Grassroots resonance: Ding Taisheng's "Singer" angrily criticized Hailai Amu, and Crazy Brother Yang supported it!
With the rapid socio-economic development of the mainland, grassroots music has gradually risen and occupied a place in popular culture. This form of music, which originates from the folk and is full of life, not only provides a channel for the general public to vent their emotions, but also injects new vitality into the music market. However, the rise of grassroots music has also sparked a lot of controversy. This article will take Ding Taisheng's angry criticism of Hailai Amu in the "Singer" program as an example to discuss the controversy, views and future development of grassroots music.
1. The rise and controversy of grassroots music
The rise of grassroots music has benefited from the diversification of modern means of communication and the diversification of people's aesthetic needs. From "Avenue of Stars" to "The Voice of China" to "Singer", various talent shows have provided a stage for grassroots musicians to show their talents, and also made more and more audiences realize the charm of grassroots music. However, as grassroots music gradually moved to the center stage, controversies about its artistic value and aesthetic orientation also followed.
2. Ding Taisheng's performance and controversy in "Singer".
Ding Taisheng, an influential music critic, is known for his poisonous tongue. In the "Singer" program, he repeatedly criticized the contestants, which attracted widespread attention. Among them, his angry criticism of Hailai Amu pushed the controversy to a climax.
3. Hailai Amu's music style and evaluation
Hailai Amu, a Yi singer from Daliang Mountain, Sichuan, has won the love of many audiences with his unique voice and soulful singing style. His songs are full of national characteristics, both nostalgia for his hometown and love for life. However, it was precisely because of his unique music style that Ding Taisheng's angry criticism was aroused. Ding Taisheng believes that Hailai Amu's music is too ethnic and lacks universal value to become mainstream music.
Fourth, the reasons and views of Crazy Brother Yang to support Hailai Amu
After Ding Taisheng angrily criticized Hailai Amu, Crazy Brother Yang stepped forward and supported Hailai Amu. He believes that although Hailai Amu's music has strong national characteristics, it is this characteristic that makes his music more infectious. Everyone has the right to choose their own style of music and should not be swayed by the criticism of others. Grassroots music needs to be diversified in order to thrive.
Fifth, Ding Taisheng angrily criticized Hailai Amu's position and arguments
Ding Taisheng's angry criticism of Hailai Amu stems from his concern about the direction of grassroots music development. In his view, grassroots music should not be too limited to national characteristics, but should pursue a higher level of artistic value. There are two main arguments for his arguments: one is that grassroots music should have universal value, and the other is that national music is too narrow and not conducive to the all-round development of grassroots music.
6. Diversification and future development of grassroots music
The diversity of grassroots music is the key to its future development. As Crazy Brother Yang advocates, grassroots musicians should be brave enough to pursue their musical dreams and not have to stick to a certain style. At the same time, we should also respect the choices of each musician and give them more tolerance and support. On the basis of diversification, grassroots music talents continue to develop and grow, and make greater contributions to the prosperity of the mainland's music industry.
In short, the rise and controversy of grassroots music reflects the pluralism of social aesthetic concepts. In the future development, we should pay attention to the diversity of grassroots music, respect the creative rights and interests of every musician, and let grassroots music continue to grow and expand in the competition. At the same time, we should also pay attention to the education and training of grassroots music, improve its overall level, and contribute to the prosperity of the mainland's music industry.