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In July 2018, a 54-year-old woman anxiously banged on the door of a government public rental house on the 5th floor of Leung Ma House, Ma Hang Estate, Stanley, Hong Kong. There was no response in the house for a long time, and she had to call the police for help.
The police arrived at the scene, opened the door, and found the body of a woman who had been dead for many days in the bathroom.
This woman who died of incense is none other than Lan Jieying, the TVB master who once swept Hong Kong. And the 54-year-old lady who called the police was her friend Sister Jane.
Who would have thought that the "beautiful stage person" who used to dominate the crowd would end the stage of life in such a bleak way? What ups and downs has Lan Jieying's life experienced? Let's uncover this embarrassing legend together.
Lan Kit-ying's life story began in 1963, when she was born into an ordinary Hong Kong family. My father was a small street vendor with a rough personality; The mother was a traditional woman who was submissive.
Lan Jieying's childhood was not good, and her home was often full of quarrels and violence. She often witnessed her father's violence against her mother, and she herself could not escape the murder. In such a gloomy environment, Lan Jieying gradually formed the character trait of "swallowing bitterness in the stomach".
Although stubborn and unsophisticated, she has always maintained the essence of kindness in her heart.
This difficult childhood experience undoubtedly laid hidden dangers for Lan Jieying's future life. It not only affected her character formation, but also foreshadowed her bumpy fate in the future to some extent.
In 1983, 20-year-old Lan Jieying was already slim. In that era when makeup technology was not yet widespread, she became the center of attention with her natural beauty.
A twist of fate happened quietly this year - she accompanied her friend's cousin Yang Ling to take the exam for the wireless artist training class. However, after submitting the registration form, Yang Ling temporarily changed his mind and gave up.
Lan Jieying participated in the selection alone by mistake.
This unintentional participation became a key moment that changed Lan Jieying's life. Her beauty quickly caught the attention of TVB, and the company decided to go all out to create the newcomer.
However, Lan Jieying's frank and straightforward personality has caused her a lot of trouble. Although she performed well as a location reporter in "K-100", and later became a tacit partner with well-known actors such as Stephen Chow and Zeng Huaqian in "430 Shuttle", she is still controversial because of negative rumors such as "playing a big name".
In "A Wife in the Family" with Tony Leung, Lan Jieying quickly won the love of the audience with her stunning beauty and superb acting skills, and stabilized her status as a first-line actress.
However, the good times were short-lived, and when Wireless tried to sign her to a five-year contract, Lan Jieying's refusal sparked dissatisfaction among the company's top brass. This move caused her to be "hidden" by the company, and the bright star of the past dimmed in an instant.
Lan Jieying's acting career has been full of ups and downs from the beginning. Her talent and beauty are undeniable, but the edges and corners of her personality are always incompatible with the rules of the entertainment industry.
This girl from a difficult situation is destined to face many challenges at the beginning of her star journey. Her story seems to be a microcosm of the contradiction between talent and fate, personality and rules, indicating more twists and turns and challenges in the future.
After a short period of slump, Lan Jieying regained praise for her outstanding performance in "Heroes of the World", and the wireless company decided to "unblock" her. Realizing her personality problems, Lan Jieying began to work hard to adjust her attitude, hoping to win the favor of the company again.
1989 became a turning point in Lan Jieying's career, and the output of her works reached its peak in this year, with a total of seven TV series broadcast one after another. Among them, the role of "mother" Qian Ailing in "Neon Sisters" is particularly eye-catching and has become her masterpiece at that time.
Lan Jieying's acting skills and charm were once again recognized by the audience, and her career seems to be back on track.
However, the good times were short-lived. In the following years, the ratings of the TV series starring Lan Jieying were not ideal. When the contract expired, the company chose to terminate its relationship with her.
Just when people thought that Lan Jieying's acting career might be silent, 1992's "Big Time" once again pushed her to the peak of her career.
At the strong invitation of director Wei Jiahui, Lan Jieying joined the lineup of this wireless 25th anniversary Taiwan celebration drama and played the heroine "Luo Huiling". "The Great Era" set a ratings record for wireless that year, and almost everyone knows it, and Lan Jieying also took this opportunity to successfully achieve a counterattack in her career.
However, this much-suffering character, who finally ended in tragedy, seems to be a portrayal of Lan Jieying's own fate.
The suffering life of "Luo Huiling" in the play has a strong resonance with Lan Jieying's real encounter. After the filming, Lan Jieying fell into depression because she was too deep in the play.
She once confided in singer Alan Tam that she could never get rid of the haze brought by the role. This interweaving of art and reality has had an immeasurable impact on Lan Jieying's psyche.
Just when her career was booming, Lan Jieying's love life suffered a heavy blow. In 1983, she fell in love with screenwriter Deng Qiyang, and the relationship between the two heated up rapidly, and they were about to enter the palace of marriage.
However, fate ruthlessly played a joke, Deng Qiyang suddenly committed suicide by turning on the gas at home, and the reason for the suicide is still a mystery to this day. This sudden blow made the young Lan Jieying grief-stricken, and it took her a long time to gradually come out of this shadow of pain.
In order to get rid of the tragic image, Lan Jieying successively starred in comedy works such as "Tang Bohu Dots Autumn Fragrance" and "Journey to the West", trying to change the public's perception of her through light-hearted and humorous performances.
At this time, Lan Jieying was nearly thirty years old, still beautiful and moving, and was known as "the most beautiful spider spirit". As a result, her career has reached unprecedented heights.
However, fate always seems to cruelly snatch her away when she is about to touch happiness. Lan Jieying's life seems to be a tragic movie full of drama.
At the peak of her career, she suffered a heavy emotional blow, and found resonance in art but was deeply trapped in it. This experience not only shows Lan Jieying's talent as an actor, but also reflects her inner fragility and strength.
Her story allows us to see the bitterness behind the entertainment industry, as well as the struggle and loss of a sensitive soul in Vanity Fair.
In the mid-90s, Lan Jieying's life suffered another heavy blow. Her parents died one after another, and her sense of self-blame for failing to fulfill her filial piety plunged her into a deep depression.
The pain of losing a loved one, coupled with the ups and downs of her career, made the once radiant actress gradually become haggard, and her mental state became increasingly trance.
Once, Lan Jieying, who was restless, mistook the bubble ball in the fish tank at a friend's house for her parents' relics. This seemingly ridiculous act actually reflects the pain and longing in her heart.
Subsequently, she was also involved in a car accident due to poor mental state. It was during this fragile period that the media began to hype rumors about Lan Jieying's "madness".
The beauty star of the past is now known as the "crazy woman". All kinds of negative news followed, Lan Jieying's acting career completely fell to the bottom, and no one dared to invite her to participate in any film and television dramas.
The once brilliant starlight seemed to be eclipsed overnight.
However, this is only the beginning of the nightmare. Some irresponsible entertainment reporters began to track and report on Lan Jieying without a bottom line. She picks up a paper cup next to the trash can and places it in the ashes, but it is maliciously misinterpreted as rummaging through the trash can to find food; She asked for a bill while shopping at the supermarket, only to be described as having a conflict with the staff.
These ridiculous reports not only distorted the facts, but also caused huge psychological damage to Lan Jieying.
The ubiquitous footage exposes her every move to the public eye, becoming a tool for entertainment journalists to seek profit. Lan Jieying lives in fear every day, longing to live a peaceful life as an ordinary person, but the reporters who lack professional ethics never stop harassing her.
This constant media pressure has made Lan Jieying's mental state deteriorate. She became increasingly withdrawn and had less and less to trust the people around her. used to be a sunny and confident female star, but now she has become a timid and troubled ordinary person.
During these difficult years, Lan Jieying not only had to face the relentless blows of the media, but also had to endure inner torment. She used to be in the limelight, but now she has become a topic of conversation after dinner.
This huge gap undoubtedly brought a heavy blow to her fragile heart.
Lan Jieying's experience can't help but make people reflect on the cruelty of the entertainment industry. Those who once praised her to heaven are now mercilessly pushing her into the abyss. The excessive attention and malicious speculation of the media not only ruined the career of an actor, but also destroyed the possibility of an ordinary person's normal life.
This once bright star, under the merciless blow of fate, gradually lost its former brilliance. Her story is like a mirror that reflects the dark side of the entertainment industry, and also reflects the public's excessive desire to spy on the privacy of celebrities.
The burden of life has not been lightened by media harassment. When Lan Jieying learned that she was suffering from a tumor, in order to save medical expenses, she chose to go to Shenzhen for medical treatment.
However, fate once again played a cruel joke on her. On the way to the doctor, she was fined 300 yuan for driving into the restricted area. This insignificant amount for ordinary people has become an economic obstacle that is difficult for film and television stars to overcome.
Lan Jieying tearfully begged law enforcement officers for leniency, admitting that she could no longer afford to buy breakfast. This scene is in stark contrast to her glamorous image in the past, which is embarrassing.
The female star who used to call for wind and rain is now crying and pleading for a mere 300 yuan, and the ruthlessness of fate can be seen.
In the end, Lan Jieying had to apply for bankruptcy protection to the Hong Kong court, becoming the first artist to receive comprehensive government assistance. Her increasingly emaciated figure, shabby clothes, and scenes of dining on the street were captured by the merciless camera, and she became what entertainment reporters called "crazy woman".
Those shots that used to flock to her have now become sharp knives that pierce her.
In 2012, Lan Kit-ying, who could not bear the harassment of entertainment records, moved from Shau Kei Wan Public Housing to Ma Hang Estate in Stanley and moved into public rental housing provided by the government. She wanted to find a glimmer of peace in this remote corner, away from the endless harassment.
However, this seclusion did not bring her peace. The media coverage has always followed, putting her life in the public eye.
Until July 2018, 54-year-old Lan Jieying passed away quietly in loneliness. However, even after her death, she could not escape the entanglement of the media. All sorts of sensational reports about "unclaimed bodies after death" poured in, dealing the once bright star with the final blow.
Lan Jieying's life seems to be a tragic movie full of drama. From the haze of childhood, to the ruggedness of the star journey, to the desolation of her later years, her life trajectory is embarrassing.
This woman, who was endowed with a beautiful face by God, failed to escape the fate of "red face", gradually lost herself in the big dye vat of the entertainment industry, and finally left this world alone.
Her story is not only a personal tragedy, but also reflects the cruelty of the entertainment industry and society's indifference to mental health issues. From a high-profile celebrity to a "crazy woman" that no one cares about, Lan Jieying's experience is thought-provoking: have we given public figures the respect and understanding they deserve? While chasing hot news, do we ignore the feelings and privacy of the people involved? Lan Jieying's tragedy should perhaps become a starting point for our reflection, so that we can regain our reverence for life and empathy for others in a society where entertainment is paramount.
Lan Jieying's life is like a legend from glory to sadness. Her story not only shows the cruelty of the entertainment industry, but also reflects society's disregard for mental health issues.
From "beautiful stage person" to "crazy woman", from the attention of everyone to no one, Lan Jieying's experience is embarrassing.
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