After five years of waiting, it was a disappointing sequel. The premiere of "Celebrating More Than Years 2" made countless long-awaited viewers feel lonely. During the promotion period, the producer swore that all the original cast members would return, and the wonderful scenes would be presented one by one, but when the curtain opened, the audience found that they had been "deceived" ruthlessly.
The volume of 36 episodes should have meant a tighter pace and a more straightforward narrative, but the writers and directors of "Celebrating More Than Years 2" seem to have completely mistaken the audience's expectations.
The procrastination of the first episode makes people want to scold, Fan Xian's fake death scene has been played for most of the episode, and the audience has long had a vague memory of the plot of the previous season, and the only thing that still stays in their minds is that Yan Bingyun gave Fan Xian a fatal blow from behind. So, is Fan Xian dead or not? Isn't that obvious enough?
Fan Xian must not be dead, so what the audience is really curious about is why he was able to escape death under the heavy blow. The screenwriter can simply explain that he relied on the magic weapons of three guys and a few mouthfuls of chicken blood to pick up a life, but he has to procrastinate, and he can't get to the point for a long time.
People from all walks of life took turns to ask Professor Ye about the life and death of Fan Xian, and Emperor Qing and Chen Pingping even lost their temper when they heard the news. Not to mention that the two princes can guess that Fan Xian will not die easily, will Chen Pingping, the dignified king of a country and the battle-hardened Chen Pingping, really be deceived by this little trick?
The performances of the actors are also unsatisfactory. Zhang Ruoyun became more and more youthful after losing weight, but his performance style became more and more exaggerated. When he woke up at Wang Qinian's house, facing a little girl who had not dried up, he had to put on a posture like a great enemy.
As for the actors of Aunt Liu and Yan Bingyun, they used too much force, and their expressions were exaggerated to the point of making people uncomfortable. The premiere of "Celebrating More Than Years 2" is undoubtedly a comprehensive collapse. The sequel's curse of doomed overturn has been fulfilled again, and this highly anticipated work has finally disappointed the audience.
The plot drags on and the actors perform exaggeratedly, and all kinds of flaws make it difficult for this drama to carry five years of waiting and countless expectations. Perhaps, we shouldn't expect too much from the sequel. After all, the charm of an excellent work is often difficult to replicate.
The screenwriters and directors are too eager to pursue famous scenes and gimmicks, but they ignore the most basic narrative logic and character building, which ultimately leads to the whole show losing its soul. Fan Xian's fake death scene could have been more concise and powerful, and the actors' performances should have been more natural and sincere, but all of this was distorted by a rush to shine, which was self-defeating and counterproductive.
The lessons of "Celebrating More Than Years 2" are worth pondering in the industry. A sequel can not simply copy the original successful elements to win the audience's approval. It needs more innovation and breakthroughs, a deeper understanding and portrayal of the characters, and a more subtle and compact story structure.
Only by returning to the original intention and focusing on the characters and the story itself can we truly touch the hearts of the audience, live up to expectations, and hand over a satisfactory answer. hopes that the failure of "Celebrating More Than Years 2" can sound the alarm for the development of domestic dramas.
Instead of rushing to replicate the glory of the past, it is better to calm down, concentrate on creation, and create a classic work that truly belongs to this era with a more solid foundation and a more sincere attitude. Only by constantly breaking through oneself can we truly win the respect and love of the audience, and can we promote domestic dramas to a higher artistic realm.
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