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is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident

author:A good woman who loves her husband

"Three Lives, Three Worlds and Ten Miles of Peach Blossoms" is undoubtedly a bright pearl in the field of Xianxia dramas in recent years, and its influence has long transcended time and space and has become an eternal classic in the hearts of countless audiences. Why is it unique and so long-lasting? Behind this, not only because it breaks the inherent framework of Xianxia dramas, but also because it has reached an unprecedented height in character building, emotional expression and visual presentation.

is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident

Looking back at the history of this work, it was originally conceived in the form of a movie, but the TV series version took the lead with amazing strength and swept the entire domestic entertainment market. After the TV series version was broadcast, it quickly sparked a national craze, and the movie version that people were looking forward to, although it also attracted a lot of attention, the response was a little flat. The difference is not only a matter of chronology, but also a significant difference between the two versions in terms of expression and presentation effect.

is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident

Yang Mi's version of Bai Qian is undoubtedly the soul of this drama. With her unique charm, she vividly interprets the role of Bai Qian. Her eyes are born with the charm of a fox, as if they are a portrayal of a white soul. Her makeup is elegant, her clothes are elegant, and her gestures exude fairy energy. Especially in the scene of flying in the ten-mile peach forest, it is even more breathtakingly beautiful, as if it is really a fairy who came out of the painting.

is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident

In comparison, Liu Yifei's version of Bai Qian is a little inferior. Although her appearance is impeccable, her image does not seem to fully match the role of Bai Qian. Her makeup and costumes are too cumbersome and gorgeous, but she has lost the fresh and refined temperament of the original book. Moreover, when playing the role of Bai Qian, her performance also seemed a little stiff and exaggerated.

is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident

In addition to the character building, there are also obvious differences between the two versions in terms of scene creation. The TV drama version uses the method of live-action shooting to perfectly present the mysterious and beautiful world of Qingqiu in front of the audience. Every scene is like a beautiful picture, and it is unforgettable. Although the movie version also uses special effects technology, relying too much on special effects makes the picture appear too fake and deliberate.

is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident

Overall, the reason why "Three Lives, Three Worlds, Ten Miles of Peach Blossoms" can become a classic is because it has achieved the ultimate in all aspects. Whether it is character building, emotional expression or visual presentation, it is top-notch. And Yang Mi's version of Bai Qian has become an iconic character in this drama, and her outstanding performance makes people deeply remember this role and this work. Therefore, we have reason to believe that "Three Lives, Three Worlds, Ten Miles of Peach Blossoms" will forever remain in people's hearts and become an indelible classic.

is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident
is also played in white, the old version of Yang Mi and the new version of Liu Yifei are put together, and the gap between the two is self-evident

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