The whole network has been opened to protect rights and carry plagiarism reports
Recently, the action movie "Sniper in the Line of Fire" starring Xie Mengwei was released online, due to the production cost of up to 8 million, coupled with Xie Mengwei's popularity, many viewers originally had high hopes for this movie.
However, after the film was launched, the reputation was miserable, and the audience criticized the plot for being rough, the acting skills were bad, the production was very perfunctory, and it was seriously not in line with the scale of investment, which can be described as high production cost but worrying quality.
"Sniper in the Line of Fire" tells the story of the male protagonist's undercover police drug lord organization, but the plot setting is extremely incoherent and full of contradictions and loopholes. The male protagonist is set absurdly, and with a police background, he can easily gain the trust of drug lords.
The villain's IQ is also different from ordinary people, and he easily believes the lie that the male protagonist killed his girlfriend. Xie Mengwei's acting skills are also disappointing, no matter what the role is, he always looks careless and seriously acts.
It can be seen that the perfunctory script and the perfunctory performances of the actors have led to worrying about the quality of the film and cannot make the audience engage. What makes the audience even more uncomfortable is that the director relies too much on the actress's body resources to "attract attention".
Regardless of the plot, the actress's costume must be very revealing, wearing a deep V costume with black silk at every turn, full of all kinds of slow-motion close-ups of bending over and hips.
This kind of eye-catching method of relying on nude pictures has seriously deviated from the main plot and has become the biggest gimmick of the film, and it has also exposed the utilitarian and vulgar commercial purpose of the production team.
In fact, "Sniper in the Line of Fire" is just a microcosm of the online movies that rely on vulgar methods to attract attention. In recent years, elements such as sexy female supporting actresses and bold bed scenes have been flooded in online movies.
The use of nudity and violence to attract attention has become a common problem of online movies, which has seriously distorted the value orientation and aesthetic orientation of films, so it must be paid attention to.
Practitioners should improve their moral literacy and social responsibility, insist that content is higher than form, grasp the value orientation, and should not introduce a large number of vulgar content for commercial purposes.
Directors and screenwriters should have higher aesthetic and creative literacy, rather than blindly relying on low-level techniques. Actors should also adhere to professional ethics and refuse excessively revealing performance requirements. Only when practitioners keep in mind the value pursuit of movies can they stop the proliferation of vulgar movies.
Relevant departments should also further improve the censorship system for online films, strictly control policies, and resolutely put an end to vulgar content that harms social morality. For example, strengthen the censorship of large-scale bed scenes, and limit the number and duration of nude scenes.
At the same time, it is recommended that online platforms should also improve their awareness of self-discipline and actively filter and remove problematic movies from the shelves, rather than blindly catering to low-grade tastes.
A healthy film environment also requires the participation of the audience. The broad masses of audiences should establish correct aesthetic standards, resist vulgar films, and use the right of choice to let conscientious filmmakers go on.
Parents should also be concerned about minors' online activities and avoid their early exposure to harmful information. Only through the joint efforts of the whole society can we create a clear and beautiful cyberspace.
Online movies can't rely on vulgar methods to blindly attract attention. This requires film practitioners to improve their literacy, management departments to improve supervision, and audiences to establish aesthetics. It is the common responsibility of the whole society to return the value pursuit of movies to their true nature.