The road of life is rugged and bumpy, and every time you encounter difficulties, it is like walking through the middle of winter, falling into freezing, and then you can't wait for the spring breeze to come back and be full of greenery. However, the more tribulations in life, the more profound the understanding, and the longer the road traveled, the more ancient monuments we can learn about, and the more endless creative materials those literati and artists have.
Fangfei, Zimo, floating clouds, clear water, weeping willows, green poplars, strange rocks, rockeries, etc., may become the image in the poem, and the poet skillfully superimposes and combines them to form a very intimate and warm picture. The following shares Wang Yuyang's two seven unique songs, which are quite unspeakable and inexhaustible.
Zhenzhou quatrain
Qing Dynasty • Wang Shizhen
Jianggan is mostly fishing people's dwellings, and the area around Liumo Lingtang is sparse.
Fortunately, after the wind settled, the mangroves in the middle of the river sold perch.
Wang Shizhen, known as Wang Yuyang, the leader of the poetry circle in the early Qing Dynasty, was a 24-year-old jinshi and the first, and the official was still the secretary of the criminal department. Wang Yuyang believes that poetry creation should be based on temperament and charm. Many of his works are delicately portrayed and describe images, but they do not express a word of emotion, let alone a word of discussion, but through the rendering of scenes, to achieve a kind of supernatural charm.
Wang Yuyang once served as a magistrate in Yangzhou, once he went out on a business trip, passing through Zhenzhou (Yizheng, Jiangsu), and suddenly felt that the fishermen on the river and the surrounding scenery together formed a wonderful picture, so he couldn't help reciting this poem.
The author first uses a white sketch technique to introduce the scene in sight. Those fishermen make a living by fishing and live by the river for many years. On the path by the river, the willows are swaying, the water chestnut is fragrant on the clear water, and some sparsely distributed old houses can be seen not far away.
The first two sentences are not brilliant, but they show a very ordinary fisherman's scene. If the last two sentences are still so bland, the poet has lived up to the title of the leader of the poetry circle in the early Qing Dynasty. Sure enough, as soon as the third sentence turned, the last sentence echoed the beginning, which immediately made people feel bright.
The poet praised the best scenery when the sun sets in the west and the river wind stops, and from a distance, half of the river has been changed by the sunset and mangroves.
Fishermen return with a full load, moor their boats, and then carry the sea bass and scatter them under the big trees to sell, hoping to exchange the day's hard work for copper plates to feed their families. The whole text blends scenes, rendering a gloomy and distant atmosphere, and also euphemistically conveys sympathy for the hard work of the fishermen.
Lady Shrine of Lingze
The domineering Jiangdong has been lonely for a long time, and the Yongan Palace is reckless.
will have infinite hatred for the family and the country, and pay Xunyang up and down the tide.
Wang Yuyang once went to Guangdong to pay homage to the Canghai Sea during the Kangxi period, and on the way back, he passed through Xiāo Jī (located in Wuhu, Anhui) along the Yangtze River. The poet stumbled upon the temple of Mrs. Sun located on the riverside, and was full of emotion for a while, and wrote poems to express his feelings. Mrs. Lingze, that is, Sun Shangxiang, Sun Quan's sister during the Three Kingdoms period.
The article introduces the historical background of this ancestral hall, Sun Quan married his sister Sun Shangxiang to Liu Bei, not only did not recapture Jingzhou, which was occupied by Shu, but lost his wife and soldiers. In order to commemorate this legendary woman, people set up an ancestral hall for Mrs. Lingze, hoping that she could bless the fathers and villagers in this area of Jiangdong.
After the demise of Shu and Wu, the once prosperous palace became extremely barren, and the waters of Jiangdong suddenly seemed extremely lonely. Later generations have gradually forgotten the past filled with gunpowder, and only Sun Shangxiang's legendary experience is still fresh in people's memory. The contrast between "domineering" and "lonely and desolate" shows the vicissitudes of ancient and modern changes, which makes people sigh.
The last two sentences are intriguing, the poet suddenly turned his brushstrokes to Sun Shangxiang, she is Liu Bei's wife, but also Sun Quan's sister, Wu Shu is fighting, who should she help? No one can tell her the exact answer, she is also very sad, and finally she sinks herself in the area of Jiji with sadness.
Pity a woman who is shy of flowers in the closed moon, if she was born in a family of cloth clothes, she may be able to marry a hard-working and kind offspring, and then grow old together. It can be seen that there is not only wealth and glory in the emperor's palace, but also sorrow and pain that ordinary people can't imagine.
At the end, the Xunyang River is the dividing line between Shu and Wu, and the wife and the country can not take care of both, so she has to "pay Xunyang up and down the tide", asking for a good name of loyalty and filial piety, in fact, how many people know the sorrow in her heart?