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The biggest failure of "City in the City" is Zhou Lin played by Lonnie, or recommended by Yu Hewei? This question has recently aroused heated discussions among countless audiences.
As a veteran film and television critic, I have to give some insight on this topic.
As an audience, I can't help but sigh: In the entire plot, the shaping of Zhou Lin's role seems to have become one of the biggest flaws in "City within a City".
And the culprit of this situation is precisely because of Lonnie's performance and Yu Hewei's recommendation, and the relationship between the two can't help but think.
In a TV series, character building plays a crucial role.
Speaking of the drama "City in the City", the role of Zhou Lin is really eye-catching!
Her amorous charm is so beautiful that it makes people feel so beautiful, and sometimes it even feels so beautiful that it makes people want to sin!
This setting plays a big role in the plot and makes the story more interesting.
The audience was not satisfied with Zhou Lin played by Lonnie.
From appearance to interior, the gap between her and Zhou Lin's image makes the audience feel a strong sense of incongruity.
What's even more regrettable is that in the rivalry with powerful actors, Lonnie's performance seems stiff and lacks a sense of layering, and it is difficult for the audience to establish emotional resonance with it.
This lack of performance will obviously affect the perception of the whole show and the audience's involvement.
The success of a TV series often depends on the image of the characters and the acting skills of the actors.
In the drama "City in the City", the role of Zhou Lin is really charming! Her beauty and temperament are simply one of the highlights of the whole drama.
Because Lonnie's performance failed to match the character setting, it was difficult for the audience to engage in the plot during the viewing process.
The gap between the character's external image and his inner temperament makes it uncomfortable, which makes it difficult for the audience to understand and identify with the character.
Heck, to be honest, when Lonnie played with those powerful actors, her performance was really a bit blunt, and the sense of hierarchy was not enough.
You have to work hard, otherwise you will really be compared!
In a good TV series, the interaction and emotional communication between the characters is crucial, and Lonnie's performance fails to bring out the complexity of Zhou Lin's character, resulting in interactions with other characters appearing thin and unreal.
The audience's inability to connect emotionally with the characters greatly weakens the appeal of the plot and the audience's engagement.
For the high-profile TV series, "City within a City", the casting of screenwriters, directors and actors is particularly important.
It's a pity that there seems to have been a mistake in character creation and actor selection, which has brought a lot of negative impact to the whole show.
In the process of pursuing the external image, the inner charm and acting skills of the actors are ignored, resulting in an obvious mismatch between the characters and the actors.
The success of a TV series often depends on the accuracy of the characterization and the expressiveness of the actors.
"City within a City" has made a glaring mistake in this regard.
Overemphasizing the external image of the character and ignoring the actor's inner charm and acting skills makes the audience feel uncomfortable during the viewing process.
In particular, Lonnie's appearance is more like a misunderstanding, and the gap between her and the character feels unnatural and inconsistent.
Audiences like a TV series, many times because they really like the characters in it and have emotional resonance with the characters.
Lonnie's performance failed to match the role of Zhou Lin, and it was difficult for the audience to establish an emotional connection with her, making the whole plot seem confusing.
If the actor and the character don't match, the plot will be incoherent and the audience will not be comfortable watching.
In the face of such a disturbing situation, we can't help but ponder: should future TV drama production pay more attention to the creation of characters and the selection of actors? This may be a question worthy of in-depth discussion.
After all, the degree of matching between the character and the actor directly affects the quality of the work and the audience's viewing experience.
The current TV series market competition is becoming more and more fierce, so to shape the characters well, you also need to choose the right actors, these two points are particularly crucial!
A good TV series not only needs to have a gripping plot, but also needs to have lifelike characters, as well as excellent actors' performances to interpret these characters.
The lesson of "A City in a City" tells us that excessive pursuit of external image and ignoring the inner charm and acting skills of actors will lead to a mismatch between characters and actors, which in turn will affect the quality of the whole play and the audience's viewing experience.
The shaping of the character should pay more attention to the inner characteristics and emotional delicacy of the character, rather than just the accumulation of the external image.
A successful character needs to have a rich inner world and unique personality traits, so that the audience can resonate and emotionally resonate.
The choice of actors should also be more cautious, not only considering whether their external image is in line with the role setting, but also whether their acting skills can truly show the inner characteristics and emotions of the character.
Only when the actors and characters can work together perfectly can the plot be more realistic and engaging.
The audience will be moved and resonate after watching it, and then think that this scene is really beautiful! This is the best viewing experience!
Therefore, the future TV drama production team should learn from the lessons of "City within a City", strengthen the shaping of characters and the selection of actors, and strive to create more exciting works to present a richer and deeper TV drama experience for the audience.
Zhou Lin played by Lonnie in "City within a City" can be described as a big failure, and this point of view has become the consensus of many audiences.
Whether it is from the perspective of character creation or actor performance, there are serious problems.
In the production of TV dramas, we should take character creation and actor selection seriously to ensure the improvement of the quality of the work.
I hope that future TV dramas can learn from this lesson and create more exciting works that are closer to the audience's psychology.
In "A City in the City", it has become an indisputable fact that the audience generally has a negative evaluation of Zhou Lin played by Lonnie.
There are obvious problems in character building, Lonnie fails to accurately interpret Zhou Lin's temperament and characteristics, resulting in the unreal and incoherent character image.
It is difficult for the audience to relate to such a character and cannot devote themselves to the plot.
In addition to character building, Lonnie's performance also has serious shortcomings.
She appears stiff and lacking in layering in her rivalry with other actors, unable to show the complexity and emotional changes of the character.
It is difficult for the audience to connect emotionally with her and be drawn to the character she plays.
This greatly affected the viewing experience of the whole drama and reduced the satisfaction of the audience.
Only through accurate character shaping and appropriate actor selection can we create better works and bring a better viewing experience to the audience.
I hope that the future TV drama production team can learn from this lesson, improve the quality of the work, and create a wonderful work that is more deeply rooted in the hearts of the people.
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