The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
author：Look at the past and know the present
Five Memories of Self-Writing, paper, cursive, Wang Chongshu, 29.3 cm long, 294.7 cm wide, collection of the National Palace Museum, Taipei. Wang Pet used superb literary and artistic techniques to depict the magnificent scenery of five famous mountain resorts such as Lushan.
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
"Five Songs of Self-Written Memories" is unbridled and indulgent, and the spirit is flying. Wang Pet's pen is stiff and straight, only in the place where the pen is turned is slightly rounder, so the pen tone is hard and clumsy. Although this is a work of Imakusa, it is almost independent of the characters, and the handwriting has the brushwork of Zhangcao.
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
This calligraphy is the work of Wang Pet at the age of 35, written on the hard texture of the Jinsu Mountain Tibetan scripture paper, which can show Wang Pet's undulating and sudden and powerful penmanship characteristics, which is a fine product of his inheritance.
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
Wang Chong's cursive works are more contrary to the strict and tight knotting conventions of the Ti school in terms of structural treatment, increasing the amount of internal blank space, forming a kind of artistic conception of "sparse and void".
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
The artistic conception of sparse and empty and radiant - the penmanship of Wang Pet's cursive "Five Memories of Self-Writing".
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