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Preface
On the evening of May 10, "Singer 2024" returned to the screen after four years, and it sparked attention and discussion on the night of its premiere.
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Video source: @Chaonews
In the first live broadcast of "Singer 2024", Hailai Amu finally ranked at the bottom.
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In the face of criticism and doubts from the outside world, Hailai Amu responded on social media: "Maybe my music is not elegant enough, but it is enough to move people's hearts." ”
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He hopes to convey the truest emotions through his singing, rather than pursuing superficial gorgeousness. Hailai Amu's words are not only an insistence on his own musical line, but also a diversified voice for the current music circle.
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The incident spread to the Internet, and netizens in the comment area fried the pot
Who is Hailai Amu's audience?
I have a question: why do people accept second-hand roses but not Hailaiamu?
It's so ironic, Hailai Amu was ridiculed, but Guo Youcai, who has a similar singing style and voice, was touted
Hailai Amu is the world's leading phlegm sinus resonance singer
In fact, the most popular one this time is Hailai Amu, who has already won
Netizens' disagreement and support
Hailai Amu's attitude and music have sparked social repercussions. Proponents believe that Hailai Amu's music has a strong local color, and that such "soil" is a symbol of roots and souls, and a manifestation of cultural diversity. Critics believe that as a national high-level competition platform, "Singer 2024" should show a more professional and universal music style.
The editor has something to say
On the stage of "Singer 2024", Sichuan singer Hailai Amu was criticized by music critic Ding Taisheng for his so-called "singing voice is too earthy", an incident that quickly provoked a wide discussion of cultural identity and music aesthetics. Hailai Amu's musical style, with strong local characteristics, is labeled as "earthy", which may seem to some people to lack modernity and internationalization, but in the eyes of others, it is the most authentic and moving expression of emotion.
We must admit that music is diverse, not only in elegant concert halls, but also in every corner of the vast world. Hailai Amu's music is rooted in his life experience and cultural background, and his singing carries profound regional culture and national feelings. This kind of music has a kind of raw beauty, it is not carved, but it can hit people's hearts. As Hailai Amu said, "Maybe my music is not elegant enough, but it is enough to move people's hearts." It is an insistence on his own musical philosophy and a contribution to the diversity of the modern music world.
Ding's critique also reflects a reality: in the tide of mainstream culture and commercialization, musical styles with strong local overtones are often marginalized or even regarded as "vulgar". This phenomenon is particularly prominent in the context of globalization, and many music forms have gradually lost their unique cultural characteristics and emotional connotations in the process of pursuing internationalization and modernization. This leads us to think: do we really need a cookie-cutter music world?
I think there should be a more open and inclusive approach to diversity in music. Cultural diversity is a precious asset of human civilization, and each musical style is a unique cultural expression that has its own value. Hailai Amu's music may seem "earthy" to some, but this is what makes his music unique, his distinctive cultural voice. This voice needs to be respected and cherished, not ruthlessly labelled and marginalized.
We should encourage authenticity and diversity in music creation and performance, so that different musical cultures can be fully expressed and developed. This enriches our musical lives and contributes to the cultural diversity of our society. Hailai Amu's persistence and efforts are not only a persistence in his personal artistic pursuit, but also a practice of multicultural integration in modern society.
The lessons of the Hailai Amu incident are manifold. It's not just a controversy over musical style, it's a profound discussion of cultural identity, aesthetic diversity, and social inclusion.
What do you think about this?
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