Liao Shuxian, female, pen name, Shu Xian, a famous painter.
He is a national first-class artist and a librarian of the Sichuan Provincial People's Government Research Museum of Culture and History.
Liao Shuxian's paintings are fresh and elegant, with the realism of modeling, subtlety and richness of color, and his works not only have the realism, exquisiteness and rigor of gongbi painting, but also the free and easy atmosphere of freehand painting. Liao Shuxian is good at painting lotus flowers and peonies, and has the reputation of "Liao Lotus" and "Liao Peony" in the painting world.
His works have participated in many art exhibitions at home and abroad, and have won many Excellence Awards, Silver Awards and Gold Awards.
In 2002 and 2004, his works were selected for the National Art Exhibition sponsored by the China Artists Association.
In 2011 and 2014, Liao Shuxian's solo exhibitions were held in Canada
In 2011, 2019, and 2021, Liao Shuxian's solo collections were published.
In 2022, he was interviewed by the People's Daily Newspaper Group's "Interview with Famous Artists" series of documentaries on the inheritance and innovation of Chinese contemporary art.
In December 2022, his work was selected for the report of Flower and Bird Painters and Flower and Bird Painters published by the People's Daily Minsheng Weekly: Establishing the Tide of the Times, Casting a Colorful Movement_ Flower and Bird Painting and Flower and Bird Painters.
Works in 2012, 2013, 2019, 2021 and 2022 were successfully auctioned.
In addition, his works have been published in more than 40 books and magazines, including "Collection of Chinese Calligraphy and Painting", "Collection of Calligraphy and Painting of Famous Artists in Western China", "Generation of Famous Artists", "World Knowledge Pictorial", "Collection of World Artists' Masterpieces", "2020 Chinese Art Model Yearbook", "2021 Chinese Art Forum Role Model", "Centennial Style", "Collector's Daily", "Art Market", "China Artist Daily", etc.; It has been reported by several media outlets, such as Canada China News, Global News, Ming Pao, Sing Tao Daily, People's Daily, People's Daily, People's Daily, People's Arts, etc. His works have also been collected by the Consulate General of the Chinese Government in Toronto, the Toronto Cultural Centre, the Chinese Temple in Toronto, the Chenshan Lodge in Toronto, the Cultural and Historical Research Museum of the Sichuan Provincial People's Government, the China Collectors Association, the Great Wall General Painting and Calligraphy Institute of China, the Sichuan Provincial Committee of the Revolutionary Committee of the Chinese Kuomintang, more than 10 provinces in China, Taiwan, Hong Kong, Japan, the United States, Canada and other relevant parties and individuals.
Liao Shuxian, female, pen name, Shu Xian, famous painter.
National first-class artist, member of the Sichuan Provincial People's Government Cultural and Historical Research Museum.
Liao Shuxian's paintings are fresh and elegant, with realistic and delicate shapes, as well as rich colors. His works not only embody the realism, delicacy, and rigor of meticulous painting, but also the carefree and atmospheric style of freehand brushwork. Liao Shuxian is skilled in painting lotus and peonies, and is known in the art world as "Liao Lotus" and "Liao Peony".
The work has participated in numerous art exhibitions both domestically and internationally, and has won numerous awards such as Excellence Award, Silver Award, and Gold Award.
In 2002 and 2004, the works were selected for national art exhibitions organized by the China Artists Association.
Liao Shuxian's solo art exhibitions were held in Canada in 2011 and 2014, respectively
Liao Shuxian's personal collection was published and distributed in 2011, 2019, and 2021.
In 2022, I was interviewed by the People's Daily's Inheritance of the Past and Creation of the Present program in the "Interview with Famous Masters" documentary series on the inheritance and innovation of contemporary Chinese art.
In December 2022, the work was selected for a report by the People's Daily People's Livelihood Weekly on Flower and Bird Painters: Setting the Tide of the Times, Casting Colorful Music Movements, and Flower and Bird Painters.
The works were successfully auctioned in 2012, 2013, 2019, 2021, and 2022, respectively.
In addition, more than 40 books and magazines including "Chinese Calligraphy and Painting Collection", "Collection of Calligraphy and Painting Works of Famous Masters in Western China", "One Generation of Famous Masters", "World Knowledge Pictorial", "Collection of World Artists' Masterpieces", "2020 China Art Role Models Yearbook", "2021 China Art Role Models", "Centennial Style", "Collectors Daily", "Art Market", "China Artists Daily" have been published; Several media outlets, including the Ministry of Foreign Affairs, China News Agency, Global Times, People's Daily, Phoenix, Sina, NetEase News, China International Channel, Canada China News, Global News, Ming Pao, Sing Tao Daily, People's Daily All Media Channel, and People's Daily People's Art, have reported. The work has also been collected by the Chinese Consulate General in Toronto, the Toronto Cultural Center, the Toronto Chinese Temple, the Toronto Shenshan Temple, the Sichuan Provincial People's Government Cultural and Historical Research Museum, the Chinese Collectors Association, the China Great Wall General Painting and Calligraphy Institute, the Sichuan Provincial Committee of the Democratic Revolution, more than ten provinces in China, as well as relevant parties and individuals in Taiwan, Hong Kong, Japan, the United States, Canada, and other regions.
Figuration and imagery reflect the divine encounter between emotion and art
Due to the reasons of work, for more than 20 years, the author has dealt with painters every day, and his eyes are almost all paintings, sculptures, installations and other art forms, like many famous contemporary painters, Liao Shuxian's paintings often appear in his memory, and every time he reminisces with far-reaching meaning, every time he reads it, he is excited to be the crystallization of unique talent and skillful techniques, the fusion of intelligent women and elegant art, and the condensation and sublimation of his state of mind and mental state.
Five years ago, my colleague showed the author a lotus flower, fresh and elegant rhyme, vibrant melody, and the interest of scene blending, which attracted the author's attention at once, and then looked at the precise shape, subtle color, and concise composition.
Mr. Liao Shu grew up, lived in Chengdu, the country of abundance, where the river veins are continuous, the forests are dyed, there has always been a place where literati are attached to and painters admire, one side of the water and soil raises one side of the people, in the smoke and clouds of the nourishment, Zhong Lingyuxiu nourishment, may be affected by the environment, may also be born with artistic genes in the blood, when she was a teenager, Liao Shuxian liked traditional culture, especially like painting, writing and painting, she was hungry and thirsty, almost obsessed. Later, she worshipped Zhang Daqian's disciple, Li Xingbai, a famous painter of the Beijing Academy of Fine Arts, as her teacher, and was instructed by famous painters such as Wu Duan, Wang Mingyue, Zhu Changdi, and Chen Chengji in Shuzhong. Obviously, compared with those painters, Liao Shuxian was very lucky, and the first sip of art she drank was pure, which gave her a mainstream guide and gave her a high starting point in art.
Based on the whole country, the painter Liao Shuxian is a non-famous powerful painter, the so-called non-famous, she does not have the popularity of Huang Yongyu and Fan Zeng, it is precisely because of the non-famous that she has a lot less meaningless entertainment, Harassment, more time to dive into creation, more life thinking, more loneliness in the face of art and enjoy the process of soul sublimation, it is also based on this that she has become a veritable powerful painter, but it is not limited to this, she uses her works to let the audience really feel her strength.
Dragonflies, colorful butterflies, flowers and birds, insects and fish, Liao Shuxian all dabbled deeply, and occasionally made landscapes. Among the many forms of painting, she is especially good at lotus and peony, and is known for lotus and peony, and is called "Liao Lotus" and "Liao Peony" by many relatives.
It is no accident that an excellent painter is closely connected with a certain subject matter, and to explore it, the painter and the object he depicts must be inextricably linked, or a certain temperament or a certain emotional exchange,......。 Liao Shuxian likes to depict the grace and elegance of peonies and the ice and jade cleanness of lotuses, because they carry her personality qualities and her spiritual emotions. Through Liao Shuxian's lotus flowers and peonies, the life of a female painter jumps into view: she treats people and objects, is hospitable, full of courtesy, and behaves in the world, openly and sincerely, without turning around, without obliterating corners, and is crisp and refreshing.
Liao Shuxian painted a lot of peonies and lotuses, one by one, one by one, in each artistic symbol, condensing her indescribable feelings. In the creation of those peonies and lotus flowers, Liao Shuxian seems to have been inspired by the gods, and also really touched the meaning of life, and then, with the help of peonies and lotus flowers, she tells the endless heartfelt language, when she uses the blend of color and brushstrokes to bring visual beauty to the viewer, the viewer can also feel a delicate and keen painter's ardent and unremitting pursuit of exploring the elements of painting, as well as the sincere and pious yearning for the ontological language of art.
Liao Shuxian is a national first-class artist, a librarian of the Sichuan Provincial People's Government Research Museum of Culture and History, the president of the JIA__GUOARTISTSASSOCIATION Association, the art consultant of the Chinese Art Association of Ontario, Canada, and the art consultant of the Canadian Art Science Research Foundation. Liao Shuxian has published a number of art collections, and her works have been edited into a variety of heavyweight art newspapers and magazines, and have been collected by the Consulate General of the Chinese Government in Toronto, the Toronto Cultural Centre, as well as relevant cultural institutions and individuals in Japan and the United States. In September 2016, Premier Li Keqiang visited Canada, Liao Shuxian was invited by the Chinese Government Consulate to participate in the welcome banquet of overseas Chinese in Canada to welcome Premier Li Keqiang in Montreal as a famous painter, this is her unforgettable moment, she feels honored, undoubtedly, this is the most sincere recognition ...... the public for an artist living abroad. All artistic experiences are engraved with the footprints of a successful artist and his growth.
The public's aesthetic taste is gradually changing from "entertainment" to "soul", and at the same time, some artists who are sincere in art are slowly entering the public's field of vision. The author knows Liao Shuxian, like many people who know her, because I accidentally saw her works, but it brought a kind of surprise like a dazzling pearl, shining and shining. Looking for Liao Shuxian's artistic trajectory, I found that she rarely promotes herself, but her painting art exists, which cannot be ignored, Liao Shuxian never "speaks with words", but "speaks with paintings", she uses her works to knock on the public's aesthetics, to stimulate the public's subconscious aesthetic instinct, so as to highlight her charm.
When observing Liao Shuxian's paintings over and over again, no matter whether you browse quickly, or study and savor carefully, each work has a different feeling, always exuding a refreshing fragrance and moving with the wind. Depending on the time and mood, the picture is full of different visual senses, stirring the viewer's emotions.
Liao Shuxian's paintings, there are fine brushwork, freehand, there are also "to the vast, as subtle" combination of work and writing, there are albums, fans and other small pieces, there are also banners, vertical scrolls and other masterpieces, there are also some masterpieces, there are many types, rich themes. In so many works, Gongbi must be her specialty, but also must be her most eye-catching trick, her Gongbi, lines, not pretentious, not pretentious, smooth and beautiful, strong and elegant; color, not hot, not dry, fresh and elegant, gorgeous and vivid; brushwork, not mud, not with water, delicate and refined, rich and harmonious; composition, not rigid stereotypes, not borrowing ancient splicing, vivid charm, style high and ancient. It must be emphasized that Liao Shu is good at nurturing the most beautiful and moving natural state of spring and summer in the chest, and then, using skillful expression techniques, let the beauty in the eyes through the brewing of the beauty in the chest, close to the end of the pen, depicting a variety of artistic elegance, there are Meng Chun's subtlety, the connotation of mid-spring, the delicacy of late spring, and the bloom of Meng Xia, the vigor of midsummer, and the richness of Ji Xia.
For example, the work of "Qingyun Lotus Fragrance", in terms of brushwork, pointing, dyeing, hooking, and strangle, relaxed and natural, stretching and smooth, rigid and soft and full of interest, Zhang Chi has a degree and natural charm, in terms of color dressing, blending, dyeing, cover dyeing, baking dyeing, awakening dyeing, and dyeing,...... , rhythm, space, texture, virtual and real...... , splendid but calm and solemn, rich and rigorous. The appearance of lotus flowers, there are buds to be released, there are tender stamens condensing beads, there are smiling and wanting to speak, petals, white like jade, red like pink, each one shows a unique charm. Large and small lotus leaves, interspersed with interactions, complement each other, such as layers of green waves, like stacked jasper, graceful but not enchanting, dynamic but not charming. In the upper left corner of the picture, a dragonfly smells and dances, making the serene picture full of life. Whether the whole work is viewed from a distance or up close, it gives people a tranquil and elegant, fresh and sparse aesthetic experience.
Another example is this "Reed Twin Cranes" combined with work and writing, two cranes, one combing its wings, and the other looking into the distance, one moving and one still, reflecting the fun. The breeze is coming, clusters of reed flowers are stretched in the wind, and the reed leaves move with the wind, and the tranquil water surface also ripples together. In this work, the composition is coordinated, the whole is unified, and the two cranes are in the center of the picture, so as to highlight the theme of the picture. In the close-up, Liao Shu first shapes the reed flowers that resemble cotton wool in a pointillistic way, and writes the reed leaves with a frank brushwork. The vista is full of water, and the sky and water are colorful. The reed flowers and reed leaves fluttering in the wind, and the finely carved cranes, in the brushwork and brushwork of the texture, volume and space, constitute a poetic intention with a far-reaching artistic conception. The brushstrokes of the reed flowers and reed leaves are thick and thin, soft and hard, and frustrated, rich in variety, and summarized and concise; the shape of the crane is condensed and solid, and has both god and shape, and has a strong sense of reality; the feathers of the crane, the reed flower, and the water surface are rubbed and dyed, delicate and subtle, soft and natural. From this work, we can see Liao Shuxian's superb artistic expression skills and ingenious composition ability.
Any painter who integrates the state of life, the inspiration of the soul, and the expression of art, and opens the door to the palace of art, then the painter will surely be able to obtain the divine aura, and the flower of art cultivated by the painter will also bloom into a colorful landscape. Throughout the works such as "Rich Peony", "Lotus Pond Fun", "Green Bamboo as Companion, Red Leaves Bosom Friend", "Fragrance Attacking People", "Yayi Peony" and other works, lotus leaves, lotus flowers, peonies, dragonflies, swimming fish ....... These carefully depicted things are elegant, clean, dignified, and elegant,...... There is no doubt that these figurative, realistic, realistic and other artistic expressions, Liao Shuxian is very affectionate, very specialized, one stroke and one color all carry her superb talent, unique aesthetics and keen understanding, as well as the wisdom and sweat of the long time, however, compared with these carefully portrayed figurative images, the artistic conception space such as rhyme, ethereal, poetic and so on, should not only be regarded as a foil for concrete things, that is the habitat of Liao Shuxian's spiritual emotions, and it is the place where she settles her soul. Liao Shuxian skillfully uses the relationship between the blocks and surfaces of the picture, the tone of color and the rendering of ink rhyme, to let go of subjective emotions, let the reverie of the fugue arise between the brushstrokes, and let the figurative and the image meet and manifest, so that the state of life can be sublimated and condensed in the expression of art with the inspiration of the soul, so as to realize the art of creating the environment. This kind of art of creating a landscape embodies Liao Shuxian's aesthetic judgment and unique understanding of art, as well as the heart and emotions in the profound cultural nourishment, presenting the state of life and the inspiration of the soul being inspired by revelation again and again. In Liao Shuxian's pen, the real and poetic rendering of the tentacles is the ultimate she pursues, she will not favor one over the other, but the thoughtfulness is not exhaustive, but the two complement each other, each other is wonderful, so that her works are full of strong appeal.
Throughout the past dynasties of painting, looking at the world of art, there is only one standard to measure painters, that is, art itself, in addition, fame, money, status everything is floating clouds, for Liao Shuxian, a brush, a painting case, is enough to embrace the whole world, so, she refuses to be noisy, even refuses all temptation, and because of this, her works can condense emotions in the beautiful artistic conception, is so delicate, profound, and so far-reaching.
(Text/Sanggan)
Concrete and imagery reflect emotions and artistic encounters
Due to work reasons, for more than 20 years, I have been dealing with painters every day, and my eyes are almost entirely filled with art forms such as painting, sculpture, and installation. Like many famous contemporary painters, Liao Shuxian's paintings often come to mind, with profound meaning in every recollection. Every time I read them, I am excited. They are the crystallization of unique talent and skilled techniques, the fusion of intelligent women and elegant art, and the condensation and sublimation of mental state and spiritual cultivation.
Five years ago, a colleague showed me a meticulous lotus flower with a fresh and elegant charm, a vibrant melody, and a blend of emotions and scenery, which immediately caught my attention. Looking at the precise design, subtle colors, and condensed composition, the more I tasted it, the more I thought about it, the more flavorful it became. Later, with the help of work convenience, the author conducted an online promotion for Liao Shuxian, which was unexpected and received rave reviews. From then on, I entered Liao Shuxian's world of painting.
Liao Shuxian grew up and lived in the land of abundance - Chengdu, where the rivers were continuous and the forests were dyed. It has always been a place that literati cherish and painters admire. One place nurtures the other, and under the nourishment of smoke and clouds and the beauty of Zhong Ling, it may be influenced by the environment, but it can also be naturally infused with artistic genes. During her youth, Liao Shuxian loved traditional culture, especially painting, calligraphy, and painting. She was thirsty and almost obsessed with it. Later, she studied under the famous painter Li Xingbai of the Beijing Academy of Painting, a disciple of Zhang Daqian, and received guidance from famous painters in Sichuan such as Wu Duan, Wang Mingyue, Zhu Changdi, and Chen Chengji. Learning painting from famous artists is something that many painters can't hope for. Obviously, compared to those painters, Liao Shuxian is very lucky. The first sip of artistic milk she drinks is pure, which gives her a mainstream guidance path and a high artistic starting point.
Based on a nationwide perspective, painter Liao Shuxian is a non famous powerhouse painter. As the saying goes, she is not as well-known as Huang Yongyu and Fan Zeng. It is precisely because of her non fame that she has less unnecessary social interactions and harassment, more time to immerse herself in creative work, more contemplation on life, and more solitary experiences of facing art and enjoying soul sublimation that have made her a true powerhouse painter. However, it is not limited to this that, she uses her works to make viewers truly feel her strength.
Dragonflies, colorful butterflies, flowers and birds, insects and fish, all of which Liao Shuxian has dabbled in deep waters and occasionally created landscapes. Among various forms of painting, she is particularly skilled in lotus and peony, and is famous for them. She is often referred to as "Liao Lotus" or "Liao Peony" by her relatives.
An excellent painter is closely connected to a certain subject matter, not by chance. To explore it, there must be countless connections between the painter and the object being depicted, or some kind of hidden temperament, or some kind of emotional exchange. Liao Shuxian likes to depict the elegance of peonies and the purity of lotus flowers, because they carry her personal qualities and embody her spiritual emotions. Through Liao Shuxian's lotus and peonies, the living conditions of a female painter are vividly displayed: being friendly, hospitable, and full of courtesy; Dealing with the world with honesty and sincerity, not turning corners, not touching corners, crisp and decisive, refreshing and cheerful.
Liao Shuxian painted many peonies and lotus flowers, one by one, in rolls, condensing her indescribable emotions in each artistic symbol. In the theme creations of peonies and lotus, Liao Shuxian seemed to have been inspired by gods and truly touched the meaning of life. Then, she used the appearance of peonies and lotus to express endless thoughts. With the fusion of color and brushstrokes, she brought visual beauty to viewers. As a delicate and sensitive painter, they could also feel the passionate and unremitting pursuit of exploring painting elements, as well as the sincere and devout longing for the language of art itself.
Liao Shuxian is a national first-class artist, a member of the Sichuan Provincial People's Government Cultural and Historical Research Museum, the president of the JIA_GUOARTSASSOCIATION Association, an art consultant for the Chinese Art Association in Ontario, Canada, and an art consultant for the Canadian Art Science Research Foundation. She has participated in important exhibitions and events both domestically and internationally, and has won awards for excellence, silver, and gold multiple times. She has successfully held art exhibitions in multiple parts of China and has also held personal exhibitions in Canada multiple times, with a warm response and far-reaching influence. Liao Shuxian has published multiple art collections, and her works have also been included in various heavyweight art newspapers and magazines. They have also been collected by the Chinese Consulate General in Toronto, the Toronto Cultural Center, as well as relevant cultural institutions and individuals in Japan and the United States. In 2014, Liao Shuxian was invited to participate in an event organized by the Overseas Chinese Affairs Office of China, where twelve renowned calligraphers and painters from eight countries went to Xinjiang to collect art. The event had a positive and widespread impact. In September 2016, Premier Li Keqiang visited Canada, and Liao Shuxian, as a famous painter, attended the welcome banquet for Premier Li Keqiang by overseas Chinese in Montreal at the invitation of the Chinese government consulate. This was an unforgettable moment for her, and she felt honored. Undoubtedly, this is also the most sincere recognition of an overseas artist by the general public. All artistic experiences are engraved with a footprint of the growth of an artist who has achieved success and fame.
The public's aesthetic taste is gradually changing from "entertainment" to "soul", and at the same time, some artists who are sincere about art are slowly entering the public's vision. I know Liao Shuxian, like many people who know her, because I accidentally saw her works, which brought a sudden discovery of dazzling pearl like surprise, shining brightly and shining brightly. Searching for the artistic trajectory of Liao Shuxian, it was found that she rarely promotes herself, but her painting art exists and cannot be ignored. Liao Shuxian never "speaks with words", but "speaks with pictures". Through her works, she strikes at the public's aesthetic, stimulates their subconscious aesthetic instincts, and thus demonstrates her charm.
When observing Liao Shuxian's paintings over and over again, whether quickly browsing or meticulously studying and savoring them, each piece has a different feeling, always emitting a refreshing fragrance that moves with the wind. Due to different times and moods, the visuals are filled with different visual senses, stirring the emotions of the viewers.
Liao Shuxian's paintings include meticulous brushwork and freehand brushwork, as well as a combination of meticulous brushwork and meticulous brushwork. There are also exquisite works such as albums and fans, as well as banners and vertical scrolls. There are also some magnificent works with a wide variety of genres and rich themes. Among so many works, meticulous brushwork must be her specialty, and it must also be her most eye-catching skill. Her meticulous brushwork, lines, are not affected or artificial, smooth and beautiful, powerful and elegant; Coloring, not too hot or dry, fresh and elegant, brilliant and vivid; The brushwork is smooth and harmonious, without dragging mud or water. It is delicate and refined, rich and harmonious; Composition, not bound by conventions or borrowed from the past, vivid and elegant, with a high and ancient style. It must be emphasized that Liao Shuxian is skilled at nurturing the most beautiful and touching natural states of spring and summer in her mind. Then, using skilled expression techniques, she allows the beauty in her eyes to be brewed through the beauty in her chest, close to the end of her pen, and depict a variety of artistic styles, including the subtlety of Meng Chun, the allure of midsummer, the beauty of late spring, as well as the splendor of Meng Xia, the vigor of midsummer, and the richness of midsummer. Each picture seems to be floating with the fragrance of stamens, elegant and charming, with a strong visual beauty.
For example, in the painting "Qingyun Lotus Fragrance", in terms of brushstrokes, dots, dyes, hooks, and strokes are used to create a relaxed and natural style, with smooth and smooth strokes, a balance of firmness and softness, and a natural charm. In terms of color application and halo dyeing, it is divided into dyeing, covering dyeing, baking dyeing, awakening dyeing, and receiving dyeing, etc., and in terms of rhythm, space, texture, virtual and real..., it is brilliant but steady and solemn, rich and rigorous and exquisite. The appearance of lotus flowers includes those in bud, those with tender stamens and beads, and those with a smile and a desire to speak. The petals are as white as jade and as red as pink, each displaying a unique charm. Lotus leaves, big and small, interweave and interact, complementing each other, like layers of green waves, stacked like jade, with graceful but not enchanting postures, and vivid but not charming movements. In the upper left corner of the screen, a dragonfly smells the fragrance and dances, making the peaceful scene full of vitality. The entire work, whether viewed from afar or up close, gives people a serene, elegant, fresh and refreshing aesthetic experience.
For example, in this work and writing combined painting of "Two Cranes in a Reed", two cranes, one combing their wings, and the other gazing into the distance, each moving and still, shining into a delightful scene. A gentle breeze comes, clusters of reed flowers stretch in the wind, and leaves of reeds move with the wind. The peaceful water surface also ripples together. This artwork features a coordinated composition and overall unity, with two cranes in the center of the frame to highlight the theme. Up close, Liao Shuxian creates reed flowers that resemble cotton wool in a dotted style, and writes the reed leaves with a casual brushstroke. In the distant view, the water surface is lush, and the sky and water are one color. The reeds and leaves fluttering in the wind, the finely crafted cranes, and the texture, volume, and spatial sense of the brushstrokes complement each other, creating a poetic image with a distant artistic conception. The strokes of the reed flowers and leaves are thick, thin, soft, hard, and jerky, with rich variations and concise summaries; The shape of the crane is concise and sturdy, with a combination of divine form and a strong sense of realism; The feathers of cranes, reeds, and the rubbing and dyeing on the water surface are delicate, gentle, and natural. From this work, one can see Liao Shuxian's superb artistic expression skills and clever composition ability.
Any painter who integrates the state of life, the appeal of the soul, and the expression of art, and opens the door to the art hall, will surely receive the divine halo of illumination, and the flower of art cultivated by this painter will surely bloom into a colorful landscape. Throughout works such as "Rich and Noble Peony", "Clear and Interesting Lotus Pond", "Accompanied by Green Bamboo and Red Leaf Companion", "Fragrant Fragrance Attacking People", "Elegant Peony", etc., lotus leaves, lotus flowers, peonies, dragonflies, swimming fish. These carefully crafted objects, including those that are elegant, clean, dignified, and elegant, give people a refreshing autumn view. Undoubtedly, these concrete, realistic, and lifelike artistic expressions are portrayed by Liao Shuxian with strong emotions and dedication. Every stroke and color carries her extraordinary talent, unique aesthetics, and keen insight, as well as her persistent wisdom and sweat. However, compared with these meticulously crafted concrete objects, artistic spaces such as charm, emptiness, and poetry should not only be seen as the accompaniment of concrete objects, but also as the accompaniment of Liao Shuxian. The habitat of spiritual emotions is the place where she settles her soul. Liao Shuxian cleverly utilizes the block surface relationship of the picture, the tone of color and the rendering of ink rhyme to release subjective emotions, allowing the wandering imagination to arise between the strokes, and allowing the concrete and imagery to meet and trace, thus allowing the state of life to be sublimated and condensed with the soul's appeal in the expression of art, achieving the creation of artistic conception. This kind of artistic creation embodies Liao Shuxian's aesthetic judgment and unique understanding of art, as well as the heartfelt emotions nurtured by profound culture. It presents a state of life and also contains the soul's repeated inspiration. In Liao Shuxian's writing, the realism and poetic rendering that tentacles can achieve are the ultimate goals she pursues. She does not favor one over the other, but the comprehensiveness is not comprehensive. Instead, the two complement each other, creating a wonderful interplay, which makes her works highly infectious.
Throughout the history of painting, looking at the world of art, there is only one standard to measure a painter, which is art itself. In addition, fame, money, and status are all fleeting clouds. For Liao Shuxian, a single pen and a painting plan are enough to embrace the whole world. Therefore, she refuses noise and even all temptations. It is precisely because of this that her works can condense emotions in a beautiful artistic conception, which is so delicate, profound, and so distant.
(Text/Sanggan)
Liao Shuxian's brush strokes (cooked rice paper)
廖淑先写意画作品
Liao Shuxian's brush strokes (raw rice paper)