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On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

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On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment
On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

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The Cannes Film Festival was held as scheduled.

Before the major awards are announced, the Cannes Film Festival must attract the most attention on the red carpet.

The red carpet of the Cannes Film Festival has always given people a very high-end feeling, but it seems that anyone can go there, and domestic star artists want to rub their heads and rub their heads.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

However, on the Cannes red carpet this time, before the stars appeared, many Internet celebrities began to "emerge".

Zhang Tianqi appeared on the red carpet in a horse-faced skirt, really couldn't refuse a little charm of Chinese clothing, and the folding fan on his hand said Not Dior, From China, this brother is too brave in the foreigner territory.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

Li Meiyue walked on the red carpet in a robe of Northeast Big Flowers, holding a fan of "Northeast Big Flowers, Conquer the World", it is right to spread Chinese culture, but there is always an embarrassing feeling of walking around wearing ancestral bed sheets.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

However, Li Meiyue used this makeup to create the only close-up shot of the Chinese attending Cannes this year.

So what do the stars dress up for?

Actresses compete for beauty, some people are happy and some are sad

The most concerned thing on the red carpet is the style of female stars, on the Cannes red carpet, what is the status of our domestic female stars? Let's talk about them one by one-

The first place, Xiong Dailin.

Xiong Dailin is wearing a Barbie pink dress, which is really eye-catching, and ugly is really ugly.

She was born as a model, and she has a good figure, and her concave and convex body curves can be seen when she is tightly wrapped, and it also exposes the shortcomings of her figure.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

Xiong Dailin, who is 178 tall, is tall, but his proportions are not superior.

The diamond-encrusted ring at the waist is placed too high, and it does not achieve the effect of "pulling the legs" at all, and the fishtail version of the dress sets off the hip line, which is a five-five figure at first glance.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

However, Xiong Dailin's face is in good condition, although the fine lines and pores on the skin are somewhat obvious, but the facial features have hardly changed, and with clear makeup, he looks more than ten years younger than his actual age.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

Xiong Dailin was dragged down by the dress on the red carpet this time.

second place, Liang Jing.

Liang Jing, as the producer and producer of "Dog Formation", appeared on the opening red carpet with director Guan Hu and actor Tong Liya.

She wore a long dress, with silver-white patterns and black tulle contrasting with each other, creating a strong atmosphere, and her hair was neatly combed back of her head, looking neat and capable.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

Liang Jing's figure is still not out of shape, and there is no trace of fat on the waist of the dress and the arms under the tulle.

Although her crow's feet are obvious when she laughs, it is not normal to have no wrinkles in her fifties, and Liang Jing's natural state is not much better than those "needle faces".

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

third place, Tong Liya.

Tong Liya directly "pressed" Liang Jing.

She appeared in Cannes in a bandeau mermaid dress, with a slim fit that sets off the perfect waist-to-hip ratio, which has a different kind of charm.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

The feather-style pattern on the skirt is distinctive, as if it were an elegant black swan.

The minimalist long black straight makeup creates a sense of calm and dignified, and the slightly exposed career line suddenly breaks this balance, and instantly has the softness and sense of luxury of a female star.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

Under the high-definition lens, her skin is still firm and elastic, without any flaws, and the two pear vortices blooming on her face make people fall in love with it.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

This intellectual route makes Tong Liya's femininity fully revealed, and her light makeup and red lips are more and more bright and moving.

fourth place, Guan Xiaotong.

Guan Xiaotong's red carpet rarely makes mistakes, and this time her appearance at Cannes has caused ridicule again.

She was dressed in antique haute couture, and the bead-pink skirt became rustic on her body.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

The cumbersome design of the dress makes it impossible to see Guan Xiaotong's waist, her figure looks very bloated, and the bandeau version exposes her short and thick neck.

Guan Xiaotong's skeleton is already big, and he has to wear off-the-shoulder clothes, no matter how thin he is, he will look strong, and this dress seems to be one size smaller, and when Guan Xiaotong turned around, a layer of fat was strangled out of the back.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

The 90-pound figure is forced to wear out the effect of 120 pounds. The camera zoomed in to see Guan Xiaotong's makeup, which was even more disastrous.

As she grows older, Guan Xiaotong's cheeks tend to be obvious, and the muscles in her cheeks go down when she is not smiling, and the effect will be better if she is properly covered with hair.

But this time, the curly hair style is half covered, giving people a feeling of old and young.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

Guan Xiaotong's appearance is not suitable for heavy makeup, and this retro old Shanghai makeup looks very inconsistent on her face.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

Every time she dresses up, every time she is ugly, Guan Xiaotong doesn't want to take a few classes specializing in fashion.

Gong Li's aura is full and very dazzling

The actresses on the red carpet have different styles and have their own beauty, but they always feel like something is missing.

It wasn't until Gong Li appeared that I felt that kind of real star style.

She appeared in Cannes in a deep V trailing gown, with diamond-encrusted fabrics and a jewelry necklace around her neck, which was gorgeous and dazzling, and people couldn't take their eyes off it.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

Looking closely at Gong Li's face, there is a mature charm that has not gone through the ups and downs of the years, and the simple makeup and hair also bring her a sense of lightness and dignified atmosphere.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

Gong Li's figure is very well-proportioned, and she can control this dress with ease. But she is not slender, especially in the pile of female stars, she can still be regarded as "fat".

In the retouched picture, her hand is on the waist of her stomach, and the bulging little belly can be faintly seen, and it is not an exaggeration to say that she is a "bucket waist".

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

The legs exposed when walking the red carpet are not slender, but Gong Li is the most dazzling one among female stars.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

She stands here with a powerful aura, a light that can't be hidden, so beautiful that she rides the dust, whether it is seen up close or far away, it is quite charming, and the oriental charm is fully displayed.

If Gong Li's beauty is aggressive, then now she has more stability after the baptism of the years, and her mature and elegant temperament is integrated with her enthusiasm for performance, which makes people feel the aura of an international actress.

On the day of Cannes, Gong Li's "bucket waist, elephant legs" is a counterattack to the deformed aesthetics of internal entertainment

I think Gong Li's beauty is not only in the skin, but also about the "bucket waist" and "elephant legs", no matter where she goes, she is an existence that cannot be ignored in the crowd.

is still the same sentence, acting skills and works are always the best filter for actors.

Epilogue:

On the day of Cannes, Gong Li's "bucket waist" and "elephant legs" are the best counterattack to the deformed aesthetics of internal entertainment.

In order to look good on camera, today's actors are blindly strong and thin, and they are all thin like paper figures, all of them are the same as walking skeletons.

And while they are pursuing thinness, they forget that the killer feature of actors is acting.

No matter how good it looks on the camera, no matter how beautiful the look is on the red carpet, when it comes to acting, the lines can't be said clearly, and the emotions can't be expressed.

Such an actor can't go far after all.

Even if Gong Li's figure is not the most perfect, but with her works, the audience loves to watch it, not because of how beautiful she is, but because her superb acting skills are willing to make the audience pay for her.

The actors of internal entertainment have time to diet and lose weight, so it is better to set aside time to hone their acting skills.

What do you think about this?

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