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On the evening of May 10, the launch of "Singer 2024" stirred up a thousand waves. was originally a show that showed the true strength of the singers, but it was stirred up by the outstanding performance of two foreign contestants. Shanti Mo won the championship from the United States, followed by Canada's Fancia, leaving the country's "King of Singers and Queen of Songs" far behind. This result is truly surprising, but it is not difficult to see some of the deeper reasons through the appearance.
The foreign players are indeed strong. They have been immersed in a professional music environment since they were young and have long been professional singers. In contrast, although many Chinese players are household names, they are more famous for their outstanding talent and several years of systematic training, and there is a certain gap between them and their opponents in terms of basic skills, which can be seen from the nervous state that appeared in Na Ying's opening game. In this "international superstar-studded" arena, Chinese singers are indeed under tremendous pressure. In the past, they could rely on their understanding of the local pop music style and the use of their own language, and they were the "golden fingers" in China. But now in the face of foreign players with completely different styles, their "capital" seems to be less valuable. In someone else's home field, it's hard not to feel apprehensive and ashamed.
"Dare to ask where the road is, the road is under your feet." Fortunately, we still have local musicians like Han Hong who face challenges and stand up. Seeing the declaration of "I am Chinese singer Han Hong, I invite to fight", I think this self-confidence not only comes from the recognition of my own strength, but also a manifestation of perseverance and self-confidence in the national music of the motherland.
In addition to the strength and psychological pressure of competitors, the innovative format of "Singer 2024" has also brought a lot of challenges to Chinese players. For the first time, the show adopted the mode of "full live broadcast", which means that the singers have no chance to repair their voices at all, and any small mistakes will be exposed. For a battle-hardened veteran like Na Ying, he may still be able to maintain his composure in the on-the-spot performance, but for other players, the live link is undoubtedly a big test. The live competition system suddenly opened the "live gap" of the singers. Some have loud voices, and some have delicate voices; Some people are calm on the spot, and some people stutter repeatedly...... On this stage where "anything is possible", the true strength of the contestants is completely exposed, and even their breath is being scrutinized as if they are being "eaten alive".
More than just a player? Every cheer, laugh, and even light foot of the audience may enter the camera's field of vision at any time, be ruthlessly exposed by the camera, and become the object of comments by thousands of netizens after dinner. In such a harsh environment, the atmosphere on the scene naturally became highly tense, and people couldn't help but worry about whether the "reality show going too far" would hit the psychological quality of the contestants. For fear that the audience will get tired of watching it, "Singer 2024" also opened a precedent for "instant new songs". The contestants need to compose, practice and perform a brand new piece in a short period of time. This is undoubtedly a big test of the singer's on-the-spot adaptability, not to mention the regret of a failure on such a stage. It can be said that today's "Singer" is not only a big competition of skills, but also a test of the psychological quality of the participants.
While the outstanding performance of foreign singers has indeed made the domestic music scene awe-inspiring, our musicians have not been deterred. On the contrary, with their tenacity and self-confidence, they proved the unique charm of Chinese national music to the world with their actions. When the cry of "please fight" was first issued by the famous musician Han Hong, this courage and determination were like a clear stream into the hearts of the people. As a well-known singer in China, Han Hong has won many awards over the years, and has always been regarded as the promoter and inheritor of Chinese folk music. She used her actions to show her self-confidence in the uniqueness of national music, and it is also a kind of adherence to the music cause of the motherland.
Immediately afterwards, other powerful singers also echoed it with practical actions. Although Na Ying seemed a little nervous at the beginning, she quickly made a comeback in the second half and had a loud voice; Deng Ziqi even explained in the live broadcast that he was holding a concert. From these performances, we see their confidence in their own strength, and we also see the calmness of top singers who are not afraid of danger and are at ease. Whether they're on a hockey court or a rock stage, their confidence in their local music style never wavers. This self-confidence comes not only from the firm belief in the development of the motherland's music, but also from the admiration for the artistic achievements of the ancestors of musicians and the love for national culture.
Take Na Ying as an example, she has been exposed to the wisdom of Chinese music since she was a child, and has a unique understanding and interpretation of classic works; Deng Ziqi has carved out a new world in the Chinese music scene with his unique creative style. With their indomitable will and unique artistic personality, the musical talents have fully demonstrated the vigorous and upward development of Chinese music. Overall, although Chinese musicians are indeed facing unprecedented pressure and challenges in this "international superstar-studded" arena, they have responded forcefully with their tenacity and self-confidence. The quintessence of national music originates from the simplicity and heaviness of the national culture, and is bred in the majestic charm of the motherland, which has its own unique vitality and appeal.
Of course, we cannot deny that with the development trend of world integration, music and art are accelerating the process of internationalization and diversification. Musical styles from different languages and cultural backgrounds will collide more globally. This is undoubtedly a new challenge for the mainland's music industry, which requires us to embrace a more open mind. We should also be fully aware that folk music is the embodiment of the unique charm of Chinese culture and the continuous cultural gene of our ancient nation. If we lose it, we will be like wanderers who have lost their roots; And only by tightly guarding this precious cultural treasure can the mainland's music industry be vigorous and shining.
Therefore, let us embrace the international tide with a more open and inclusive attitude, and at the same time, we must strongly appeal to all sectors of society to pay more attention to and support the development of domestic original music! Only in this way can the Chinese nation shine and shine on the world stage!
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