Copywriting|Luo Sheng
Editor|Meow Sansan
Since the end of "Light Chaser", the domestic drama market has once again fallen into a situation of drama shortage.
In fact, there are also endless new hit dramas, but there are too few real hits.
For example, "Spring Sending Lover" starring Li Xian and Zhou Yutong does not have a too seductive plot, and the bland and cliché redemption literature makes people feel bored.
And the spy war drama "Harbin 1944" "drives high and goes low", Yang Mi's acting skills have become the biggest mockery, it is really blind to the performances of powerful actors such as Qin Hao, Zhang Zixian, and Lin Jiachuan, let's use dim sum for the casting of domestic dramas!
In addition to the above two dramas, there is also a new work that is a big disappointment.
That's "Faint Fire".
The script is adapted from the novel "Little South Wind" by the highly controversial author Jiu Yuexi, and revolves around realistic topics such as homicides, domestic violence, and slut shaming.
To be honest, the show is quite daring to film, and it also has the potential to be a hit.
But it's a pity that the heroine was chosen too much, and it has only been 6 episodes, and the audience's bad reviews can't be suppressed at all, what's wrong?
01
The bitter face plays the vixen
It is not difficult to see that this "Faint Fire" is trying to make a domestic TV series version of "The Beautiful Legend of Sicily".
The heroine in the play, Nanya, is the object of dreams of the men in the town, and she is also the "fox spirit" in the mouth of the women of the town.
A role like this naturally needs a good-looking beauty to play.
After all, the key to the popularity of "The Beautiful Legend of Sicily" lies in the amazing beauty of the heroine Monica Bellucci.
Her very existence gives a reason to all the jealousy, lust, and selfishness in the story.
But the role of Nanya in the new play is actually played by Tong Yao, director, is it convincing for you to see for yourself?
Although Tong Yao is a female star, her appearance is far from meeting the standard of "red face and trouble".
Tianlong has a bitter face, heavy nasolabial folds, too deep in the middle of the person, and the corners of his mouth are always drooping, which makes Tong Yao look like a faint appearance that is not easy to get close to.
And her figure is too shriveled, the front is not convex, the back is not warped, and there are no curves to speak of in a slim knitted long skirt.
Thinking about it carefully, most of the female characters played by Tong Yao before were cold and knowledgeable, and there were few types of charming style, which was inseparable from her own appearance characteristics.
But the director just couldn't think of it, so he had to shoot with Tong Yao's body in the new drama, trying to create an atmosphere of ambiguity and desire.
In the end, "sexual tension" was filmed as "sexual contraction", which is ridiculous.
And Tong Yao's acting skills are really difficult to compliment.
Her performance can be described in one word: wood, acting no different from a piece of wood.
For example, after Nanya heard the humiliation of the women, she pretended to lower her head to pick up the fruit, and secretly hung the other party's skirt on the stool, causing the mouthy woman to show her panties when she stood up.
This plot was originally intended to show the heroine's black-bellied attributes and strengthen her sense of mystery.
However, Tong Yao's expression when she stood up was as sleepy, her eyes were blank, only a pair of nasolabial folds were quite eye-catching, and her eyes were dark, what kind of thing was this?
It's a good drama to be stunned because of Tong Yao's existence, which has led to a word-of-mouth overturn, and the casting of domestic dramas can be a long snack!
02 Don't mess around with the fox spirit
Not to mention that Tong Yao's performance is very different from Monica Bellucci, even the actors who play the role of fox spirits in domestic dramas can easily throw off Tong Yao's 800 streets.
The first place, Gao Ye.
Although Gao Ye came out of the circle with the image of "sister-in-law" in "Hurricane", I actually prefer her performance in "I Am Yu Huanshui".
The reason is simple, it's so sexy.
In the play, she plays Liang Annie with slightly curly short hair, sassy and stylish, and her bright makeup makes her facial features look bright and good-looking.
And Gao Ye's figure is too attractive, plump but not bloated, and the curves are quite hot, no wonder the character of Liang Annie is used as a peach-colored bait, and she can maneuver between multiple men, who can withstand this?
More importantly, Gao Ye performed the helplessness and compromise of women in the workplace in the face of injustice, making the characters pitiful and hateful, pathetic and hateful, this is strength.
second place, Sui Junbo.
Sui Junbo is a typical skin-faced beauty, and her appearance is very plastic.
She can be the simple and generous Hao Dongmei in "The World", or the "grinding goblin" Xu Qianni in "War of the Roses".
The latter role can be said to have refreshed the audience's perception of Sui Junbo.
Xu Qianni in the play is full of ambiguity with her smile and smile, but her flirting does not have any vulgar feeling, only a sense of pulling and reproaching.
It's like a kitten scratching in your heart, and it tickles your heart.
This is not only because of her appearance, but also because Sui Junbo's control over character creation is too strong, so that she is more eye-catching than the heroine Yuan Quan in this drama, which is too amazing.
third place, Li Nian.
I want to ask which character is the "originator of green tea" in domestic urban dramas?
I think it must be the seaweed played by Li Nian in "Snail House".
Her temperament must be the current popular "sense of pure desire".
There was a pair of big eyes with affection on the white little face, and he stared at the man pitifully, no one could resist it.
The reason why seaweed makes the audience love and hate is because she is so beautiful, and on the other hand, because she is too good, coquettish, willful, and soft, and every expression hits people's hearts.
Looking at the current domestic entertainment flowers, no matter how much they pretend to be pure, they don't have the impressive impression that Li Nian brought to the audience back then.
03 Conclusion
In the past, "fox spirit" was a derogatory term, but now the "fox spirit" type role in domestic dramas is not something that anyone can play.
Female stars don't have two brushes, so don't challenge easily, otherwise they will lose their wives and soldiers like Tong Yao, and passers-by can't bear it.
In "Faint Fire", she tried her best to perform the state of red face and trouble, but judging from this face, the audience could not substitute the plot.
What's more, Tong Yao should be the worst "Magnolia Queen", right?
The acting skills are sparse, and he can't grasp the characteristics of the role at all, and everything he plays is like "Gu Jia", and many looks make people play.
In fact, since "Thirty Only", her roles have basically been tepid, mainly because there is no breakthrough in her personal level, and it is obvious that she can't retain the hearts of the audience just by eating her old book.
At present, this "Faint Fire" is still on the air, I hope that Tong Yao's performance in the later plots can be worthy of the label of "behind the eyes"!
So do you think her appearance in this drama is good-looking?
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