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On the special day of World Book Day, the news of the Tang family's announcement of "stopping the update" rushed to the hot search list, which aroused widespread attention and heated discussions.
Tang Jiasanshao, this name is like thunder in the Chinese online literature circle.
His creative journey is legendary, and his works are widely loved by readers.
This is not the first time, the only time he stopped the shift was because of the death of his wife, which was the most painful moment in his life.
And this stop is due to physical exhaustion, and the end of "Divine Seal Throne 2" has become the starting point for his self-adjustment.
After completing "Divine Seal Throne 2", the Tang family Sanshao fell ill for almost a month, which also made him deeply aware of the importance of his body.
Regarding the rumors of remarriage from the outside world, he refuted the rumors and said that if there is a remarriage, he will notify everyone in time.
Looking back on the creative process of Tang Jiasanshao, he has become a banner of online literature with his unremitting efforts and unique creative style.
His works are not only numerous but also of high quality, attracting countless readers.
With fantastical stories, rich imagination and delicate emotional descriptions, he has built a wonderful literary world.
The reason why the third young man of the Tang family was able to achieve such great achievements was because he had maintained a record of continuous updating for many years, and this kind of persistence and perseverance was admirable;
On the other hand, he is also forward-looking and knows how to bring his works to market and maximize their commercial value.
It is worth mentioning that the Tang family also has close ties with Hangzhou.
After his work "Douluo Continent" was adapted into animation, it achieved great success, not only in China, but also in the international community.
With the in-depth study and discussion of the works of the Tang family, some questions have gradually surfaced.
Among them, the three views of the novel have become one of the focuses of people's attention.
Except for "The Good Death", his other novels have been accused of serious misconceptions.
For example, in "Douluo Continent", Shrek Academy took the initiative to provoke Canghui Academy, but afterwards accused the other party of being despicable and shameless;
In "The Peerless Tang Gate", the protagonist's own killing is regarded as a mistake, and the other party's injury is regarded as a heinous crime;
In "The Legend of the Dragon King", the male protagonist forcibly cleared his father's killing of the Deep Sea Demon Whale King, and in "Ultimate Douluo", the male protagonist's behavior is also incomprehensible.
The Tang family's concept of love is also controversial.
His depiction of love gives people the feeling of hysteria, the image of the heroine is very empty, and life seems to revolve around the male protagonist forever.
After the male protagonist encounters love, he often leaves glory, responsibility, brothers, etc. behind, and this view of love makes people feel a little distorted.
Although there are some problems with Tang Sanshao's novels, it is undeniable that he occupies an important position in the history of the development of Chinese online literature.
His works have accompanied countless readers to have a good time, bringing them joy and touch.
In today's era of rapid development of the Internet, the phenomenon of stopping updates is not uncommon on various platforms.
On a platform as full of vitality and creativity as Station B, the stoppage events of the big UP owners often attract widespread attention and discussion.
This seems to be a phase of stagnation, but it does not necessarily mean the end, perhaps just to welcome a better beginning.
We should look at the phenomenon of stoppage with a more rational and objective attitude.
Stopping is not a failure, but a necessary stage in the process of growth and progress of creators.
We should also pay attention to some of the issues reflected in the phenomenon of stopping updates, such as the pressure and plight of creators, and whether the platform provides sufficient support and guidance to creators.
And this stoppage of the Tang family's three young people may also be an important node in his creative career.
He needed time to re-examine his creative direction and find new inspiration and motivation.
We sincerely hope that the three young Tang families can recover as soon as possible and repay the love and support of readers with more wonderful works.
There are many reasons for the big UP stop at station B.
Incentives are one of them, in the past, creators were able to get corresponding rewards for their efforts and talents on Station B, but as time goes by, the incentive mechanism no longer seems to be as attractive as before.
This makes some UP owners feel that the effort is not proportional to the gain, and they are reluctant to quit.
The increased importance of business development is also an important factor.
In the era of self-media, business development has become one of the important ways for creators to obtain income.
For some big UPs, the difficulty of business development has gradually increased, which has also forced them to re-examine their development direction.
The large number of followers and the decline in the commercial value of authors are also a concern.
Despite having a huge fan base, with the changes in the market and the intensification of competition, the commercial value of some big UP owners has shown a downward trend.
This leaves them feeling confused and helpless, and they don't know how to increase their business value.
The fierce competition among self-media is also a problem that cannot be ignored.
Today's self-media field is extremely competitive, and various types of creators emerge in an endless stream.
In such an environment, the big UP owners are under tremendous pressure, and it is not easy to stay ahead of the curve.
Changing advertisers' mindset is also a factor.
The mindset of advertisers is also changing, and they are becoming more and more demanding in advertising, which makes it difficult for some big UP owners to meet their needs, and thus loses some opportunities for collaboration.
Thankless long videos are also a problem.
Making a long-form video requires a lot of time and effort, but the benefits aren't necessarily proportional.
This has caused some big UP owners to gradually lose their enthusiasm for long-form videos and seek other forms of creation.
These reasons interact with each other, which together leads to the phenomenon of big UP stop at station B.
We should not simply see the suspension as a failure, but as an opportunity for adjustment and change.
In this process, creators have the opportunity to re-examine their creative direction and business model, and find a more suitable development path for themselves.
The phenomenon of stopping updates also reflects some of the problems faced by the current self-media industry.
The competition in the self-media industry is becoming increasingly fierce, and creators need to continuously improve their creative ability and competitiveness in order to gain a foothold in this industry.
The business model of the self-media industry also needs to be constantly innovated and improved to adapt to the changes in the market and the needs of creators.
The development of the self-media industry also needs the support and guidance of policies to create a better development environment.
For Station B, the phenomenon of stopping shifts also poses some challenges.
Bilibili needs to continuously optimize the platform functions and improve the user experience to attract more creators and users.
Bilibili needs to strengthen communication and cooperation with creators, understand their needs and problems, and provide them with better services and support.
Bilibili needs to actively explore new business models and development opportunities to enhance the profitability and competitiveness of the platform.
The phenomenon of stopping updates is not only a personal choice of creators, but also a microcosm of the development of the self-media industry.
We should respect the creators' decision and expect them to return with even better work at the right time.
We should also pay attention to the development of the self-media industry and create a better development environment for it.
Only in this way can we see more excellent works and creators emerge in this era full of changes and challenges, and jointly promote the development of the self-media industry.
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