杨玉环（719年6月22日—756年7月15日），号太真。性格婉顺，姿质丰艳，擅长歌舞，通晓音律。嫁给寿王李琩为妃开元二十八年（740年），奉命出家为女道士，后唐玄宗下诏让杨玉环还俗，并接入宫中，正式册封为贵妃。 The spring cold bathes in Huaqing Pool, and the hot spring water is slippery and creamy
The waiter helped up the delicate and weak, and it was the time of the new inheritance
Legend has it that Yang Guifei because of the smell of fox smell on her body, in order to cover up so often take a bath, and it is said that the reason why she is favored by Emperor Li Longji is inseparable from her special bathing method in Huaqing Pool. The waiter helped up the delicate and weak, and it was the beginning of the new grace" The poem is too imaginative. No wonder a man like Tang Xuanzong couldn't resist, he couldn't help but plunge into the gentle township.
Such a figure that captivates the country and the city has naturally become the object of depiction that painters of all generations are reluctant to let go, and they especially love to paint the scene of "the concubine taking a bath".
"The Concubine's Bath" describes the joy of Emperor Tang Ming and Yang Guifei enjoying the hot spring bath, showing that the concubine is as white and red as a lotus flower when she comes out of the bath, which is extremely charming......
Below, let's enjoy the "concubine out of the bath" written by the famous artists of the past dynasties!
Qiu Ying "The Picture of the Concubine Coming Out of the Bath"
Qiu Ying, the father of the real character, the name Shizhou, was a master of painting in the Ming Dynasty of China, originally from Taicang, Suzhou (now Taicang, Jiangsu), and later moved to Wu County (now Suzhou, Jiangsu). One of the four families of Wumen. Good at drawing characters, especially long ladies.
This Qiu Ying's "Picture of the Concubine Coming Out of the Bath" is a masterpiece of silk painting with a fine brush and color, with a vertical scroll and a long inscription by the famous painter Ding Yunpeng. Open the picture scroll, the hair is green and gold, silk and silk powder, a fresh and beautiful posture after the bath, and the graceful charm of Yanya rushes to the face, and Yanya is fragrant and exquisite.
The scene in the painting is the concubine out of the bath, the two maids are waiting for the left and right, and the three of them are all happy, especially the concubine who has just come out of the bath, wearing a light silk veil, holding a fan in her jade hand, her head is slightly tilted to the right, her face is like a peach blossom, slightly shy, but she still can't hide her noble and elegant, graceful and generous bearing. Whether it is from the hairstyle, clothing or gestures, it can highlight its luxurious status, coupled with the round and plump face and posture, it is even more reminiscent of Tang Xuanzong's love for him and pity.
Kang Tao "Huaqing Out of the Bath"
Kang Tao, a native of the Qianlong period of the Qing Dynasty. Later, the name was changed to Tao, the word Yizhai, the word Kangshan, the number Shizhou, and the number Jisheng, the late number Tiandu Mountain people, the immortal people of the lotus peak, the old man of Maoxin, the old man of Jingxin, and the cloth clothes of Qiantang (now Hangzhou). Filial piety. Painting, fine women, quiet posture, between the wonderful.
Kang Tao also painted a picture of "Huaqing Out of the Bath", Kang Tao's concubine is more noble, less charming, and a little bit of a female master.
Qing Dynasty Fei Danxu, 1828, "Out of the Bath"
Fei Danxu was a painter of the Qing Dynasty. The word Ziyuan, the number Xiaolou, alias Huanxisheng, Huanzhusheng, Sanbei Township, the descendant of Changfang, the late number of evens, Wucheng (now Wuxing District, Huzhou City, Zhejiang Province) people. Fei Danxu is famous for painting ladies, and is called "Gai Fei" together with Gai Qi.
Fei Danxu, as a typical representative of the Qing Dynasty's ladies' paintings, painted those "small jasper" beauties with a compelling, beautiful and natural expression. Its grievance, euphemism, and tenderness are the most intriguing and heart-wrenching. Therefore, although his "Out of the Bath" depicts the noble Yang Yuhuan, it still has a feminine and delicate side.
Gai Qi "Out of the Bath"
Gai Qi, a painter of the Qing Dynasty. The word Bo Yun, the number is fragrant white, and the number is Qixiang, the jade pot mountain people, the jade pot outside the history, the jade pot immortal, etc. Hui people, ancestors of the Western Regions, Songjiang (now Shanghai) people, patriarchal Huayan, like to use orchid leaves, ladies dress fine lines, simple and elegant tree and stone background, slender shape, elegant color, created a new physique of ladies painting, people at the time called "change".
Gai Qi "Out of the Bath"
Gai Qi's "Out of the Bath" is exposed on a larger scale. However, this concubine's figure is too sorry for the plump style of the Tang Dynasty.
Pan Zhenyong "The Concubine Out of the Bath"
Pan Zhenyong, whose name is Chengbo, is called Yasheng, also known as Yasheng, alias curling piano master, and in his later years, he was known as the dull old man, the blunt old man, and the blunt old man. A native of Xiushui (now Jiaxing, Zhejiang). Born in a family of painters, he learned to dye at an early age, and was able to draw figures at the age of six or seven. Later, he studied under Dai Yiheng, a famous painter in Qiantang, and his painting art became more and more exquisite, especially the characters and ladies.
Pan Zhenyong's "The Concubine's Bath" vertical scroll, from the perspective of the painting style, is a typical Qing Dynasty painting style, the woman in the picture is not at all like the Tang Dynasty, but a portrayal of the female image of the Qing Dynasty.
Zhang Daqian, Ji Chou (1949), "The Picture of the Concubine Coming Out of the Bath"
Zhang Daqian's female painting, taken from the Ming and Qing dynasties, the lines of the clothes are simple and smooth, and the color is beautiful. This "Picture of the Noble Concubine Coming Out of the Bath" has only a few strokes, and it is outlined in a soft and moving way.
Wang Shuhui, 1947, "Yang Concubine Out of the Bath"
Wang Shuhui, whose name is Yufen, is born in Tianjin, born in Tianjin, and is a famous female painter of modern fine brushwork.
Wang Shuhui's characters are expressive, elegant and quiet, and have a long rhyme. The subject matter of the painting is mainly ancient ladies, the characters in the painting are slightly exaggerated, the line drawing is vigorous and powerful, the ink is clean, the color is bright and elegant, sweeping away the decadent painting style since the Ming and Qing dynasties, and opening a new generation of atmosphere. Wang Shuhui learns from the ancients, in her words: "Detour the road and go your own way." ”
Wang Shuhui, 1933, "The Concubine Comes Out of the Bath"
She reasonably absorbs the creative techniques of proportion, anatomy, perspective, etc., especially in the overall value orientation, she pursues a purely Chinese classical aesthetic taste. In the "subtle" fine brush heavy color painting, the pursuit of "to the vast" vivid charm. This made Wang Shuhui a generation of grandmasters of contemporary gongbi heavy color painting.
Pan Jiezi "Yang Concubine Out of the Bath"
Pan Jiezi is a famous contemporary painter of Gongbi figures.
When many people are still intoxicated by the weak and can't help the beauty, the three white open faces, the willow eyebrows, and the cherry lips, Pan Jiezi is already opening up a new field of Gongbi heavy color aesthetics. Compared with his peers in the Gongbi industry at the same time, he was closer to getting rid of the habit of getting rid of the fat and powder of the old Gongbi painting and starting a new style of painting by himself.
Pan Jiezi "The Picture of the Concubine Coming Out of the Bath"
Pan Jiezi "The Picture of the Concubine Coming Out of the Bath"
Pan Jiezi Bingyin (1986) "The Concubine Takes a Bath"
Xie Zhiguang, 1934, "The Concubine Comes Out of the Bath"
At the age of 14, Xie Zhiguang studied Chinese painting and oil painting under Zhou Muqiao, and then studied under Zhang Yuguang and Liu Haisu. He is good at figures, birds and beasts, flowers, etc., especially good at lady painting, and his brushwork is unique in Chinese and Western styles. Later, he became a well-known advertising painter in Shanghai, and was known as one of the "Three Musketeers of the Month".
Xie Zhiguang's paintings of ladies created during the Republic of China are unique and refreshing, and the beautiful and gentle and elegant paintings have poured down many people!