Happy Da Puben, Tencent Video's "Joyful Wonderful Night" has finally started!
I haven't seen him for two years, and Ma Dong's eye bags haven't grown back, but he came back with "Joyful Wonderful Night"! This time, in addition to the old acquaintance Huang Bo, the goddess Gao Yuanyuan, Jia Bing, who loves to make dumplings, and Qin Hao, who loves to climb mountains, also came as audience representatives.
Oh, the popularity of the station has broken this number, family:
But as a comedian event, the protagonists have to be comedians and their works.
For example, the first issue of "The World of Sketches" has exploded.
The protagonist Ru Truman suspects that he is in the world of sketches, and complains about the small details that are common in regular sketches that are detached from reality:
Mom will look at the watch without physical objects, and no matter how important things are, they will be summarized into limericks;
How can someone not stick a couplet on the outside of his own house;
Dad would interact with the audience and go home.
Among them, classic characters in the history of Chinese sketches also appeared, and there was a wave of tribute.
It can be said that "The World of Sketches" is a work that can only be understood and cooled in the Chinese-speaking world.
It breaks down the "fourth wall" that separates the audience from the actors.
When the actor asked the audience whether it was embarrassing or happy to watch the sketch through the mouth of the character, the audience cheered.
While nostalgic and paying tribute to the traditional sketches in memory, you can also feel the pure courage of the new generation of comedians to face the audience, as well as their full energy of innovative comedy.
And when the mother dressed as a woman helped her son smash the wall with a hammer, Leng Buding took off his hood, and everyone was even more happy.
This is not tickling silly, but a deliberately designed absurdity.
This absurdity represents: the "juvenile spirit" that breaks the tradition and innovates comedy also infects the mother in the "sketch world", awakening her to overthrow the preset self.
It's a good piece indeed.
The burden is only the most inconspicuous advantage, the deep sense of history behind the absurdity, and the innovative determination of the new comedian are all crazy to pry everyone's desire for expression.
In the past few days, everyone is eager to describe the appearance of Hamlet in their hearts, so this work is really highly discussed.
There is another feature of this season's works: several of them are new interpretations and reconstructions of classic IPs.
In Piao's view, a new interpretation of a classic is not as simple as creating a new story.
The second issue of "Eighty-One Difficulties", which is set in Journey to the West, is a surprise adaptation.
In order to make up for 81 difficulties, the four Tang monks and apprentices even coaxed and deceitfully pushed the honest sand monk to be a monster.
Because Sha Seng was originally a monster, there is nothing to be ashamed of "correcting and returning to evil" to return to his old profession.
Reason 1: Monkeys eat peaches, Zhu Bajie eats ginseng fruits, and only Sha Seng Zheng'er has eaten people.
Reason 2: As a human being, everyone originally had a name, like the Monkey King is the Monkey King Sun Xing, and Zhu Bajie is the Marshal of Tianpeng Zhu Gangguan. There is only Sha Seng, either he is called Sha Monk, or he is the Dharma name Sha Wujing given by Tang Seng later, because he was originally a monster, so he didn't even have a name.
In a word, they are bullying honest people, pushing other sand monks to sacrifice their small self and complete their big self.
The funniest thing is that Tang Seng, who was still presiding over justice at the beginning, taught Sun Wukong and Zhu Bajie a lesson, "Never infighting", and then his tone gradually relaxed, becoming "Try not to be infighting", and finally he joined the ranks of coaxing Sha Seng to be a monster.
But up to now, the work is only a continuation of the well-known characters.
The reversal is coming below.
When Sha Seng was under the fire of everyone, he picked up the scepter in front of Tang Seng but never got his hands down, and finally he was willing to give up learning scriptures, and when he was a monster and didn't want to hurt his master - he became a Buddha.
It turned out that everyone's arch fire was not really to bully honest people, but was worried that the Buddha Tiantuan would not be able to see the hard work of the sand monk who was originally a demon and had no name, and would only say "the master was arrested" and actually carried all the luggage to help him become a Buddha first.
And this is not the first time that this has happened.
They have a bug in the West Heaven Sutra Card, and every time they always stop at 80 difficulties when they are about to succeed, they need to reopen, but after reopening, they have to wait for Tang Seng to reincarnate as a man.
This year's Tang Seng is not even a Tang monk, but Sui Sanzang from the Great Sui in the Eastern Soil.
After a hundred years of changes, their master and apprentice came to the quicksand river again, and when Sun Wukong sadly said to the master, "There are no monsters here", the sand monk appeared.
Yes, the third layer reversal is coming. Sha Seng secretly gave up the opportunity to become a Buddha for the master and apprentice, and accompanied them to start all over again.
The friendship between master and apprentice was sublimated at this moment, and when Tang Seng announced that he was Tang Sanzang from the Tang Dynasty, the familiar music of "Journey to the West" sounded, and the audience was all on fire.
We know that this time, the four masters and apprentices will not get stuck with bugs again, and they will definitely be able to do it!
The work "Eighty-One Difficulties" is very delicate in terms of baggage, structure, performance, and connotation, and you can see the creative skills of Liu Yang, Wang Jianhua, Song Tianshuo, and Li Zhiliang.
They deconstructed the most classic IP with new meanings, changed the direction of the story, and let the audience read out the core of the different past.
That's why comedy will always need a new generation of comedians who are energetic and creative.
"Joyful and Wonderful Night" has produced many star players, but with this work, Piao wants to talk about several inconspicuous but worthy of being seen as a few long-distance runners: Liu Yang, Song Tianshuo, Yan Peilun, Zhang Youwei, Ku Teng, Tianfang.
Yan Peilun is also quite brilliant in matching others
The comedy road of these people is actually quite like eighty-one difficult.
For example, Liu Yang was originally a New Oriental teacher, but later changed his career to comedy and became a talk comedian.
It's not too late. His experience as a teacher has given him a lot of creative inspiration, and I like "Tiger Father Without a Dog", which I like very much, and the joke that "children learn from their parents in school" is something he has encountered throughout his teaching career.
And his partner Song Tianshuo was originally the man behind Jiang Long's excellent works, and later he came on the field in person, and there was no one who couldn't do that work, and he worked very hard.
Even when your shoulder is uncomfortable, the backflip will work just fine
Ku Teng and Tian Fang are this pair, one step at a time is too obvious, the first work "Sudden Breakthrough Breakthrough", Ku Teng was pointed out by the teacher that the mouth is not good, but until now, they are very brilliant even if they are assisting others.
But the key point is that I also want to talk about Yan Peilun and Zhang Youwei's "another round" of old guys.
When they participated in the competition for the first time, they both came with confusion about their careers, and the first performance was well received.
They named themselves "Another Round", and they also hoped to go on round after round and get results.
But the pleasure disappeared when it disappeared, and Zhang Youwei was unexpectedly eliminated by Teacher Huang Bo. The second time they came back, they teased themselves and prepared enthusiastically, but the result was still "another round" and a tragic "round of tours".
This time, they are at the peak again with their new work "Fragment Mountain", and the whole process can be exciting for everyone.
The work tells the story of the two of them, when they were about to reach the top of no man's land for the first time, and found that there was already an oxygen cylinder mark on the mountain, apparently someone had already visited.
So they decisively threw away the oxygen cylinders and pretended to be the first people.
But the lack of oxygen at the top of the mountain made people lose their memory, and they found that the longer they went up the mountain, the longer the fragments took to break up.
In order to test the exact location of the fragments, the captain coaxed the younger brother of the team to take the initiative to sacrifice himself up the mountain, and easily inserted an oxygen tube next to him as a marker.
also came up with a bad trick of two people slapping each other while going up the mountain to plant flags.
The younger brother of the team member didn't make up his mind, so he held his breath and went up the mountain, but the flag broke and knotted, and the two broke again before they could be inserted.
Back down the mountain, the memory is still before going up the mountain-
They saw the oxygen cylinders on the mountain that were used as markers, and they planned to destroy the evidence that "someone else" had come!
Yes, it's the mark that the captain just tricked the team into going up the mountain to measure! It's not someone else's doing, it's their own!
Dead loop these two!
The audience was stunned by their gameplay with an "oh" sound. Advanced this wave.
Some of the lines in the work are also quite funny, pointing directly to their real lives. For example, going up the mountain again and again, Zhang Youwei broke the fourth wall and said to the audience in a manner: "Another round" is terrible.
Talking to the audience for a second, one refers to the theme of the work, the name of their team, and the fact that they are always in one round - isn't it terrible.
There are also team members who question the meaning of mountaineering, and the captain encourages him that planting a flag is meaningful.
It seems that if life has passed and left a mark, it is considered a success, which is the same as their spirit of repeated defeats in competitions.
When they slapped each other on the side of the mountain, they said: It turns out that the meaning of climbing the mountain is a big bag.
After laughing, I realized that it was not.
This group of comedians stayed up all night when they climbed the mountain, the burden of revisions over and over again, and the blows of being eliminated again and again.
一遍遍取经,一遍遍爬山。
Outside the play, they have long become the stupid sand monk who does not forget his original intention; Those two infinite loops are still climbers who must climb strange mountains.
They are still the most inconspicuous non-star comedians in the group, but anyone who has seen them climb the slope can feel their enthusiasm.
And this is also the biggest feeling for me this time: whether it is the show, or the work itself, the lens is left more to the "little people".
In "Fragmented Mountain", as far as the strange mountain is concerned, the climbers of Fragment are small and even ridiculous. But their spirits as little people are very precious in reincarnation over and over again.
And in "Eighty-One Difficulties", the creators returned the camera to the ordinary people represented by the sand monks.
It can be seen that the sand monk who has no official name actually coincides with the nameless people who work hard in our daily life.
But it is precisely because of these nameless people, the call and command of those bigwigs with loud names, that can be implemented, and they have the merit of becoming bigwigs.
Moreover, unlike the talented Monkey King or Zhu Bajie, who was originally the "Jade Emperor Heavenly Group", Sha Seng is not a genius, let alone a background, and even made the "big mistake" of eating people.
However, this does not affect him at all to be honest, sincere, not forgetting his original intention, valuing love and righteousness, and full of the glory of human nature.
In the first half of "Eighty-One Difficulties", Sha Seng is often the most vulnerable to bullying as an honest person in a team in a laughing way, so that everyone pays attention to his grievances and needs to be taken seriously.
All of the above makes all the audience empathize with the sand monk. And all ordinary people can also feel the creators' respect and praise for ordinary people.
In today's film and television dramas, the image of ordinary people is eating instant noodles but living in a luxury apartment and falling in love with the boss, and there are very few ordinary people who are truly down-to-earth.
The sand monk became a golden-bodied Arhat in advance because of his affection and righteousness, which is a reward for those who are diligent but easily overlooked.
One of the most interesting and touching settings is that Sha Seng gave up the opportunity to become a Buddha for other masters and apprentices, and started all over again, leaving it until the Tang Dynasty to meet with the master and apprentice.
From the perspective of Sha Seng, he didn't know if he could succeed this time if he adhered to principles and friendship, but he took a huge risk or chose without regrets, and he was very stupid and tenacious, which was even more moving.
And the audience's perspective is very clear, Tang Seng was reincarnated in the Tang Dynasty, the four of them will succeed in this trip, and the sand monk is stupid and stupid.
At the same time, Sha Seng as an ordinary person has also become a key figure in the team's major achievement of becoming a Buddha together, happy for him and proud of him.
Even the same sincerity and enthusiasm can rise in our hearts, as ordinary people, although we do not have a third perspective to see whether our path of learning the scriptures will definitely lead to Buddhahood, but the original intention has not changed, and the road we have traveled will not be in vain.
There is also a "Don't Do It Hero", the situation and feelings of the second child in the Jianghu store are magnified, and it is also a book from the perspective of a small person.
The martial arts hero talks about things in the store, and he always drops a bowl for a while, which makes the shopkeeper helpless and sad. He also has a good impression of the Demon Cult leader who doesn't damage the bowl or even helps catch the bowl.,Determined to join the Demon Cult.。
Xiao Er's laughable market spirit is exactly the pragmatism of ordinary people, and it is only when we grow up that we understand the real down-to-earth attitude to life.
These works are often presented as cutting-edge deconstructions of traditional narratives, and we are too accustomed to the heroism and personal myths of big people, and when these grand meanings are subverted, we can see the more real truth behind them, and it is also something closer to us.
These comedies are created from the perspective of ordinary audiences, so they are not simply laughable, but have abundant emotions of the times that resonate with people.
To really see the subtleties, it is actually difficult, and it is not difficult.
That is, the creator has to see the audience.
Happy people are climbing the mountain over and over again, learning from the scriptures over and over again, why aren't we?
Their works can naturally be ordinary, passionate, and real.
The brilliance of "Joyful and Wonderful Night" in finding new ideas in the classics is the skill of the comedy creators and their sincerity.
It's not just funny, they're proving it in the form of comedy:
What about ordinary and small, who is not still ordinary and great at the same time.