Anti-Japanese War dramas, as a kind of film and television works that carry national memory and historical feelings, have always been deeply loved and concerned by the audience.
From the simple and real image of female soldiers in the early days to the diverse and complex character creation today, the anti-Japanese war drama has undergone significant changes in aesthetics and narrative. However, this transition has not been without its challenges, and there is no shortage of controversy and skepticism.
In the early anti-Japanese war dramas, the image of female soldiers was often marked by "heroic posture", they wore military uniforms, held weapons, and fought bravely with the enemy on the battlefield.
These characters have won the admiration and love of the audience with their firm will and tenacious spirit. However, with the passage of time, modern anti-Japanese war dramas have begun to show a trend of diversification and complexity in character creation.
The images of female warriors in some dramas are endowed with more emotional and personality colors, they are either gentle, strong, or independent, but there are often certain differences with the actual situation during the Anti-Japanese War.
This collision of tradition and modernity is especially evident in the Anti-Japanese War drama. On the one hand, the audience has a deep emotional foundation and aesthetic expectations for anti-Japanese war dramas, and they hope to see real, simple and heroic images of anti-Japanese war heroes; on the other hand, modern audiences' needs for film and television works are also constantly changing, and they pay more attention to the emotional expression and personality shaping of the characters.
This contradiction has led to the phenomenon of "distortion" in the character creation of some anti-Japanese war dramas, which has aroused doubts and criticism from the audience.
In anti-Japanese war dramas, the image of the actor is crucial to the success of the character. However, in recent years, some anti-Japanese war dramas have "deviated" in the selection of actors.
In order to pursue beauty and fashion in appearance, some actors ignore the historical background and characteristics of the times of the characters, resulting in the audience feeling "out of the play" when watching.
For example, in some Anti-Japanese War dramas, actresses wear lace, cheongsam and other modern costumes, and wear heavy makeup, which is not only contrary to the historical background of the Anti-Japanese War period, but also far from the audience's expectations of the heroes of the Anti-Japanese War.
In addition, some actors also have deficiencies in acting skills, unable to accurately express the emotions and personality traits of the characters, resulting in a thin and unconvincing character image.
In addition to the image of the actors, the plot processing of the anti-Japanese war drama is also one of the focuses of the audience's attention. Some anti-Japanese war dramas are too bloody and exaggerated in terms of plot, and even have a tendency to be vulgar, which has aroused dissatisfaction and criticism from the audience.
For example, in some dramas, female soldiers run on the battlefield in modern costumes such as lace and cheongsam, which not only contradicts the historical background of the Anti-Japanese War, but also makes people feel very absurd.
In addition, some anti-Japanese war dramas pursue too much excitement and entertainment in the plot, ignoring the authenticity and seriousness of history, resulting in a deviation in the audience's understanding of the history of the Anti-Japanese War.
The audience's feedback is of great guiding significance for the creation and production of anti-Japanese war dramas. The audience's expectation for anti-Japanese war dramas is not only to see some heroic heroes of the Anti-Japanese War, but also to see real, profound and meaningful plots and character building. Therefore, in the creation and production of Anti-Japanese War dramas, more attention should be paid to historical authenticity and audience needs, and the history of the Anti-Japanese War should be presented with a more rigorous and professional attitude.
As a kind of film and television works that carry national memory and historical feelings, the creation and production of anti-Japanese war dramas should be more rigorous and professional.
First of all, we should respect historical facts and avoid excessive fiction and exaggeration in the plot and character image; secondly, we should pay attention to the selection and shaping of actors to ensure that they can accurately express the emotions and character traits of the characters; finally, we should pay attention to the feedback and opinions of the audience, and adjust and improve the plot and character image in time to meet the aesthetic needs and expectations of the audience.
At the same time, we should also realize that the Anti-Japanese War drama is not only a type of film and television work, but also a way of cultural inheritance and historical education.
Through the dissemination and popularization of Anti-Japanese War dramas, we can let more people understand the history of the Anti-Japanese War, remember the heroes of the Anti-Japanese War, and inherit the spirit of the Anti-Japanese War. Therefore, the creation and production of anti-Japanese war dramas should pay more attention to their social value and educational significance.