Text丨Spring Speech Review丨Vegetable Package
Typesetting丨Lu Jiu
Good evening, everyone who saw this manuscript and the cover and clicked in.
As you can see.
Today's topic is "Hunger: A Thousand Miles at the End of the Ming Dynasty".
(Zhu Laoba has gone to play, why don't you go?) ）
Old viewers who are familiar with intelligence Ji should know.
We had an in-depth conversation with Ji Ling, the creator of "Hungry", in the previous "Burial Flowers: Dark Peach Blossoms".
That's right, it's that in-depth XP conversation at the end of October '21.
I like a wife, he likes black and straight, and what hand is just right......
(Is it good that a crazy wife has a shy face?) ）
Then, after playing "Hungry", I decided that I still want to find some time to gank him.
In the middle of the month, it's so hot that the roads and people are roasting.
I finally met Ji Ling and his loyal Zero Creation Games office.
When I saw that the banner in the office of this goods changed from the heroine Shuanghua of "Funeral Flowers: The Story of Dark Peach Blossoms" to the spike of "Hunger: A Thousand Miles at the End of the Ming Dynasty".
I knew that this person had not changed.
The familiar hand is just right, the familiar refreshing girly face, the familiar long hair......
(This is the double flower of the funeral flower)
(This is the hungry spike)
Not only that, but the familiar black hand on the player is also back.
The most touching of the many endings in "Burial Flowers: Dark Peach Blossoms" is the choice between the companionship of eternal life and common death.
Otherwise, eternal day and eternal night will be accompanied by the Peach Blossom Land in the midst of falsehood and truth, or they will escape from the Peach Blossom Land together and live in the outside world for seven days and die together.
This choice of living and dying together is even more ruthless in "Starvation".
The true ending of "Hunger" fled to Yangzhou with his life, and then greeted Yangzhou for ten days. (At the end of the Ming Dynasty and the beginning of the Qing Dynasty, the Qing army carried out a brutal massacre of the soldiers and civilians defending the city of Yangzhou)
It's you, and your mental state is really nothing to say.
All in all, we had a very pleasant meeting.
But after all, the background of "Hungry" is in the cruel era of "cannibalism and hunger" at the end of the Ming Dynasty, and it is still a bit too much to discuss XP.
So what we're talking about this time is still something that's in the direction of creation.
So.
"Why do you know that you will be criticized for children's astringency, but you still draw the plot CG of Sui bathing, and you really want to raise a young girl?"
(Liang Chapter 7 Bathhouse)
I promise to peel this time.
Because, people who really finish the ending of the plot will definitely not be able to ask such a bad question.
In fact, the cause of this section is very simple, that is, after walking on the mountain road for more than ten days, these little girls are going to stink, so they are thrown into the bathhouse to wash.
The protagonist Liang can't let them go as a human tooth, and just stares at the bath.
There is even a plot of taking a bath together in the back.
(Liang Chapter 10 Choice)
The plot of taking a bath together is even more ruthless, after Liang betrays his companion, kills his companion "Tongue" and kills him.
Sui witnessed Liang personally chop his companion into pieces in the bathhouse, and then the two of them used the hot water of the bathhouse to dispose of the corpse and blood together, and after the treatment, they took a hasty bath together.
This plot is quite important.
It was a relatively important turning point.
is also to make the following text coherent, so here we must first do an in-depth analysis of "Hungry" with you.
Liang has a lot of wavering and confused portrayals in the plot shaping.
Including his self-comfort that he has always left a bottom line for his heart by picking up the victim's relics, and also includes his principle of not being a human being.
And later, we will learn that in fact, the main reason why he didn't want to be a human tooth and smuggled children was the death of his father in PTSD.
In a sense, the good spirit stays on the day when he lost his father, while the body grows with time.
Although in Liang's own opinion, the question of whether he is confused in his heart is whether to be a wolf or a hero.
But in fact, Liang has been avoiding the moment when his father left him, that is, when the two went to see a shadow puppet show together.
This is corresponding to Spike, and Spike's revenge is also motivated by his father's death.
It's just that Liang was forced into a wolf by the old times.
But Sui, who also experienced the departure of his father and encountered a more cruel reality, was determined and desperately relied on his own efforts to embark on the road of revenge.
When talking about this, Ji Ling talked to me about a little bit: "Sui is very attractive to Liang because she is very firm and rational, clever but has strong principles. ”
Indeed, people who are confused will always wonder why others can be so determined, and will explore that reason.
But that reason is very fatal to Liang.
Because Liang killed Sui's father with his own hands.
"Liang is swaying, and Sui is aware of this." Ji Ling explained it this way.
When he first started on the road, Sui hid a knife and attacked Guoliang, but Liang did not choose to kill Sui.
"She also needs to confirm whether it was Liang who killed her father, it could be a tongue, an officer and soldier who escaped, it could be a mountain bandit, or it could be picked up from the corpse, Sui is still very kind."
There are many temptations in Sui, when taking a bath, but the main temptation is about [shadow puppetry].
(Liang Chapter 4 Sui Chapter 2 Chapter Names are Shadow Play)
Shadow puppetry is an important image throughout The Hungry.
As mentioned above, Ryoshi and Sui were also audience members of shadow puppetry in their childhood, and the opportunity to lose their father was also related to shadow puppetry.
When they grew up, they both starred in the drama of this cruel era.
And the performance of "Sanying vs. Lu Bu" is not only full of prayers like Liang wants to become a hero, but also a metaphor that under the pressure of the wheels of the cruel era, whether it is a powerful wolf like Lu Bu or a hero like Sanying (Sui), there is no good end.
(Lu Bu was scolded as a slave with three surnames, but he himself, as the strongest martial artist of the era, has always been incompatible with this world) (The history of Liu Bei's group is mostly a history of escaping from people, despised, and even hunted down) (The essence of Sanying and Lu Bu is that they are both at the bottom, and they are both despised by the family in the late Eastern Han Dynasty)
This is just my personal interpretation, and when I talked to Ji Ling here, Ji Ling's thoughts were more direct.
"Any relationship must start with contact, love is good or anything, at least there must be similar resonances."
Therefore, Sui's killing of the "tongue" is a very important turning point.
Because the two of them disposed of the corpse together, took a bath and met frankly From here, the topic of Sui's thinking changed.
It is not only a physical sense of honesty, but also a spiritual sense of honesty and self-questioning.
Liang had already got the answer at that point.
He's starting to turn back from the wolf's path.
So from this time on, the swinging person is no longer good, but spike.
And this is the beginning of the story of "Hunger" really penetrating into the hearts of readers, he is indeed the old drama of mutual redemption.
But the redemption of "Starvation" is not the kind of assembly-line redemption that can be completed by pulling the victim when he is sad in a fast-life book.
The redemption of "Starvation" is built after the choice is made.
Why does the first ending [missing] have so much stamina?
Because this decision was made by Sui.
We can all feel that Sui has actually begun to gradually rely on Liang in her heart, but she still chooses to leave.
is the punishment of reality for Liang's murder of his father's enemy, and Liang finally doesn't have to be confused anymore, and he finally welcomes the ending that can tear apart all his confusion.
It was also Sui's final decision to stick to his original intention and choose the beauty of the rift of "if you can't get along with each other, then forget about each other in the rivers and lakes".
(My personal interpretation is that she didn't even bother to stain the gift that Liang gave him, but she stayed there intact, and Sui would not seek death) (Of course, some people will interpret it as she will not bring the enemy's gift to see her father, Sui will seek death)
Many people may be sympathetic to Sui's experience, because Sui's childhood was suffering throughout his childhood.
Because I couldn't eat, my favorite cat was eaten, I went to play a shadow puppet show with my father and was murdered, my mother was patriarchal, and finally the whole family went crazy and cannibalism......
But sympathy will make people subconsciously ignore what the suffering person is really thinking.
Spike has an issue that runs through her life.
Before becoming an avenger who raised a knife against her enemies, she devoured her own flesh and blood in order to survive, and they were all the beloved of her father.
How was she going to deal with his father?
Her father died, and she avenged her father, and finally had a little face to face her father.
But the good conversion deprives it of this.
(Now think about it, what kind of mood is it for Sui, who sits with Liang to play shadow puppetry)
Ji Ling said, "Liang and Sui are both burdened with some kind of original sin, which is the basis for their empathy. ”
He also said that he didn't want to write about simple love between men and women, he wanted to write with the highest level of love.
I remember that after "Funeral Flowers", Ji Ling wrote a letter called "Thank you for letting me die without regrets" for a wide range of readers, and indeed for this person, the love between men and women has already existed.
The highest level of love, whether "Hunger" has been written or not, I think everyone who has been loved should have a different answer.
But there's one thing I'm sure of.
Regarding redemption, the redemption of each other in "Hunger" is not a condescending light, but a fire that sways in the darkness and burns each other if you get too close.
Only by enduring each other's burns can we see ourselves clearly in the reflection of the firelight.
This is the most precious thing about the work "Hunger" in my opinion.
Speaking of which, I think you should know that the so-called "children's astringency" is another old-fashioned hat.
We don't want to talk about the three views, after all, the highlight of "Hungry" is that it should be restrained and restrained, it should be expressed, and the emotional connection of the plump characters.
Skip.
So the second question.
"What is it like to be hunted by Ming Fan?"
Ji Ling replied: "In addition to Ming Fan, I have also been deducted six different hats by six different organizations, including male and female boxers, and national GAL connoisseurs. ”
(Ji Ling's whole job is really okay) (If you are bored, you can go to Weibo to search for the older two-dimensional and Ji Ling, he has more than this)
"But Ming Fan I respect them the most, because Ming Fan's promotion of "Hungry" is really MVP, they filled me with traffic on various platforms, and then gave me a bad review on STEAM......"
Ji Ling thought about it and summed it up.
Laughed out loud.
"Sometimes black fans are easy to use, and they like to do activities in Zhihu the most......"
"All the social platform comment areas are talking about feelings and character plots, and they know that it's different."
"They're on the right track."
I couldn't hold back after listening to it, so the office was filled with a happy atmosphere.
(It's true, because you see the picture I took above and he is connected) (It's true, because you see the picture I took above and he is connected)
And then the third question.
"THERE IS A CLAUSE IN THE STEAM EVALUATION, SAYING THAT HANSER'S DUBBING HAS A FEELING OF BEING SO NEUTRAL THAT HE CAN PUNCH ME, A WASTE COLLEGE STUDENT, IN THE EARLY STAGE, WHAT DO YOU SAY?"
"Anyway, in fact, it's my fault." Ji Ling said that he took the pot, "Actually, in the first paragraph, we conveyed that the dubbing part had a more lively and relaxed atmosphere, and the final dubbing was like that." ”
He explained: "Actually, when you look at the ending of Hanser's regret with the carriage and the two paragraphs where the fireworks leave, there is no such problem. ”
In fact, Ji Ling and I also talked about some specific techniques, or operational things, as well as historical things.
There are so many things I want to write about.
But that means spending a huge amount of space on things that have nothing to do with "Hunger."
Space does not allow it, and it is not the original intention of writing this manuscript.
I haven't seen Ji Ling for a long time, but when we sit down and talk together, it's always in a relaxed state, which I think is very important.
It's not that I want to emphasize how good Ji Ling is and how good he can be in business and script expression, but because he always knows what he wants.
If you have to find an end to this article, I think it's a good state.
I remember coming out of the office and we said go find a place to eat.
When I was walking on the road, I said to him in a joking tone: "I think that like you, combining the national gal, the second dimension and history, it should be able to open a new way out for the national gal." ”
Ji Ling only replied humbly: "It's hard to say. ”
"Is it because people who like history don't necessarily like to focus on the little people in the trend of history?" I thought about his answer, "It's true that the more books a person reads, the stronger his desire to express himself becomes, and the more likely he is to get sick. ”
"Maybe."
Ji Ling walked ahead of me, and the gradually falling dusk between the buildings was still splashing with residual heat, and the remnant sun was imprinting on his face.
Like a literary youth.
"I just want to say that before I write this, I still have to remember that it is a two-dimensional work...... Be loving. ”
I thought about it, and Ji Ling was right.
"Is the police uncle here, I'll report it."
"It's this person who fell in love with a thousand-year-old female ghost and ran to plague underage girls in the late Ming Dynasty."