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In 1991, the Hong Kong film industry ushered in a shocking revolution. "Top Gun" is like a lightning bolt, illuminating a new world of martial arts movies, and also reshaping the image of Huang Feihong in the hearts of the audience.
However, what few people know is that the birth of this film turned out to be a decade-long painstaking solitude.
Why is director Tsui Hark so persistent? Why does he have to be Jet Li? In these long years, what kind of suffering and persistence has Tsui Hark's heart experienced? What kind of story is hidden behind this movie? Let's uncover this little-known film saga and explore the wonderful fate of Tsui Hark and Jet Li.
In the early 80s of the last century, Tsui Hark moved from television to the film industry, and quickly emerged with his unique creative perspective. In just a few years, he won the Best Director crown and became a rookie in the Hong Kong film industry.
However, under the pressure of business, Tsui Hark always had a pure martial arts dream in his heart.
Deeply influenced by director Hu Peng, Tsui Hark immersed himself in the works of Mr. Kwan Tak Hing and became deeply interested in the role of Wong Fei Hung. His eyes flashed with a yearning for the world of martial arts, and in his heart he had the ambition to reinvent Wong Fei Hung into a modern screen hero.
However, there is always a gap between ideals and reality. Tsui Hark searched everywhere, but it was difficult to find a suitable actor. Most of the well-known action superstars are old, and the new generation of actors lacks the necessary precipitation.
He fell into deep trouble until Jet Li from "Shaolin Temple" came into his sight.
The temperament shown by the young Jet Li in his gestures seems to be born to be a martial arts master. Tsui Hark's eyes lit up, and he was secretly happy in his heart: This is the Huang Feihong I have been looking for! However, the heavens did not grant the wish.
Although Jet Li had unlimited potential at that time, he was still a little young and difficult to fully control this role.
At the same time, Jet Li's acting career has also experienced ups and downs. From the instant hit of "Shaolin Temple" to the Waterloo of "Dragon Travel", he tasted the joy of success and the bitterness of failure.
However, it is these ups and downs that make his acting skills and temperament more and more mature, laying a solid foundation for the future interpretation of Wong Fei Hung.
Tsui Hark has followed Jet Li's growth every step of the way. He was pleased to find that Jet Li's performance was becoming more and more mature, and his temperament was getting closer and closer to Huang Feihong in his mind.
This strengthened his determination to wait.
Ten years have passed, Tsui Hark's waiting, Jet Li's growth, two seemingly parallel life trajectories, but they are quietly intertwined under the arrangement of fate. They are all silently preparing for the Huang Feihong who has not yet appeared, waiting for their highlight moment.
In 1991, the opportunity finally came. Golden Harvest Company extended an olive branch to Tsui Hark and proposed to prepare a new martial arts plan. Tsui Hark was thrilled that years of waiting had finally paid off.
He quickly handed over the long-dusted script of "Top Gun" to Zou Wenhuai, and firmly said: The role of Huang Feihong is none other than Jet Li.
However, the filming of Top Gun was not all smooth sailing. Tsui Hark has a grand idea in mind: he wants to create not only a martial arts master, but also a screen hero with the spirit of the times.
This means that traditional martial arts movements need to be innovated and exaggerated to present a striking visual effect.
This bold idea sparked a heated discussion within the crew. Mr. Lau Ka Leung, who was a martial arts instructor in the early days, insisted that the movement design should be based on real punches and feet.
He frowned and said, "Such an adaptation may lose the authenticity of martial arts. Tsui Hark insisted on his own opinion: "What we want to create is a film language, not a martial arts teaching.
What the audience needs is visual shock and emotional resonance.
The deepening disagreement between the two eventually led to Liu Jialiang leaving the crew. This change brought a lot of trouble to the filming, but it also injected new possibilities into the film.
Tsui Hark was personally involved in the action design, pouring his years of understanding and innovative ideas into martial arts. He wants to make every movement full of poetry, so that the audience can see not only the moves, but also a spirit.
Jet Li is also facing unprecedented challenges. He needs to give the action more drama and expressiveness while maintaining the authenticity of martial arts. Every day of training is a severe test of physical fitness and will.
Sometimes, he would practice for hours because of the details of a movement until it was perfectly presented. Whenever he felt exhausted, he would remember Tsui Hark's trust and expectation of him, and gritted his teeth and persevered.
During the filming, Tsui Hark was meticulous in every detail. He asked Jet Li not only to show Huang Feihong's martial arts, but also to reflect the wisdom and sense of justice of this character.
For this reason, they often discuss late into the night, studying how to convey the inner world of the characters through their eyes and movements.
At the same time, Tsui Hark is also bold and innovative, combining traditional kung fu elements with modern film techniques. He uses unique camera angles and editing techniques to make the action scenes more fluid and shocking.
This innovation makes it more difficult to shoot, but the results are stunning.
In this process, Jet Li gradually found his own Huang Feihong. He no longer just imitates the performances of his predecessors, but infuses it with his own understanding of the character.
His Huang Feihong has both the righteousness of a traditional chivalrous man and the vitality of modern youth, showing a new charm.
In this way, in an environment where difficulties and opportunities coexist, "Top Gun" gradually took shape. Tsui Hark's persistence, Jet Li's efforts, and the dedication of the entire team are brewing a work that is enough to change the landscape of Hong Kong martial arts films.
Everyone felt the difference in this film, and they believed that it would be an important breakthrough in film history.
The filming process of "Top Gun" is actually a fierce collision of tradition and innovation. This collision is not only reflected within the crew, but also extends to the entire Hong Kong film industry, triggering a profound discussion about the future direction of martial arts films.
After Liu Jialiang left the crew, he did not stop there. He put his concept of martial arts movies into practice and participated in the filming of "Drunken Fist 2" in 1994.
In this work, Liu Jialiang not only served as a co-director and martial arts instructor, but also personally starred in the role of Wu Zhuangyuan Fu Minqi. The film seems to be his direct response to Tsui Hark, showing the "orthodox" martial arts elements in his mind.
However, even in the filming of "Drunken Fist 2", the battle between tradition and innovation continues. Liu Jialiang hopes to inject more pure elements of Hongjiaquan to show the true nature of martial arts.
And the lead actor Jackie Chan is committed to delighting the audience with his unique comedic action style. The creative concepts between the two men collided once again, reflecting the transformational challenges faced by martial arts films.
This contest reflects the changes of the entire era. Traditional martial arts movies certainly have their charms, but the tastes of the audience are quietly changing. They crave more visually striking, more imaginative action sequences.
Tsui Hark keenly captures this, which is one of the reasons why he insists on innovation.
However, innovation is not a negation of tradition. In "Top Gun", although Tsui Hark is bold and innovative, he still retains classic moves such as Wong Fei Hung's drunken fist and shadowless feet, but gives them new interpretations.
This innovation is based on respect and understanding of tradition. He tries to breathe new life into the martial arts while maintaining its essence.
This behind-the-scenes battle not only promoted the development of Hong Kong martial arts films, but also injected new thinking into the entire Chinese film. It has triggered an in-depth discussion in the industry on how to innovate in inheritance and inheritance in innovation.
The different ideas of Tsui Hark and Liu Jialiang represent two different imaginations of the future of martial arts films. One side pursues visual shock and artistic expression, while the other side adheres to the true meaning of martial arts and traditional aesthetics.
This collision brings disagreements, but it also stimulates more creative possibilities.
In the end, this contest proves that only in the collision of tradition and innovation can a true classic be born. It not only promoted the innovation of martial arts films, but also enriched the diversified development of Hong Kong films.
The two works "Top Gun" and "Drunken Fist 2" have become important milestones in the development of martial arts films in this era, highlighting the charm of different genres.
The release of "Top Gun" is like a fresh whirlwind sweeping the Hong Kong film industry, setting off a revolution in the world of martial arts movies. This work not only created a new style of martial arts films, but also led a new creative trend, which had a profound impact on the entire Chinese film industry.
For Jet Li, "Top Gun" was an important turning point in his acting career. Through this role, he successfully created a deeply rooted image of Huang Feihong.
Jet Li not only showed superb martial arts, but also interpreted a heroic image full of human brilliance. This role allowed him to get out of the trough of his career in one fell swoop, regain his position at the peak of his acting career, and establish his status in martial arts movies.
For Tsui Hark, "Top Gun" is the culmination of his martial arts dreams. He succeeded in elevating Wong Fei Hung from a mere martial arts master to a symbol of national spirit and strength.
Through careful camera language and narrative techniques, Tsui Hark endowed Wong Fei Hung with a deeper connotation, making this character transcend ordinary action heroes and become a microcosm of an era.
This sublimation of the deep theme makes "Top Gun" go beyond the category of ordinary action movies and become a masterpiece of both artistry and thought. It not only shocked the audience visually, but also resonated with the audience on a spiritual level, and became one of the masterpieces of Hong Kong cinema in the 90s.
The success of "Top Gun" also opened a new era of martial arts films. It proves that martial arts movies can have both traditional cultural connotations and modern artistic expressions.
This innovative spirit has influenced many subsequent martial arts works and promoted the development of the entire genre film.
Tsui Hark's ten-year perseverance finally bore this bright fruit. "Top Gun" not only realized his martial arts dream, but also contributed a new image of Huang Feihong to Chinese films.
This work embodies Tsui Hark's persistence, Jet Li's growth, and the hard work of the entire team.
In the creative process, the collision of tradition and innovation, the trade-off between persistence and compromise, together create this masterpiece. It explains to us a profound truth: true art needs time to precipitate, courage to innovate, and more importantly, the persistent pursuit of dreams.
It is this kind of persistence that makes Tsui Hark wait for Jet Li's "growing up" and waiting for their glorious moment. The success of "Top Gun" is not only a victory for a movie, but also a victory for the artistic spirit of film, which will forever shine in the starry sky of Chinese films.
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