At noon on September 29, the TV series "Hey, You're a Great Thing" was launched on the iQiyi TV Drama Channel. The drama is starred by Tu Zhiying, Wu Yuheng and other young actors, with a total of only 24 episodes of plot. Because of the lack of well-known actors starring, this work chose the mode of launching a full episode in one go. Based on the content of several episodes that the old editor has watched, the drama belongs to the more bright and cheerful "small fresh drama", and the character shaping is relatively successful, which can be classified as a "good" sequence.
Of course, if we harshly criticize this TV series according to the level of production of medium and high cost TV series, "Hey, You're a Great Thing" certainly has problems of one kind or another. For example, in this TV series work, when telling the plot content of the sense of age, it is obvious that what is found is the modern home decoration, and there is no feeling of childhood at all, which is easy for the audience to play. Of course, if you look at the show as a small-cost work, if it is not too harsh, its shining points are still quite a lot.
In "Hey, Your Big Thing Is Wonderful", she played a girl who was a little introverted and did not dare to express herself, and after she entered the workplace, she began her own youth love journey. And this love is from a small green plum bamboo horse, two small guesses. In terms of male protagonists, he grew up with the female protagonists from childhood, and has always achieved excellent results, even in all aspects. The love theme of green plum bamboo horses is attractive to many audiences. In terms of subject matter, it has taken a path that is more familiar to the audience.
From my personal perspective, the biggest feature of this work is that it has successfully portrayed the personality characteristics of an introverted heroine. In "Hey, Your Big Thing Is Wonderful", the heroine has a strong mother, so she has caused her own character cowardice, dare not fight and so on. And this personality is presented in her workplace work. Although she has encountered various injustices in the workplace, the heroine is still weak, does not dare to fight for anything for herself, and even if she has been expelled, she still smiles.
In the plot content, the first two episodes have appeared twice when the heroine drilled into the big wardrobe. This is the finishing touch on an important character level of the show. The first time, the heroine made a mistake when she was a child, was chased by her mother, and could only hide in the big closet of the male protagonist's house. The second time, after the heroine's workplace setback, she went to the house where the male protagonist once rented, and hid in the large wardrobe. These two escapes are very successful in shaping the character of the heroine.
In our previous youth love dramas, we liked to create the heroine image of the attacking personality. Such a heroine is cheerful and interesting, and can bring a lot of points of view and laughter to the work. However, an introverted heroine like "Hey, You're Doing a Great Thing" is actually a very important personality trait among girls, which has rarely been involved in previous TV series. Because of this scarcity, the show has a nice small but fine value.
In terms of the shaping of the male protagonist, in the several episodes of the plot I have watched, he is actually similar to the previous urban love dramas, all of which are that the male protagonist does not bear too many personality characteristics, but only bears excellent, handsome and even more gold. This is a common problem in current love dramas. It seems that after our TV drama market began to enter the era of female dominance, it was no longer necessary to overly shape the unique personality of the male protagonist, but only to become the appearance of a public lover. Rich and handsome, and talented, you can do it.
This way of shaping the male protagonist is obviously a prejudice against women's aesthetics, and it is also a creative harm to the TV series works themselves. A large number of love dramas weaken the personality characteristics of the male protagonist, and even say that it is a face, which causes the problem that all the male protagonists of love dramas are a feature. This problem seems to need to be paid attention to by creators. Of course, this kind of attention needs to be rebounded by the audience to the creators.
In the performance of the two protagonists, there are also good and bad. The good side is that the heroine can achieve a very good sense of reality based on the perfection of the script's personality. The heroine presented by Tu Zhiying does have the meaning of neighboring. The heroine's dress in the play is not ostentatious, and it is easier to get the affirmation of female audiences.
As for the male protagonist Wu Yuheng, the actor's own appearance conditions are good. However, because of the script and other issues, the character characteristics of the character itself are not clear enough, only the appearance value, no personality characteristics, the character presented appears to be a lot flat. For this kind of problem, it should first be blamed on the flat script shaping. Secondly, it is the acting pursuit of the actors themselves in their own performance. (Text/Ma Qingyun)