On September 2, the General Office of the State Administration of Radio and Television issued a circular requiring the radio and television industry to resolutely resist people who violate the law and lose morality, resolutely oppose the theory of only traffic, must not broadcast idol cultivation programs, resolutely resist the bad "rice circle" culture, resolutely resist pan-entertainment, put an end to deformed aesthetics such as "mother cannons", resolutely resist high-priced film remuneration, and effectively strengthen the management of practitioners.
The relevant departments have finally taken a shot at the entertainment circle that hides dirt and grime, which is very gratifying.
One of them is to eliminate deformed aesthetics such as "mother cannon", which has aroused people's unanimous approval.
Have you noticed that since the "Japanese and Korean" winds blew into China, the "Niang Cannon" culture has begun to flourish, and all kinds of head-scratching and posture behavior have made it difficult for me to accept.
The "Niang cannon" culture is a cultural phenomenon unique to Southeast Asian regions such as Japan and South Korea. What the United States has admired so far is a strong and powerful tough guy style with hormones bursting. But what about Japan and South Korea? Let's look at the most popular male stars in Japan and South Korea, what Fukuyama Masaharu, what Kimura Takuya, what Zhang Genshuo, etc., almost all of them are "beautiful as flowers", and it is difficult to distinguish between male and female.
No wonder some people say that after watching all the actors in Japan and South Korea, it is almost impossible to find a real man. There is no reason for this.
However, after this wind blew into China, in our entertainment circle, a number of such so-called stars and idols also emerged.
And this wind, there is a growing trend, which makes people intolerable.
Not everything that comes out is good.
When the essence is introduced, we find that some of the dross is also taken advantage of.
And what we media people need to do is not to "take its essence and remove its dross"?
In fact, all along, what we have advocated is a majestic and righteous male style.
We can see this from literary works and film works since the founding of New China 71 years ago.
Today, we will show you ten beautiful men in the film industry from the 50s to the present. I think they are the big handsome guys who can really represent the image of Chinese men. Not only is he handsome, but he also has a hard temperament, and none of them is a "mother cannon".
I think they are the real idols.
<h1 class="pgc-h-arrow-right" data-track="35" ></h1>
As we all know, the actor troupe of the former Shanghai Film Studio can really be called a gathering of stars, and there are too many big stars. But I found that when the Actors Troupe of The Studio always puts the golden flame first when promoting the actors. There's a reason for that, of course.
First of all, Jin Yan has deep qualifications, he became popular in the 30s, and can be said to be the first generation of national idols in China. There is also a more important reason, that is, in the golden flame, it embodies some of the things that a beautiful man should have, such as sunshine, handsomeness, vigor and masculinity.
When he first debuted, the screen was also blowing "feminine wind", but as soon as the golden flame appeared, it overshadowed some "little students" with a youthful and energetic image, with a toned body shape and a sunny smile. This fully shows that no matter what era, the male beauty we admire is dashing and masculine.
<h1 class="pgc-h-arrow-right" data-track="61">2, Feng Zhe</h1>
Although it is more appropriate to describe Feng Zhe as "polite and polite". But he is not a "mother" at all. In his body, a Kind of Chinese politeness and elegance is embodied.
Whether it is Gao Yingchang in "Southern Expedition and Northern War", Or Li Zheng in "Railway Guerrilla", or Wang Lian in "Yangcheng Dark Sentinel", or Zhong Yongsheng in "Desert Pursuit", or Jin Ming in "Jinsha Riverside", or Hou Chaozong in "Peach Blossom Fan", most of the roles he plays are very literary, but they can still let the audience feel his inner strength and fortitude.
I think in Feng Zhe's body, we can see the rationality, calmness and calmness that a man should have. This is not contrary to the blood nature of men. It can even be said that it is a manifestation of the higher rational realm of excellent men.
<h1 class="pgc-h-arrow-right" data-track="104" >3, Cui Wei</h1>
I think Cui Wei is one of the few male stars on the Chinese screen who can vividly reflect the ruggedness and heroism.
He does not appear in many movies, but almost every role is full of domineering and pride. For example, Song Jingshi in "Song Jingshi", Dou Erpeng in "Sea Soul", Zhu Laogong in "Red Flag Spectrum", etc., are so unforgettable.
The screen image he created has a unified feature, that is, it is full of blood and passion. I think this is a concentrated expression of the characteristics of men, to be a man, you should be persistent, persevering, jealous and hateful, dignified, and dare to be bold. And Cui Wei simply played all this to the extreme.
<h1 class="pgc-h-arrow-right" data-track="70" >4</h1>
On the screen in new China, who is the actor who can best represent the image of the military?
Wang Xingang, of course.
He has handsome facial features and no dead angles at 365 degrees. The upright posture is as high as a poplar tree. His appearance is impeccable, and the fortitude and righteousness between his eyebrows seem to represent the standard image of a soldier.
We have seen many military figures played by Wang Xingang, from The Naval Captain Zhang Min in "Sea Eagle", to Jiang Hong, an instructor of a certain unit of the People's Liberation Army in "Mengyan Sha", to Hong Changqing, the Red Army instructor in "The Red Detachment of Women", and then to Guo Rui, a reconnaissance staff officer in "Scout". Every soldier he portrays is so strong and tenacious that he brings us the power of example.
Wang Xingang in life is equally humble, low-key, upright, self-disciplined, and his personality charm is worth writing. I don't think it's an exaggeration to say that he is an unchanging idol in the hearts of generations, right?
<h1 class="pgc-h-arrow-right" data-track="84" >5, Pang Xueqin</h1>
In the 1960s, Pang Xueqin was a movie star with wang xingang. He is also very handsome, the movie is also well acted, lei Zhenlin, the platoon leader in "Youth in the Fire of War", exerts the masculinity of the boy to the extreme. In addition, his performance in movies such as "Ancient Temple Bells", "A Noon Storm", and "Soldiers Coming to the City" is also unforgettable.
<h1 class="pgc-h-arrow-right" data-track="90" >6, Yu Yang</h1>
Yu Yang's facial features are not exquisite, but his body always reflects a kind of male spirit that stands tall in the sky. In the movie "Hero Tiger Guts", he played Zeng Tai, the head of the reconnaissance section who was both wise and courageous, in "Song of Youth", he played the underground party Jiang Hua, in "Spring and Autumn on the Water", he played the swimmer Hua Xiaolong, in "The Great Waves and Sands", he played the indomitable Jin Gongshou, in "The Fiery Red Age", he played Zhao Sihai, and in "Handcuffed Passengers", he played Liu Jie.
This vivid screen image, without exception, is all tough guys. All in line with the aesthetics of Chinese audiences.
From the perspective of his marriage and love life with his wife Yang Jing, he is full of responsibility and responsibility. The two of them met in 1950, and it has been more than 70 years now, but they have never abandoned it, and the flounder is deeply in love. And a man full of responsibility is always full of charm. Yu Yang is like this.
<h1 class="pgc-h-arrow-right" data-track="153" >7, Yang Zaibao</h1>
No matter inside or outside the play, Yang Zaibao is a tough guy with an iron bone.
On the screen, he is Shi Donggen in "Red Sun", Xiao Jiye in "The Young Generation", Luo Xiao in "From Slave to General", Luo Xingang in "Blood, Always Hot", Xiao Ziyun in "Acting Mayor", and Qiu Hu in "The Wilderness". His image is angular, his eyes are deep, and his sculptural facial lines are very photogenic.
Outside the play, he always adheres to principles and resolutely resists some "bad atmospheres" in the entertainment industry. Dissatisfied with the fact that certain film awards were wrapped up in capital, he refused to accept the awards. In order to ensure that his public image is not damaged, he would rather take a salary of several thousand yuan a month than resolutely not shoot advertisements. How many old artists like this are there now?
<h1 class="pgc-h-arrow-right" data-track="155" >8, up to the form constant</h1>
Da Shichang's temperament is actually a bit similar to Feng Zhe. He was handsome and elegant, but not at all feminine. In particular, tian Wenzhong, a soldier he played in "Unforgettable Battle", and Zhong Lei, the chief of the investigation section played in "Donggang Spy Movie", are both so divine and physical.
In the hearts of more viewers, Dashi is often actually the spokesman for intellectuals on the screen. Whether it is Lin Yusheng in "The Young Generation", Lin Hanhua in "The Return of Yan", or Fu Jiajie in "Man to Middle Age", the image of intellectuals he has created is obviously more deeply rooted in the hearts of the people. The wisdom and handsomeness he showed also made him attractive.
<h1 class="pgc-h-arrow-right" data-track="162" > IX, Zhou Lijing</h1>
Zhou Lijing is another handsome male star with no dead angles in 350 degrees. And the tough guy image he created on the screen in the 80s was more popular than Tang Guoqiang in the same period. His performance style is cold and restrained, giving people a sense of vicissitudes and maturity. Masculine has tenderness, and the fiery place adds to the tragedy. In particular, his role as Gao Garin in "Life" and Li Xiangnan in "Nova" are even more memorable.
Later, Zhou Lijing created a series of screen manhood images that endured hardships and were not willing to yield, becoming another national idol in the audience's memory.
<h1 class="pgc-h-arrow-right" data-track="176" >0, Wu Jing</h1>
In our hearts, Wu Jing is not only the cold front in "Wolf Warrior", but also the representative of the tough guy on the screen in the new era. I think that the wolf spirit and tough style embodied in him are obviously more representative of the image of Chinese men than those small fresh meats that are indistinguishable.
Yes, when it comes to Chinese men, the first thing that comes to everyone's mind must not be the twisted and pinched female cannon, but the manhood of Xiang Yu, Guan Yu, Qiao Feng and so on. Specific to movie stars, the ten male stars we are talking about today are the real on-screen handsome spokesmen.
What I want to say is that no matter what time it is, manhood is a kind of blood, a kind of bravery, a kind of responsibility, and a spirit of self-improvement. And no matter when, the male stars who can truly represent The image of China must also be iron-boned and full of positive energy. People say, isn't it?
Everyone is welcome to express their opinions through the message area. In everyone's hearts, what other male stars can represent the image of Chinese men? You are also welcome to add through the message area. I am Yaqing, thank you again for your attention, we will meet again tomorrow at the same time.