1. In the summer of 2022, a "Menghualu" once again allowed the audience to witness the stunning costume style of "fairy sister" Liu Yifei. Liu Yifei, who plays Zhao Paner, appeared in red, and her mature and intellectual temperament is eye-catching
This role seems to be a new peak in Liu Yifei's costume career, showing her gorgeous transformation after years of precipitation. Looking back on Liu Yifei's ancient costume road, we have to mention "The Condor Heroes" in 2006.
At that time, Liu Yifei, who was only 18 years old, played the role of Xiaolongnu, dressed in white and winning the snow, like a fairy descending to earth. Her sinking face and ethereal temperament have made countless audiences fall for her.
The reputation of "fairy sister" came from this, and it also established Liu Yifei's status among the beauties in ancient costumes. The role of Xiaolongnu has become a goddess in the minds of many boys, dressed in white, and her gestures exude classical charm.
Subsequently, in 2012's "Tongquetai", Liu Yifei changed her cold image in the past, dressed in red, showing a bright and moving side. This sense of contrast not only did not disappoint the audience, but made people marvel at her multi-facetedness.
The red dress sets off Liu Yifei bright and moving, showing her ability to control different styles. Time flies, more than ten years have passed, and Zhao Paner in "Menghualu" once again dazzled the audience.
Liu Yifei's costume style is still thrillingly beautiful, but it has more of the charm of a mature woman. Zhao Paner's costume is delicate and gorgeous, exuding a mature temperament, which is in stark contrast to the little dragon girl in her early years.
This role not only shows Liu Yifei's beauty, but also reflects her progress in acting skills. From the young little dragon girl to the mature Zhao Paner, Liu Yifei proved with her strength that she is not only a beauty, but also a powerful actor who can control various roles.
Her journey to ancient costumes is not only the epitome of personal growth, but also a witness to the aesthetic changes of the audience. Liu Yifei's success to some extent represents the highest level of domestic entertainment costume beauties.
Every one of her appearances can attract a lot of attention, and every role can impress the audience. Whether it is a plain white dress or a gorgeous red dress, Liu Yifei can perfectly control it and show the beauty of different styles.
The reputation of "fairy sister" is not in vain. Liu Yifei used her hard work and talent to create her own unique position in the palace of ancient costume beauties. From "The Condor Heroes" to "Menghualu", she used classic roles to interpret the charm of ancient costume beauties, and also let the audience see the growth and transformation of an actor.
2. Liu Yifei's costume road is not only her personal success, but also the epitome of the development of domestic entertainment costume dramas. Every breakthrough she makes has promoted the progress of costume dramas and made the genre more colorful
From the fairy sister to Zhao Paner, Liu Yifei used her own way to interpret what a real costume beauty is. Speaking of 85 flowers, Zhao Liying is undoubtedly one of the most dazzling stars.
In 2018, the hit broadcast of "Do You Know If You Should Be Green, Fat, Red and Thin" made Zhao Liying the focus again. In the play, she plays Minglan from an innocent girl to a calm and atmospheric housewife of the Hou Mansion, and the costume style changes with the development of the plot, showing her strong adaptability and expressiveness.
Looking back on Zhao Liying's acting career, we can see a process of constantly breaking through ourselves. In 2011's "Huanzhu Gege", Zhao Liying played Qing Gege. Although she is only a supporting role, her fresh and elegant image has begun to take shape.
The intellectual and elegant Qing Gege is exactly what everyone should look like, laying the foundation for Zhao Liying's future costume road. Then in "The Legend of Lu Zhen", Zhao Liying challenged more complex roles.
From the little palace maid who first entered the palace to the later female official, her appearance has changed greatly, but each one has been controlled by her just right. Especially that peculiar hairstyle, which should have looked weird, but because of her small round face, it looks playful and cute.
The purple and blue clothes are fresh and natural, with only an atmospheric feeling. This contrast not only does not have a sense of disobedience, but adds to the charm of the character. 2015's "Flower Thousand Bone" can be said to be a turning point in Zhao Liying's costume style.
From the simple and kind little bone to the blackening in the later stage, her clothes and makeup have changed dramatically. At first, the small bone makeup was not amazing, but as the plot developed, her style became more and more brilliant.
Especially the bright red dress and strong makeup in the later stage, let the audience see a new Zhao Liying, who is no less amazing than any previous character. In 2017, "The Legend of Chu Qiao" once again refreshed people's impression of Zhao Liying.
This drama has set a record of 42 billion online broadcasts and is deeply loved by the audience. Zhao Liying has a variety of looks in the play, including heroic men's clothes and gentle and moving women's clothes.
Especially the light blue shirt given by Yan Xun Shizi brings out her ladylike side. In addition to this, there are a variety of shapes such as female slave costumes and bloodstained white clothes after the battle, each of which is impressive.
After fighting with the beast, Zhao Liying, dressed in white and covered with mottled bloodstains, although embarrassed, it set off the perseverance in her eyes and showed the growth of the character. Finally, in 2018's "Do You Know If You Should Be Green, Fat, Red and Thin", Minglan played by Zhao Liying once again won the love of the audience.
3. From a young rich lady to the housewife of the Hou Mansion, Minglan 's change in style reflects the growth of the character. When she first appeared, Zhao Liying had bangs on her head, and her clothes were fresh and elegant, in line with the image of a young girl
With the development of the plot, her style gradually matured, especially after marrying into the Hou Mansion, her hairstyle became a middle part, her hair was all coiled up, and she added simple hair accessories to show the temperament of the main mother.
Zhao Liying's ancient costume road, from Qinggege to Minglan, is a process of continuous breakthrough and growth. She interprets the charm of 85 flowers with classic roles, showing her versatility and adaptability as an actor.
Whether it is a pure and lovely girl or a mature and stable lady, Zhao Liying can perfectly control and make every character lifelike. From a supporting role to a protagonist, from youth to maturity, Zhao Liying's growth and transformation, just like the role she played in the play, conquered the hearts of the audience step by step.
Her success lies not only in her beauty, but also in her understanding and interpretation of each role. Zhao Liying's road to ancient costumes, to a certain extent, also reflects the rise and transformation of 85 flowers, showing the strength and charm of this generation of actors.
When it comes to court dramas, we have to mention the hit "Yanxi Raiders" in 2018. In this drama, Queen Fucha played by Qin Lan is deeply rooted in the hearts of the people with her gentle and dignified image.
The line "I won't be the queen of Fucha in the next life, but just Fucha Rongyin" made countless viewers cry. Qin Lan vividly interpreted the gentle and dignified, simple-minded and kind characteristics of Queen Fucha, and was affectionately called "Rongyin Little Angel" by the audience.
Her ancient costume style is dignified and atmospheric, no matter what kind of clothing she wears, she gives people a sense of virtuousness, which perfectly interprets the image of a virtuous and virtuous queen. However, Qin Lan's road to ancient costumes did not begin with "Yanxi Raiders".
As early as 2003's "Huanzhu Gege 3", Qin Lan had already emerged. She plays the role of Zhihua in the play, and is Xiaoyanzi's rival in love, although she is a character who makes the audience hate her teeth, but Qin Lan vividly interprets the image of everyone's girlfriends.
The setting of Zhihua is that of a well-informed lady, and this image is perfectly presented by Qin Lan, showing her ability to control complex roles. Later, in "Embroidered Lady Lanxin", Shen Lanxin played by Qin Lan brought a refreshing feeling to the audience.
Different from the previous shapes, this time Qin Lan looks more playful and cute. Especially that different hairstyle, which made Qin Lan's whole person look much more lively. From Zhihua to Shen Lanxin, and then to Queen Fucha, Qin Lan used her acting skills and temperament to interpret the multi-faceted nature of ancient costume beauties.
Qin Lan's acting career also reflects the development and changes of court dramas to a certain extent. From the early "Huanzhu Gege" series to the later "Yanxi Raiders", the themes and expressions of court dramas are constantly evolving.
And Qin Lan used his own strength to leave a deep footprint on this road. In "Raiders of Yanxi Palace", Queen Fucha played by Qin Lan can be said to be the pinnacle of her costume style.
The dignified temperament is immersed in the bone marrow, whether it is clothing or gestures, it perfectly interprets the image of a virtuous and virtuous queen. Especially the scene where Rong Yin died, which is considered to be the most abusive scene in the whole play, Qin Lan's acting skills moved the audience.
From the Zhihua in "Huanzhu Gege 3", to Shen Lanxin in "Embroidered Orchid", and then to Queen Fucha in "Yanxi Raiders", Qin Lan's every appearance brought surprises to the audience.
Her costume style from the early ladies to the later playful and cute, to the final dignified and virtuous, each stage shows the characteristics of the character just right.
Fourth, Qin Lan's success lies not only in her beauty, but also in her understanding and interpretation of each role. Her acting skills bring each character to life and impress the audience
From a supporting role to a leading role, from young to mature, Qin Lan's journey in costume has witnessed her growth as an actress and also reflected the development of court dramas. In today's vigorous development of court dramas, Qin Lan uses her strength to prove that she is not only a beauty, but also a powerful actor who can control various roles.
Her success, to some extent, also promoted the development of court dramas, making the genre more colorful. From Zhihua to Empress Fucha, Qin Lan used her own way to interpret what a real court drama heroine is.
Speaking of Xianxia dramas, we have to mention the classic "The Legend of Sword and Fairy". In this drama, Liu Shishi played the role of nightshade with two roles, which left a deep impression on the audience.
The gentle blue-clothed nightshade and the domineering red-clothed nightshade are in stark contrast, showing Liu Shishi's excellent acting skills and ability to control different roles. Liu Shishi's performance in "The Legend of Sword and Fairy" can be said to be the starting point of her costume road.
Although she is not the protagonist in the play, her role as Nightshade left a deep impression on the audience. Especially the nightshade in the shape of red clothes, there are countless fans. Liu Shishi vividly interprets the dual character of nightshade's gentleness, kindness and outburst at critical moments, showing her potential as an actor.
Liu Shishi's road to ancient costumes did not stop here. In 2011, she starred in the court drama "Step by Step" which caused a sensation again. In this drama, Ruoxi played by Liu Shishi has a delicate appearance, and her costumes and makeup are very eye-catching.
Especially in that scene of dancing in the snow, Ruoxi is holding a red plum, which is cold and moving, and has become a classic picture. This role not only made Liu Shishi popular, but also established her status among the beauties in ancient costumes.
Later, in "The Legend of the Female Doctor and Concubine Ming", Tan Yunxian played by Liu Shishi brought different surprises. She wore a light green embroidered blouse with a red skirt, highlighting her girlish temperament, once again proving Liu Shishi's ability to control ancient costumes.
This role shows Liu Shishi's more mature side, and also allows the audience to see her growth as an actor. From Nightshade to Ruoxi, and then to Tan Yunxian, Liu Shishi interprets the charm of costume beauties with classic characters.
Her growth and transformation have also witnessed the development of Xianxia dramas and costume dramas. Liu Shishi's ancient costumes have never disappointed, whether it is Nightshade or Ruoxi, or Tan Yunxian's dress, they are all amazing.
At the same time, other actors also have excellent performances in Xianxia dramas. For example, Baguio played by Zhao Liying in "Zhuxian Qingyunzhi", a light-colored outfit gives people a fresh and refined feeling.
5. The Baguio played by Zhao Liying in the play is dressed in green clothes most of the time, which has a very fresh and refined feeling, which adds a lot of charm to the role. In "Flower Thousand Bone", Zhao Liying went from simple small bones to blackening in the later stage, and the changes in clothing and shape are also impressive
The makeup on the front of the bone doesn't look amazing, but there's a big change in the back. That blue coat has a little more soul on Xiao Gu's body. In the back, she changed into a bright red dress and strong makeup, which made the whole person look different, showing the growth and change of the character.
Another one worth mentioning is Guo Xiaoting, although she played a supporting role in "The Legend of Sword and Fairy", she also left a deep impression on the audience. Many viewers' first impression of Guo Xiaoting was the jacaranda in "The Legend of Sword and Fairy", which was liked by the audience at that time, and many people still remember it vividly.
The success of these roles not only shows the strength of the actors, but also promotes the development of Xianxia dramas. From "The Legend of Sword and Fairy" to "Zhuxian Qingyunzhi", and then to "Flower Thousand Bone", we can see the continuous innovation of Xianxia dramas in terms of themes and expressions.
The wonderful performances of actors such as Liu Shishi, Zhao Liying and Guo Xiaoting in Xianxia dramas not only enriched the audience's understanding of costume beauties, but also injected new vitality into Xianxia dramas.
Every one of their appearances can attract widespread attention, and every role can leave a deep impression on the audience. From "The Legend of Sword and Fairy" to "Flower Thousand Bone", the development of Xianxia dramas has witnessed the growth of these actors and also reflected the changes in the audience's aesthetics.
When it comes to the multifaceted nature of costume beauties, I have to say Tong Liya. From Su Yan in "Palace", to the characters in "Tang Palace Beauty", and then to Zhao Feiyan in "Mother Yi World", Tong Liya interprets the multi-faceted charm of ancient costume beauties with one role after another.
Tong Liya's road to ancient costumes began with the TV series "Palace". In the play, her role as Su Yan left a deep impression on many audiences. Although she was only a supporting role at the time, Tong Liya's appearance attracted the attention of many audiences.
The character of Su Yan has gradually become a black-hearted young concubine from simple kindness and love step by step, showing Tong Liya's ability to control complex roles. Tong Liya, who wears Qing Dynasty costumes in the play, also has a unique charm.
After that, Tong Liya starred in "Tang Palace Beauty World". In this drama, she once again showed the charm of a beauty in ancient costumes. Slightly applied fat powder, simple hair accessories, two strands of long hair hanging down on the chest, a light-colored ancient costume, there is a fresh and refined beauty.
Although there are not many scenes in this role, Tong Liya's performance is still impressive. However, if you want to say that Tong Liya's most beautiful and moving role has to be Zhao Feiyan in "Mother of the World".
6. In this drama, Zhao Feiyan played by Tong Liya can be described as stunning to the audience. The charming and moving shape, and the makeup between the eyebrows and eyes, are unforgettable. The word "looking back and smiling" seems to be tailor-made for Zhao Feiyan
In "Mother of the World", Tong Liya's dress has an inexplicable sense of charm, giving people a sense of immediacy. Especially the makeup between her eyebrows and eyes, she feels that she is Zhao Feiyan herself.
Tong Liya's dancing is even more beautiful and intoxicating, and she vividly interprets Zhao Feiyan, a peerless beauty. From the hairstyle to the costumes to the makeup, it is impeccable, coupled with the exquisite dancing, it is so beautiful that it is fascinating.
In addition to Tong Liya, the quiet costume style is also worth mentioning. In "The Secret History of Xiaozhuang", Da Yuer played by Tranquility is known as "the first beauty in Manmeng", even in the costume drama 19 years ago, Tranquility at that time was still so beautiful that people were "difficult to tame".
The styling in the play is still very resistant even now. In the costume drama 19 years ago, the quiet and wild beauty at that time was full of beauty, and it was so beautiful that it was "untamable" even without filters! And Mu Guiying, who played in "Yangmen Female General", showed a heroic side.
Mu Guiying, played by Tranquility, is delicate and heroic, arrogant and domineering. The success of these roles not only shows the actors' ability to control different roles, but also enriches the audience's understanding of costume beauties.
From Tong Liya's Zhao Feiyan to the quiet Da Yuer and Mu Guiying, we have seen the multi-faceted nature of ancient costume beauties: they can be both charming and moving, but also heroic; can not only play the court concubine, but also play the heroine.
Tong Liya and the quiet road of ancient costumes show the multi-faceted charm of costume beauties, and also witness the development and evolution of costume dramas. Their success lies not only in their beauty, but also in their understanding and interpretation of their roles.
No matter what style of costume clothes, wearing them is a word "beauty"! This kind of multi-faceted nature makes costume dramas more colorful and brings more surprises to the audience.
Among the many costumed beauties, although Guo Xiaoting is not the most dazzling, her performance cannot be ignored. Guo Xiaoting is a very magical existence, beautiful, acting online, down-to-earth interpretation of every role, and also well-known, but she is almost hot and has been playing supporting roles.
7. Guo Xiaoting's road to ancient costumes can be traced back to "The Legend of Sword and Fairy". In this classic Xianxia drama, her role as the jacaranda left a deep impression on many audiences. Although it is only a supporting role, Guo Xiaoting's performance is still fresh in people's memories
Many viewers' first impression of Guo Xiaoting was the jacaranda in "The Legend of Sword and Fairy", which was liked by the audience at that time, and many people still remember it vividly. After that, Guo Xiaoting participated in "Step by Step" starring Liu Shishi.
In the play, she played Mongol Gege, although there were not too many scenes, but it still made the audience remember this little girl. This role once again shows Guo Xiaoting's ability to control the role of ancient costumes.
Guo Xiaoting's potential has been fully demonstrated in "Acquaintance with Jun Chu". In this TV series with Ren Jialun and Di Lieba, Guo Xiaoting plays two roles.
She vividly showed the styles and demeanors of the two different characters, with a huge contrast between the front and back, which made the audience sigh at her acting skills. Recently, in "Canglan Jue", Guo Xiaoting's "Master Bai Yueguang" once again left a deep impression.
Although she is still a supporting role, her performance has added a lot to the new drama. Guo Xiaoting's makeup in the play is very exquisite, especially the hairstyle and headgear and flowers, which are unforgettable.
In the makeup of the mortal oiran, Guo Xiaoting's tearful shots are particularly poignant, showing her delicate acting skills. Guo Xiaoting's costume style can be said to be a bright and glamorous beauty, sinking fish and geese, and closing the moon and shy flowers.
Especially in "Canglan Jue", her style is even more amazing. The scenes with tears in his eyes are particularly poignant, which adds a lot of points to the new drama. Although Guo Xiaoting has been playing supporting roles, her down-to-earth attitude and outstanding performance make people look forward to her future development.
Her growth, to a certain extent, also represents the exploration and breakthrough of the new generation of actors in costume dramas. Guo Xiaoting's example tells us that even if you are not the protagonist, as long as you interpret every role with your heart, you can leave a deep impression in the hearts of the audience.