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When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.

author:Creative Arts & Crafts

#头条创作挑战赛#

Cui Jingzhe, whose name is Cui Wei, is a Manchu and now lives in the capital. Born in 1980 in Leting, Tangshan, Hebei Province, he graduated from Hebei Academy of Fine Arts and studied at Tianjin Academy of Fine Arts. He also studied at the Chinese Academy of Arts, a graduate class of Chinese figure painting. He is currently a member of the Chinese Artists Association, a director of the China Gongbi Painting Society, a creative researcher of the Tsinghua Academy of Fine Arts, the executive vice president of the Hebei Academy of Fine Arts, and the executive vice president and secretary general of the Hebei Gongbi Painting Society.

When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.

Cui Jingzhe's modern ladies' paintings are really full of affection, because his art inherits the tradition of "fate" in mainland painting, and the feelings in the paintings are sincere and sincere, and what he depicts is his most sincere inner world, and even the sublimation of his emotions and aspirations. This is consistent with his search for the value and meaning of his own existence in life, as well as his pursuit of a positive nature and a perfect personality. He allows the sun to illuminate the hearts of every woman in his paintings, so that celadon vases, ancient tables and chairs, carved wooden doors and windows, flutes, piccolo, banana leaves, and even corn, peppers, and sunflowers are all bathed in the bright spring light, all of which are healthy, auspicious, tranquil, and natural, endless, and beautiful.

When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.

That kind of love for real life, reminiscence of ancient history, and meditation on a better life almost exists in the depths of the heart of everyone in the painting. Cui Jingzhe continues his consistent pursuit of purity, freedom and poetry in painting, life is like a dream, flowers are full moon, it is the most ordinary and simple life, let Cui Jingzhe enter the most essential experience of life. What is different is that his characters do not make magnificent depictions, but use the technique of "pure formal beauty" to show the daily situation of ordinary women, they are beautiful, quiet, elegant, affectionate, moving, feminine and graceful and enlightened and bright in the intentional or unintentional blending, a kind of outpouring of life, but also a kind of monologue of the heart, no matter what, can provoke eternal reverberations in the depths of our hearts. - Jia Dejiang

When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.

Cui Jingzhe's works with "Chinese red" as the auspicious tone, such as "Red Makeup", "Bride", "Xiugu" and so on are quite distinctive masterpieces, in these works, the characters' clothes and decorations are mainly red, with colorful ethnic patterns, such as double happiness, butterflies, phoenix patterns, peonies, etc., to embellish the changes in the inner world of the characters, which not only sets off the main body, but also implies the expectation of beauty and happiness, which is very cordial and gratifying!

When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.

There are many depictions of contemporary youth or college students, the painter grasps the breath of youth at the same time, pays more attention to the revelation of the inner world of the characters, youth is beautiful, but there are still so many anxiety, restlessness, restlessness, expectation, and even panic in adolescence, if the artist can not see the other side of this beauty, it will not be able to capture the activities of the inner world of the characters, and can not reflect the deep transformation of the soul of contemporary young people, because it is not only the smile and the outer sweetness that move and move people...... Therefore, Jing Zhe still has a long way to go, as he told me, "Success again and again does not achieve the eternity of the career, only by constantly enjoying the process of cultivation, will you get a bumper harvest in the spiritual world." ”

When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.

At this time, I also seem to understand why Jing Zhe always feels that painting is not enough, and can always be obsessed with the world of painting for a long time, it turns out that he is using hard sweat to interpret "walking through the four seasons", so the four seasons have become richer and more blurred! Maybe this was his childhood dream? That's why this dream is so beautiful! Cui Jingzhe's works reflect the rich inner world of contemporary people, who not only attach importance to the independent aesthetic value of brush and ink, but also blindly indulge in the changes of technique without deviating from specific themes. With a strong atmosphere of life, there is no lack of brush and ink rhyme and lyrical characteristics, and on the basis of sticking to the traditional brush and ink context, he deeply explores the creation of modern figure painting, with rigorous modeling and vivid images.

When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.

The works incorporate the author's true feelings, and strive to reflect what he has seen and heard around him, and there is no lack of serious rational consciousness and historical reflection spirit, expressing the young author's life concept and cultural attitude. His works are often awarded and exhibited in national exhibitions, and have achieved gratifying results. On the other hand, Choi Kyung-cheol has his own style and characteristics, and his personality is distinct. The works mainly benefit from the comprehensive embodiment of artistic literacy in all aspects, and the solid calligraphy skills, which are of great benefit to the in-depth study of traditional Chinese painting. With the book into the painting, the pen and ink are smart, the color is elegant, there is the atmosphere of the Zhejiang style, and the atmosphere of the northern style, delicate and heavy, elegant but not kitsch.

When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.

The character is pure, and the painting is like its person. Strong modeling ability and good at accepting Western painting concepts, with a strong sense of modernity, forge ahead, in-depth depiction, the organic combination of traditional brush and ink and modern composition, so that the works have more visual impact.

In the creation of sketch paintings, "to the vast", "as subtle", fresh and refined, elegant and romantic, full of dream color, so that the works in the wonderful rhyme to form a unique aesthetic taste, to reach a certain realm. It should be said that Cui Jingzhe is a young painter who has made great achievements in the future art world, and perseverance is his driving force. - Zhang Hongfei

When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.
When classical beauty meets fine brushwork, the spring breeze shakes the Quartet.