Na Ying in despair: A lone fight in the Chinese music scene
Na Ying, the legend of the Chinese music scene, seems to be stuck in a cycle of despair.
The voices of netizens gradually focused on her, worried about whether she could still find the savior of the Chinese music scene. However, this problem does not seem to be so easy to solve.
Loading...
The Tough Choice: Foreign Help or Civil War?
On the one hand, some people have proposed to invite back some former superstars, such as Phoenix Legend, Huang Qishan, Hua Chenyu and so on. However, the question is, can these singers really save the Chinese music scene? It may not be that simple.
Loading...
On the other hand, the inclusion of foreign artists in the competition has also caused some controversy. Europe and the United States have big voices and unique music styles, which seems to give them an advantage in the competition. But is that fair? Couldn't Na Ying's "Mo" show its charm on this stage? Perhaps, we should really reflect on the aesthetic system of the Chinese music scene.
Lessons from Korea: A Contest of Unified Aesthetics
When it comes to "I Am a Singer", we can't help but think of the lively scenes of Korean variety shows.
There, the singers unfolded a fierce competition under a unified aesthetic system, and this competition was really interesting. Perhaps, the Chinese music scene also needs such a unified aesthetic standard, so that everyone can compete in fair competition.
Loading...
Involution: The dilemma of the Chinese music scene
However, the Chinese music scene seems to have fallen into a strange circle of involution.
Without a real superstar, the internal competition has become extremely fierce. Whether it is Tan Jing, Gong Linna or Han Lei, everyone is trying to find their own opportunities and want to challenge Na Ying's status.
Loading...
A cry in despair: the views of netizens
In the shouts of netizens, we seem to feel a kind of desperate helplessness. They put forward all kinds of suggestions in the comment section in an attempt to save the Chinese music scene. But what exactly is the problem? Perhaps, the answer to this question is not as simple as we think.
Conclusion: Looking for a new direction in the Chinese music scene
Na Ying's predicament may just be a microcosm of the current Chinese music scene.
We need to reflect, we need to innovate. Perhaps, "Singer" needs to find a new way to redefine the aesthetic standards of the Chinese music scene, so that more singers have the opportunity to show their talents. This may be the key to saving the Chinese music scene.