Copywriting|College Student Atlas
Edited by the University Student Atlas
"Singer" is back in the storm: the "guardian of the country" in the Chinese music scene
When the stage lights of "Singer 2024" are lit up again, it illuminates the dreams and glory of countless musicians.
Just after the premiere of this season, a strong shock wave caused waves among music fans - the strong attack of European and American singers overshadowed many famous players in the Chinese music scene.
In this music contest, it seems that only Na Ying, a veteran who is over half a hundred years old, is still sticking to the last line of defense in the country.
On the stage, the lights came on, and a musical feast kicked off.
Wang Sulong, Second-hand Rose, Hailai Amu, Rainie Yang, these singers who have a pivotal position in the Chinese music scene, have shown their housekeeping skills and tried to gain a firm foothold in this international music showdown.
When the singing voices of European and American singers sounded, the unique timbre, superb singing skills, and the free-spirited atmosphere in their music swept the entire stage in an instant, like an unstoppable torrent.
The singing voices of the Chinese singers seemed so pale and powerless at this moment.
Although their music has a profound cultural heritage and unique artistic charm, it is so vulnerable in the face of the exquisite skills of European and American singers.
Na Ying, a veteran who has been in the Chinese music scene for many years, has barely gained a firm foothold in this musical storm with her years of experience and solid singing skills.
Her typhoon, her performance, is still not comparable to those young and energetic European and American singers.
So, why is the Chinese music scene so crushed in this competition?
We can approach this question from multiple angles.
Let's talk about Chinese biting words first.
To be honest, Chinese biting is really a challenge for Chinese singers.
Compared with English, Chinese pronunciation is like a labyrinth, and the transition between syllables is like walking a tightrope, and if you are not careful, you may go astray.
Think about it, it is not easy for singers to stand on the stage and not only sing beautifully, but also to ensure that every word is clear.
As for European and American singers, they don't have this trouble, and they can devote themselves to the expressiveness of music and the transmission of emotions.
Let's talk about the style of music.
European and American music gives people the feeling of being like the kind of unrestrained wild horses, galloping on the grassland, full of the passionate pursuit of life, freedom, and love.
Every time I listen to European and American music, I feel like I am being pushed by a powerful force, and the infectious and impactful force is simply irresistible.
As for Chinese music, it is like a gentle scholar, sitting in the bamboo forest playing the piano and reciting poems, paying more attention to the artistic conception of the lyrics and the beauty of the melody.
Although it is also beautiful, on stage, this restrained and conservative style will indeed make it appear slightly inferior in expressiveness.
We have to admit that every culture has its own uniqueness, and every music has its own charm.
But having said that, in the face of these challenges and differences, Chinese music also needs to continue to innovate and develop in order to show stronger competitiveness and influence on the international stage.
I hope that the future Chinese music can not only have the charm of Chinese, but also have enough tension and expressiveness, so that more people will fall in love with it.
From the perspective of music technology, most of the Chinese pop music singing methods are derived from European and American mixed singing methods.
In terms of the use and inheritance of technology, the Chinese music scene does not seem to have fully grasped its essence.
Many singers are pursuing high notes and techniques, but ignore the emotions and artistic conceptions that the music itself should express.
This makes their music, while technically masterful, emotionally hollow.
The problem in the Chinese music market cannot be ignored.
In this era of commercialization, many singers have given up their pursuit and love of music in order to cater to the market and earn more profits.
They focus more on the popularity and commercial value of songs, and ignore the artistic value and cultural connotation of music itself.
This choice of market has undoubtedly exacerbated the predicament of the Chinese music scene.
Despite facing many difficulties and challenges, the Chinese music scene still has its own unique charm and value.
In this competition with the European and American music scenes, although Na Ying and other older generation singers are a little powerless, their perseverance and dedication are still worthy of our admiration.
And the young Chinese singers also gradually emerged in this competition, showing their talent and strength.
The contest of "Singer 2024" has made the Chinese music scene face up to the gap and shortcomings between itself and the European and American music scenes.
But it has also given the Chinese music scene an opportunity and a challenge - that is, to start playing a high-end game with confidence.
In this musical competition, we not only need to learn the advanced technology and experience of the European and American music scenes, but also need to adhere to our own cultural characteristics and artistic pursuits.
Only in this way can the Chinese music scene show a more confident and strong posture on the international stage.
Looking forward to the future, there are infinite possibilities and opportunities in the Chinese music scene.
Let's look forward to those talented Chinese singers who can continue to break through themselves and challenge their limits on the future music road, and create a more brilliant future for the Chinese music scene!
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