At the end of "The Story of Cheng Huan", the screenwriter really picked up the family knife and poked the audience's tear glands.
Sweet as honey love tasted shallowly, not as vigorous as detached from reality, plain enough, but firm and sincere, Yao Zhiming was sad after losing his father, and waited all night in the corridor of Chenghuan, allowing him to grieve to his heart's content, not intervening and measured, and she was always there when he turned around.
The pull of family affection is still the main line, first Yao Zhiming.
In the end, he is trapped in his life for something that is unobtainable when he is young, and it is a luxurious father's love.
The knot in the dead knot was about to be untied, but Yao Renfu, who was walking the bend, never came back.
The goodbye of father and son is a layer of white cloth, and they suddenly parted when they were close to each other.
It's a pity, yearning for reunion and the reality is cruel.
Yao Renfu's sins are too numerous to mention, and the scribbled ending is cause and effect.
The last four episodes focus on Liu Wanyu, and she has been chattering for half a lifetime.
The "abnormality" of the physical examination report seemed to drain all her energy, and she looked depressed.
The mouths of the audience have always been "poisonous".
complained about He Saifei's acting skills, loud and noisy, overreacted to the situation and roared all over the screen, the character was crazy, the personality was extreme, and the existence of completely driving away customers, I don't believe that there is such a mother who makes a mess in the house, and there are some broken filters.
At the end of the story, Liu Wanyu, who has always been noisy, became extraordinarily quiet.
The doctor's initial diagnosis was like a thunderbolt from the blue, shattering all her enthusiasm.
Walking on the street in despair, like a walking corpse, and turning a blind eye to acquaintances, slumped on the edge of the sofa with an ugly face, the corners of the eyebrows and eyes filled with a sense of sickness, and the more I looked, the more I was afraid, and the despair of the building penetrated the screen.
Such a state is really realistic.
Pessimism, discouragement before diagnosis.
So he said goodbye, returned to his roots, and forced himself to the end of the road.
In the period of returning to his hometown, He Saifei's sincere interpretation is really tear-jerking.
Dragging her tired body into the old house with dust and haze on the desk, the moonlight sprinkled on the old photos, Liu Wanyu leaned on the table and stroked it, and said with a crying voice: Mom, I'm back.
Parents still have a place to return, and parents have only the way back.
At this moment, Liu Wanyu no longer has the rigidity of her mother, she is aggrieved like a child, it turns out that her mother was also her mother's daughter.
The heart is sad and broken, the sorrow is earnest, and the surrounding is dark and the face is not clear, He Saifei uses super infectious power to create a sad atmosphere, and the full and strong emotions can still make you, me and him in front of the screen blurred with tears.
Proud and strong, strong self-esteem is the background color of the character.
No matter how well he dresses, his hair is neatly combed, and his face is shiny, how can he ever be fragile.
Cheng Huan traced back to his hometown and knocked on the door.
In order to hide her illness and hide her haggardness, Liu Wanyu hurriedly applied lipstick to add color, and her hands trembled in a hurry, and the result was crooked, and the details were full of the soul of this character, which made people feel nostalgic.
I have to find a way to pull Liu Wanyu out of the quagmire of frustration.
Cheng Huan grabbed the clue of the famous dish "stinky mandarin fish" of the Hui school, peeked at the leopard, and pulled out the regretful past of his mother's youth: the fruitless opera dream.
Re-set up the stage and then brighten his voice, the red robe and blue crown were wrapped like this, and the Tsing Yi fan came out.
Leisurely singing, tactful drama rhyme than immortals, picking up the old line is really charming.
She is bright on the stage, not Chenghuan's mother, not the cook shackled in front of the stove, not the square dance aunt who competes with the old sisters, but Liu Wanyu herself.
There is a smile in the eyes, and there is light in the body.
was amazed by He Saifei's eating scene, which was really unambiguous.
I am tired of eating this dish, and I am very worried about the spicy and flavorful Hui cuisine, and the most representative is the "stinky mandarin fish" that smells stinky and eats fragrantly, and I have tasted it in the renovated palatial restaurant.
Liu Wanyu, who has always been picky, couldn't help but sigh: This fish is pickled in a hurry, and now the merchants are eager for quick success.
In order to let his mother taste the familiar and authentic taste, Cheng Huan searched for Master Feng all over the town.
Time has passed, when Master Feng, who played majestic in front of the stove, has reached the end of his life, it is difficult to take care of himself in a wheelchair, and his good skills have been lost.
Yao Zhiming, the boss, fell into the dust, added firewood in front of the stove, and Chenghuan first fried and then burned.
How does it taste when it's cooked and served?
Liu Wanyu slowly picked up the tail meat and put it into her mouth, chewed it repeatedly and savored it, and grabbed a chopstick without saying a word, Cheng Huan had no bottom in her heart, she was afraid that it was really unpalatable and her mother was embarrassed to say, and she wanted to take it away, Liu Wanyu quickly stopped it and praised it for being delicious.
After that, he had to pick up one chopstick after another, and stuffed his mouth to the brim.
Chew the lips with oil, and concretize what it means to have lips and teeth.
The taste buds are stimulated, which can arouse joy, anger and sorrow the most.
While chewing, his eyes are red, and the water color at the bottom of his eyes is resolute and cold, and it is broken and sad.
There are no words, but there are endless meanings.
A real dinner scene, with the touching of her daughter Chenghuan's knees, the excitement of pleasing the taste buds with the old taste, and the slight frost from the young cardamom to the temples, the years are fleeting, and complex emotions flow in the bottom of the eyes.
Don't be embarrassed if you don't know how to act, the national first-class actor He Saifei made a slight move.
Let the audience see how outrageous and confusing fake food is.
is like Liu Shishi, the slender jade hand is covered, gently gnawed and then chewed, a set of actions seem to be dripping, but in fact, no emotion is all fake actions, real eating is cheeks bulging, chewing muscles are straight.
The acting is similar again, when I see that the cheeks are empty, the stiff posing feeling ruins everything, and it is too embarrassing to look at it without eating anything and chewing the air.
Speaking of "Cheng Huan Ji", the ending is elevated, abandoning the expression of idol dramas, depicting family group portraits frame by frame, and outlining the practical significance.
There are unexpected separations, and there are intergenerational contradictions that cannot be resolved.
There are also surprises and frenzy of old acquaintances, and the joy of recovering from a serious illness.
There are also family members and lovers by their side to reunite with Mei.
Cherish the moment, and there will be fewer regrets.
END
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