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Preamble:
Ding Taisheng was once scolded on the hot search for complaining about Hailai Amutu, he has been having a bad time recently, and he was picked up by netizens for his black history.
After that, Rozette, a well-known Canadian vocal teacher, evaluated the performance of the contestants in the first episode of "Singer 2024", she said that she could not find resonance from Hailai Amu's "Your Thousands of Waters and Thousands of Mountains", and believed that its biggest advantage was that the whole song kept a tearing sound, and the assistant felt that the song was down-to-earth, like "hard-working Chinese", not very elegant.
Rozette also mentioned three reasons why he likes Fanxia, and thinks that mature singers use clip sounds to create atmosphere rather than show off their skills, and don't understand why love songs are sung like this, but in the end he saves face for Hailai Amu, saying that his pitch is okay.
Ding Taisheng once explained that Tu refers to coarse, not high-level, and low artistic level, and it is a more appropriate artistic expression to be relative to the foreign, and also pointed out that China's special structure makes the music of the "Xia Riba people" level more likely to be supported by the people.
These evaluations and opinions have sparked widespread discussion and controversy.
Body:
Ding Taisheng was scolded on the hot search before because he complained about Hailai Amutu, and his life was really not easy during this time, almost all of the comments on related topics were scolded for him, and even some netizens picked up a lot of his black history.
On May 15, Rozette, a well-known Canadian vocal teacher, updated the review video to evaluate the performance of the contestants in the first episode of "Singer 2024".
Among them, when talking about Hailai Amu's "Your Thousands of Rivers, Thousands of Mountains", Rozette said that it was difficult for him to find resonance in this song.
She thinks the biggest advantage of the song is that the whole song maintains a tearing sound, while her assistant said that the song sounds very down-to-earth, like a "hard-working Chinese citizen", and it doesn't feel very elegant.
At the same time, Rozette also mentions three reasons why she likes Fanxia.
She also felt that mature singers should use clip sounds to create atmosphere rather than show off their skills, and she didn't quite understand why love songs should be sung like this.
However, Rozette finally saved some face for Hailai Amu, saying that his pitch was still okay.
And Ding Taisheng also explained that the soil he said refers to coarse, not high-level, and low-level art, and the corresponding to foreign is a more appropriate artistic expression, which is actually related to factors such as talent.
Under such a special structure as China, it is indeed easier for music at the level of "lower riba people" to gain the support of the common people.
Even if Hailai Amu's works seem a little earthy and some are not elegant, there are still many people who follow them.
In fact, it doesn't matter who Hailai Amu's songs are suitable for, as long as there is an audience, it can survive.
It remains to be seen whether he will pursue higher artistic attainments in the future.
It has to be said that Rozette's evaluation of Hailai's songs has caused people to think deeply.
Music is a very subjective art form, and everyone's understanding and feeling of music may be different.
Hailai Amu's songs may not seem elegant to some people, but they can deeply touch the hearts of others.
There is a kind of simplicity and sincerity in his songs, which is what many ordinary people like.
As a well-known vocal teacher abroad, Rozette's evaluation criteria and perspective are naturally different from ours.
Perhaps she pays more attention to the skill and elegance of music, but ignores the emotional connection between music and ordinary people.
Ding Taisheng's complaint about Hailai Amu also reflects a difference in artistic concepts.
In his view, soil represents an artistic deficiency, but we cannot completely deny the significance of its existence.
In the vast land of China, there are a variety of musical styles and expressions, each with its own unique value and significance.
Hailai Amu's songs may not be the genre that can shine on the international stage, but they can be widely circulated in China's countryside and cities, bringing joy and emotion to people.
We can't just judge music by a single criterion.
The beauty of music lies in its diversity and inclusivity.
The fact that Hailai Amu's songs can be loved by many people shows that it has a certain value.
Maybe it's not the most perfect, but it resonates strongly with a specific group of people.
At the same time, we should also encourage music creators to continue to explore and innovate to improve their artistic level, but we should not deny those musical works with local characteristics and down-to-earth atmosphere.
For the evaluation of Hailai Amu's songs and Ding Taisheng's complaints, we should think and understand from multiple angles.
Rather than simply assigning who is right and who is wrong, different perspectives and evaluations should be respected.
The world of music is vast, and we should appreciate and accept all kinds of different types of music with a more open and inclusive mind, so that the power of music can bloom more brilliantly in our lives.
As time goes on, the discussion about Hailai Amu songs may continue.
But in any case, his music has already left a deep impression on people's hearts.
We should also draw useful inspiration from these discussions to promote the continuous development of China's music industry.
At the same time, we should also look at the opinions of critics like Ding Taisheng and Rozette with a rational attitude, neither blindly pursuing nor completely denying them.
Only in this way can we continue to explore in the ocean of music and find our own piece of music world.
In the days to come, we look forward to Hailai Amu continuing to create more excellent works, and also looking forward to Chinese music showing a more unique charm on the world stage.
As lovers and appreciators of music, we should also constantly improve our musical literacy and aesthetic level, and listen to and feel the beauty of music with a more keen ear.
After all, music knows no borders, and it can transcend ethnic, cultural and regional differences, bringing comfort and emotion to people's souls.
Let's immerse ourselves in the world of music and enjoy the endless joy that music brings us.
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