1. An exploding thunder broke the sharp conflict between the appearance and strength of the rivers and lakes over the years!
Time flies, the rivers and lakes have gone through more than 100 spring and autumn periods, during which countless heroes and daughters have outstanding skills, some of them rely on profound internal strength and unique martial arts to look at the world; at the same time, there are also people who rely on extraordinary posture and temperament to capture the hearts of the people.
However, in this constant competition for honor, there will occasionally be interesting scenes of colliding shirts - the level of appearance is clear at this moment.
Let us recall the role of Xiao Jiang played by Zheng Guolin back then, although he is only the identity of the third male in the play, he shows extraordinary demeanor and bearing every time he appears.
Whether it is the white and purple robe, the brown robe or the black dark pattern robe, they can all show the demeanor and bravery of the knights of the rivers and lakes to the fullest.
This kind of bearing undoubtedly comes from Zheng Guolin's naturally handsome face and tall figure, and his gestures all reveal a chivalrous and tender demeanor.
However, when time passes to actors such as Ye Jing and Xu Tianming, even if they are wearing the same style of clothes, they can only show the image of street gangsters and grooms, and their temperament is gone, like an unkempt old bachelor in a flower shirt.
Let's take a look at the role of Liu Yushu created by Yan Yikuan, the black gauze cover and yellow-green collared robe in the early stage just reflect his appearance with clear eyebrows and extraordinary bearing. The outstanding appearance of the actors and the careful creation of the production team make this set of looks perfectly show the elegant and humble side of Liu Gongzi.
However, not long after, this gorgeous costume was put on by Chen Jiming, and his dark complexion, bloated figure, and obscene behavior destroyed this original elegant and atmospheric shape in an instant, which was jaw-dropping.
is not only a male character, but even the role of agarwood, a martial arts all-rounder, young and promising, Cao Jun is also angular and energetic when he plays it, which perfectly interprets the image of a young hero.
The light brown robe with white lines on a black background set off his high-spirited posture, and the flowing martial arts movements jumped in front of him.
2. Turn back in time, let's review the many mysteries of costume design in costume dramas in those years!
Filming a costume drama requires a lot of manpower and material resources, from the protagonist to the dragon set, often hundreds or even thousands of costumes and props. In order to avoid actors wearing the same costume repeatedly in different episodes, the crew usually made new costumes for the main characters, while the costumes of the supporting characters and extras were recycled.
This is undoubtedly a unique and exciting situation - the same style or color of costumes worn on different actors, unexpectedly produced an indescribable visual impact! Looking back at the costume drama "Under the Brocade", we can see that Huanrui Film and Television Company has carefully created a number of looks for the male lead Ren Jialun, including dark gray and light blue caftan with turquoise flowing gauze robes, and eye-catching red flying fish uniforms and so on.
Each outfit fully demonstrates the extraordinary bearing of the brave and majestic spirit of the brocade guard.
Ren Jialun was born handsome and chic, with three-dimensional and delicate facial features, and after wearing these precious official uniforms, he exuded a majestic and domineering brocade image. However, when the same set of costumes was assigned to mediocre-looking actors such as Han Myung-hee and Yoo Yin-jun in the movie version, it instantly lost its luster, looked dull, and even a little embarrassed.
It can be seen that regardless of the size of the role, the level of appearance directly affects the effect of the same set of costumes on different actors. A well-dressed actor can naturally show the nobility of the costume, otherwise he may become the laughing stock of everyone.
Third, the shirt is a big test, and those with low appearance are reduced to unkempt street walkers
A handsome swordsman with peerless martial prowess will naturally win people's admiration and affection, on the contrary, a yellow-skinned, lewd thug will only make people disgusted and afraid to avoid him.
The charm of clothing is important, but if there is no corresponding physiognomy and temperament as support, no matter how gorgeous the costume is, it is just a bunch of tatters.
Taking Xiao Jiang played by Zheng Guolin as an example, whether it is a white and purple gown, a brown leather robe, or a black dark pattern robe, he can perfectly show the demeanor of a chivalrous man.
He has a heroic face, tall and straight, elegant manners, and chivalrous tenderness in his gestures.
However, when the same dress falls on a middle-aged, obscene and old actor like Xu Tianming or Wang Jianguo, the original style suddenly disappears, leaving only a sloppy appearance like a street gangster.
It can be seen that even if there are not many supporting roles, outstanding appearance is crucial, and without it, everything will become meaningless.
In many film and television works, we can often witness the embarrassing scene of "people don't respect me, and I won't tolerate it". Taking the light-hearted comedy "Living Buddha Jigong" as an example, it is precisely because of Lin Jiangguo's heroic face that his brown official uniform with a combed chin can vividly highlight Zhao Bin's gentle scholarly demeanor.
On the other hand, the ordinary Chen Guokun was wearing the same style of official uniform, although he copied Lin Jiangguo's dress, he still couldn't show the charm of a humble son.
Fourth, the gorgeous turn, the handsome appearance has created the glory of Lord Jinyiwei!
Although the heroes of the rivers and lakes have extraordinary martial arts, they also pay attention to their demeanor and demeanor, and only in this way can they truly show their chivalrous tenderness. What's more, they are the magnates of the court, the princes and ministers, and they are dressed in splendid costumes, and their appearance and bearing should complement each other.
Otherwise, even if the official position is respected and the costumes are luxurious, an aging face will inevitably become a laughing stock.
It is not only the precision of the costume props that creates this majesty, but also the natural excellence of Ren Jialun's appearance. His facial features are resolute and powerful, the lines are three-dimensional and distinct, and with a pair of eyes as sharp as a knife, wearing this fiery red official uniform naturally exudes the mighty and domineering image of Jinyiwei.
However, once the same costume falls on mediocre-looking actors such as Han Mingxi and Liu Yinjun, it will be immediately overshadowed, and there is no domineering Han Mingxi is already ordinary, although Liu Yinjun is slightly heroic, but he always has a lewd atmosphere like a street gangster, even if he wears expensive clothes, he will only attract ridicule.
In the same way, many handsome men and beauties in the early Gulong martial arts masterpiece "Peerless Double Pride" are all outstanding in appearance, which can be called a visual feast. And Xiao Jiang played by Zheng Guolin is one of the representatives of chivalrous tenderness and personability.
The white and purple robe and brown leather robe all reflect his noble temperament as a chivalrous warrior.
Fifth, the years go by, and the difference in appearance always dominates the vitality of clothing!
The rivers and lakes have changed for a hundred years, and the years of chivalrous and beautiful women are also vicissitudes. The meaning of clothing has also changed subtly. Those once dazzling outfits of yesteryear may now only evoke nostalgia.
However, what remains unchanged is that the level of appearance always determines the continuation of the vitality of clothing.
recalled the role of Xiao Jiang played by Zheng Guolin in the past, although he was only a supporting role for the male number three in the play, he exuded endless charm and fresh and refined temperament every time he appeared.
The white purple robe, the dark brown knight's attire and the black dark striped robe are all appropriately portrayed, showing his deep chivalrous feelings and gentle feelings.
This extraordinary bearing comes from Zheng Guolin's naturally handsome appearance and tall and majestic figure, and his gestures are full of the heroism of the children of the rivers and lakes. If the same role is played by middle-aged actors such as Xu Tianming and Wang Jianguo, who are fat and vulgar in their image, then the costumes of the same style will instantly lose their original brilliance, leaving only the vulgar atmosphere of street gangsters and coachmen, which is really jaw-dropping! .
Looking at Yan Yikuan at that time, when he first played Liu Yushu's early role, the black gauze cover and yellow-green cross-collared kaftan just set off his gentle and elegant charm.
The actor's extraordinary appearance and the crew's elaborate service make this costume perfectly show Liu Gongzi's humble and polite side.
However, not long after, when this costume was worn on Chen Jiming, his dark, fat, and obscene image immediately completely destroyed this originally elegant outfit, which was shocking.