Wenxiu's hometown, savored the local customs, and felt the environment in which Huang Wenxiu lived and worked.
She watched Huang Wenxiu's documentaries repeatedly, figured out her words and deeds, and strived to perfectly present the spirit and temperament of the character, and what is even more admirable is that Yang Rong even learned Huang Wenxiu's way of speaking, and tried to make her performance closer to reality.
These behind-the-scenes efforts finally shine brightly on the screen. Yang Rong's performance is real, delicate and natural, giving people the illusion that she is Huang Wenxiu. Her eyes flashed with her dedication to her ideals, her face was filled with the joy of serving her fellow villagers, and her gestures revealed the simplicity and tenacity of a grassroots cadre.
This kind of three-point performance not only won the love of the audience, but also impressed the industry.
"Daughter of the Mountain" brought Yang Rong back to the peak of her career and gained more recognition from the audience. The broadcast of this drama made people reacquaint themselves with Yang Rong and recognized her potential and strength as an actor.
Many people believe that this will be an important turning point in Yang Rong's career, and they look forward to her seizing this opportunity to take on more high-quality works and further improve her acting career.
However, when Yang Rong stood at the peak of her career, she seemed to have lost her direction. At a time when everyone expected her to take advantage of the victory and continue to challenge for more high-quality roles, she made a very different decision.
This decision may be the beginning of her career towards "self-destruction".
Yang Rong did not cherish this hard-won opportunity, and did not continue to work hard in her acting career, but chose to turn her attention to other fields. Such a choice can't help but make people regret, and it also makes people curious about her next career plan.
What was the reason why Yang Rong chose a path full of unknowns at the peak of her career? Could this decision be a major turning point in her career?
In showbiz, opportunities are always fleeting. Yang Rong has had many important opportunities in her career, but she has often missed them. For example, Zhang Yimou sent her an audition invitation for "Happy Times", but she didn't take it to heart, but Dong Jie seized this opportunity.
In addition, "Like a Fog, Like a Wind and Like a Feather" and "Jade Guanyin" also threw an olive branch to her, but she once again chose to reject this attitude of not fighting or grabbing, is it Buddhism or arrogance? Yang Rong's choice makes people question her plan for her career.
In 2018, Yang Rong participated in the variety show "I Am an Actor", which was considered a great opportunity to show her strength, but it caused controversy. In the cooperation with Huan Xi and Wang Yuanke, Yang Rong's performance made the audience jaw-dropping.
Not only did she claim that she didn't know the two well-known actors, but she insisted on her choice when it came to the assignment of roles, which not only seemed unprofessional, but also gave the impression of arrogance.
Yang Rong's performance on stage was also questioned. She played the role of "Concubine Jing" in the harem, but she was too hard and seemed to be yelling. The famous director Jia Zhangke bluntly pointed out that Yang Rong's performance did not conform to the image of a concubine in the harem.
Such an evaluation undoubtedly added a shadow to Yang Rong's acting skills.
Yang Rong did not self-reflect in the face of doubts, but chose to sell miserably, calling for more opportunities for middle-aged actresses. Her attitude caused more controversy, and even caused a large number of netizens to be disgusted and angry.
In the face of criticism, Yang Rong chose to be angry, which undoubtedly brought a shadow to her career.
At this turning point, Yang Rong's eyes revealed confusion and unwillingness, realizing that she had missed an important opportunity, but she didn't know how to remedy it, and this ambivalence may be part of the reason why she chose to transform later.
With the passage of time, the years are like a sharp knife. For actors, age is often a double-edged sword. Yang Rong, a 42-year-old actor, seems to be unable to accept this cruel reality, and still insists on maintaining the girlish character.
However, the footage can sometimes be brutal and unforgiving, especially under high-definition cameras, where there is no escape for even the slightest change.
In 2021, Yang Rong will appear again in Yu Zheng's new drama "The Housewife", but the audience's attention is attracted by the obvious medical beauty marks on her face. No matter what expressions Yang Rong makes, the unnaturalness of her face is hard to ignore, which not only affects the credibility of the characters, but also makes it difficult for the audience to immerse themselves in the plot.
There was a hint of stiffness in each of Yang Rong's expressions, and the unnaturalness in her eyes made people feel anxious and uneasy in her heart.
In real life, even if Yang Rong has been refined, the traces of medical beauty on her face are difficult to hide. This unnatural face became her biggest obstacle when entering big productions and working with well-known directors.
She once relied on her acting skills to conquer the audience, but now she is stagnant because of an unnatural face.
Yang Rong's situation makes people sigh, in this entertainment industry that pays equal attention to appearance and acting skills, how important it is to maintain a natural appearance. Her case is a wake-up call for other actors: excessive pursuit of youthful looks can affect an actor's career.
As time passed, Yang Rong's eyes gradually revealed anxiety and uneasiness. She seems to realize that she has not yet found her proper position, and that time is passing inexorably.
This inner struggle may be the reason why she later made some difficult decisions.
Faced with a grim choice, Yang Rong needs to face a question: should she cling to her youthful appearance, or should she accept natural aging and focus on improving her acting skills and creating more in-depth characters? Her decision is not only about her personal career development, but may also affect the perception of middle-aged actresses in the industry as a whole.
Yang Rong's image dilemma reflects the common challenges faced by many middle-aged actresses.
When Yang Rong encountered a bottleneck in her acting career, she chose to set her sights on the emerging field of live broadcasting, but her transformation was not smooth, but it made people feel that she was going further and further on the road of "self-destruction".
Yang Rong's live broadcast style and poster design are obviously modeled after Dong Jie, who is also an actor. From the shape of a black dress with white earrings and rings, to the posture of walking sideways, to the composition of holding a coffee, the similarity is striking.
However, under the same appearance, Dong Jie's live broadcast success is completely different on the inside, stemming from her personal story and unique temperament, while Yang Rong is just on the surface and lacks her own characteristics.
Yang Rong's live broadcast road is very bumpy. Sometimes, she would use beauty filters too much, causing her face to turn into an unnatural awl shape, which almost scared fans. During a nine-hour live broadcast, the scene was out of control and noisy, and finally she had to shout with a loudspeaker.
What's even more laughable is that she once wore a sailor suit to sell a face mask, which made the audience feel very uncomfortable with this age-inappropriate outfit.
The most serious overturn occurred during the live broadcast of the "Pet Fan Festival". Yang Rong was obviously unprepared, and her words were incoherent throughout the live broadcast, and she couldn't tell the product clearly, and was even corrected by the host many times.
Her pricing strategy has also been questioned, a thermos cup costs more than 100 yuan, and the lip mask has to be linked separately, which is expensive and stingy, and the live broadcast eventually led to an early exit of more than one-third of the more than 6,000 viewers.
In front of the camera, Yang Rong's eyes revealed a trace of panic and unease, she seemed to realize that she was losing the audience, but she didn't know how to recover it. This embarrassing situation may be another proof of the "self-destruction" of her career.
Yang Rong's live broadcast road reflects the common problems faced by many actors in transforming into Internet celebrities, such as how to attract fans while maintaining their own characteristics, and how to find a balance between the roles of artists and anchors.
However, judging from the current situation, Yang Rong does not seem to have found the right answer to solve these problems.
Yang Rong stood at the crossroads of her life, and she seemed to have lost her way. She once conquered the audience with her excellent acting skills, but now she is in a hurry in the live broadcast room. There was a hint of confusion in her eyes, as if asking: Has my dream of being an actor been shattered?
Yang Rong's experience is a wake-up call for us, telling us that in this rapidly changing entertainment industry, we must continue to work hard and improve, otherwise we can only be eliminated. Looking back on Yang Rong's career, have her concessions and resistance to some important works become a bottleneck in her career development?
For example, did the rejection of projects such as "Happy Time", "Like Fog, Like Wind and Like Feather", "Jade Guanyin" and other projects have affected her acting career? In addition, her resistance to age and her obsession with girl character design, what price did she pay?
In the face of doubts and criticism, Yang Rong chose to confront head-on. After the controversial performance in "I Am an Actor", she did not reflect on herself, but chose to sell miserably, calling on the market to give middle-aged actresses more opportunities.
Is this a wise way to deal with it? Should she take a moment to take a hard look at her career and reposition herself in the industry?
How many choices does Yang Rong have between actors and Internet celebrities, between persistence and compromise? In her future, will she continue to go further and further on the road of "self-destruction", or will she be able to wake up in time and regain her own stage? These problems are not only what Yang Rong needs to face, but also what everyone who works hard in this industry should think about.
Yang Rong's story tells us that opportunities and challenges coexist in the entertainment industry, and an actor must not only have excellent acting skills, but also need to have correct self-positioning and career planning.
Age is the biggest challenge faced by actors, how to transform gracefully and find a position that suits them is a question that every actor needs to think about Yang Rong's experience, which may provide some reference and reflection for peers.