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The May Day holiday that has just passed should have been the golden time for the theater to be lively again. But a piece of news has disrupted the viewing plans of many fans - the high-profile domestic production "Fengshen Part II" announced the postponement of its release.
What's going on? It turned out that the producers were facing unprecedented challenges – the amount of VFX work and the technical difficulty were far higher than previously expected. In order to ensure an impeccable visual feast in the end, they had to make the difficult decision to postpone the release. Thinking about this decision, it actually reflects the great importance and persistent pursuit of the quality of the film by the director and the entire production team. This is not only an ordinary commercial blockbuster, but also an ardent expectation and heavy commitment to the Chinese film industry.
It is not difficult to imagine that it is not easy to create an imaginative magical mythological world. It is necessary to carve meticulously in the details and strive to be foolproof, even the most inconspicuous shots and special effects must not be simple. Because every link can be the difference between good and bad movies. In the face of such complex visual effects production, the slightest sloppiness can turn a majestic epic masterpiece into a clumsy and ridiculous stage burlesque. Therefore, whether it is the visual effects team or the director team, they are all working together and tirelessly studying and polishing, just to present an absolutely excellent audio-visual experience to the audience.
No wonder director Wu Ershan said with so confidence, "Our post-production team has been going all out to produce "Fengshen Part II", hoping to repay the love and expectations of the audience and friends with better works." These words speak to the heroism and integrity of the producer.
Looking at the current domestic film market, it is not difficult for us to find that some masterpieces that were originally pinned on high hopes were finally "done completely" because of haste and rush. Their regrets are nothing more than two points: first, the details are not detailed enough, and they will deal with things temporarily; The second is that the requirements for the quality of the works are not grasped, and the final response from the audience is mediocre. In view of this, the "delaying strategy" of the producers of "Fengshen Part II" is really a wise and wise decision. Faced with such a heavyweight epic, they wisely chose not to follow the bad habit of shoddy production in order to meet the deadline, but generously gave the post-production team plenty of time to polish the details and carve the beams.
This is undoubtedly a visionary vision, and it also shows the persistence and persistence of the production team in the pursuit of art. After all, a magnificent myth and legend should be produced with impeccable standards and embody the highest level of filmmaking. Even if you delay it for a while, it is a hundred times better than being confused and hasty. It is foreseeable that during this "precious buffer period", the director and the visual effects team will carefully polish every detail, and always maintain a high degree of focus and rigor. Only in this way can we truly restore a gorgeous and magnificent magical visual world, so that the audience can be immersed in an impeccable immersive experience when watching the movie.
If the producer deals with it hastily, for such an ambitious epic masterpiece, it will undoubtedly be tyrannical and unpredictable. At that time, not only will the majority of fans be disappointed, but the huge amount of money spent will also be wasted in the bottomless doubts. And once the name is not true, the hard work and determination will become a laughing stock in the mouths of the people.
Not only that, as an important contribution to the transformation and upgrading of China's film industry, the "Fengshen" series shoulders the important task of carrying the national cultural genes and promoting the soft power of mainland film and television culture on the world stage. It can be described as a concentrated display of "Chinese wisdom", which condenses the ardent hope of hundreds of millions of people to pursue excellence and national rejuvenation. This determines that "Fengshen Part II" must be meticulously crafted, striving to bring an excellent audio-visual feast to the audience, so that they are sincerely impressed by the Chinese film industry. Only in this way can we truly lead domestic film and television to a higher level and achieve a new height of Chinese cultural dissemination.
We have reason to believe that although "Fengshen Part II" has postponed its release schedule, as long as it is careful and meticulous enough, it will definitely win the applause and praise of the audience. When the day of release comes, the masterpiece that lives up to expectations will surely shine with unique charm and brilliance. It will be turned into a mirror, reflecting the director's dedication to art, uncompromising and unrelenting. People will praise it: "Sure enough, this work is inspiring!" The producer has established a new image of a film mentor without being impatient. This is not only a grand victory for Chinese films, but also a monument to the high-spirited spiritual strength of the Chinese nation.
Every time a high-profile domestic production chooses to "delay the army" and postpone its release, it will undoubtedly cause a lot of shock and repercussions in the entire film and television industry. The reason for this is precisely because such a decision reflects the determination of Chinese filmmakers to pursue excellence and not be arrogant or impatient. In today's impetuous social environment, many film and television works are inevitably suspected of crawling and passing by, and they have long been insensitive to the words "quick" and "sloppy". In such an atmosphere, the director team of "Fengshen Part II" did not hesitate to postpone the release schedule, which is particularly precious and valuable.
They have shown with practical actions that for classic mythological themes with national memory and cultural genes, they must not be dealt with on their own, but must be meticulously crafted and pursue a perfect presentation of 100 points. This persistent pursuit of artistic spirit and creative quality is the full embodiment of Chinese filmmakers' unremitting pursuit of excellence and never satisfied with the status quo.
It can be said that such a policy decision is nothing less than a vivid practice of the Chinese nation in pursuing the spiritual high ground. It uses the most unpretentious way to convey to the world the firm concept and determination of Chinese filmmakers to attach importance to content construction and artistic pursuit. Even some foreign film critics expressed their heartfelt appreciation and affirmation for this decision. The prejudices and stereotypes that regard Chinese films as shoddy and to make money to fool audiences are being dispelled by this noble concept of action. Instead, there is a sincere admiration for the seriousness and ingenuity of the Chinese film industry.
It is not difficult to see that this decision is a "tonic" for the development of the industry, so that Chinese films are no longer just pursuing high box office and high traffic, but re-establishing the importance of "connotation" and "quality". Only when the core is hard will the outer brilliance not be as ephemeral and empty as the skin. In this sense, the "slow work" spirit of the "Fengshen" series can even change the ecological climate of the entire industry. It has set a commendable orientation for Chinese films to clean up the source and consolidate the foundation, and will surely inspire more peers to work hard, so that the label of "Chinese quality" is no longer a fool's dream.
Of course, it is not easy to build a good Chinese "blockbuster" overnight. However, as long as we have such a lofty determination and work unremittingly in this direction, we will be able to achieve success. The focus and endurance shown in the "Gods" series is the best guiding light. We can foresee that as long as the "Fengshen" series finally delivers a satisfactory answer, it will definitely have a far-reaching demonstration and incentive effect on the entire Chinese film industry. At that time, more and more practitioners will realize that in order to win the attention and respect of the world, the cultivation of internal strength is the foundation.
Once more films can reach the same level, Chinese films will completely emerge in the international film industry and become an important force that cannot be ignored. From an artistic and technical point of view, it will win new opportunities for improvement and development for the Chinese film industry. It is expected that China's local film market will continue to heat up, attracting more young people to join. In overseas markets, a large number of original Chinese films will also be frequently unveiled, allowing filmmakers from all over the world to appreciate the wisdom and ingenuity of Chinese filmmakers. In this way, the status and influence of Chinese films in the world film industry will naturally increase day by day.
In short, it is okay to go "in a hurry" for a while, but to go further and lasting, it is necessary for the style and concept of "slow work and meticulous work" to take root in the entire industry. And the decision of "Fengshen Part II" is a big step towards this glorious vision, and it is worth looking forward to the future of Chinese films.
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