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After reading thousands of books and traveling all over the world, I was only busy with one thing in my life -- that is, to visit the "big coffees" in Yungang! That's right, I'm talking about the majestic and lifelike Buddha statues in the Yungang Grottoes.
Yungang Grottoes, this place is not simple, it is simply the "Oscar" of the ancient art world. Each Buddha statue is like a little golden figure, shining with the light of art. Some Buddha statues look like they have just come out of the "gym", with well-defined muscles, while others look like "beauty bloggers", with kind eyebrows and kind eyes, and they are intoxicatingly beautiful.
Walking into the Yungang Grottoes, I seemed to have traveled to the "circle of friends" in the Northern Wei Dynasty. Every stone carving here is the "circle of friends dynamics" of that era, recording the changes and sophistication of people at that time. I could hear the stone carvings whispering, "Hey, you know what? It was a popular place for Buddhism back then!"
Yungang Grottoes is not only a holy place of Buddhist art, but also a "charging treasure" for the soul. Standing in front of these Buddha statues, I felt as if I could feel a mysterious power that filled me with "electricity" in an instant, ready to meet the challenges of life.
"Read all the thousands of volumes of the Northern Wei Dynasty, and live only to worship Yungang. This sentence is not something I say casually, but this is my deep respect and infinite yearning for the Yungang Grottoes. The Yungang Grottoes are like a never-ending art exhibition, attracting my "heart of art" to come to worship constantly.
Therefore, if you are also a friend who is interested in art and history, then hurry up to come to Yungang Grottoes! Let's read the history here, feel the charm of culture, and more importantly, find the peace and tranquility of the soul together.
Cave 3: Gangamsa Cave
The largest grotto in Yungang was originally designed as a large tower temple cave, but it was not completed by the Northern Wei Dynasty. Outside the cave by the precipice originally built a wooden pavilion, now only a row of 12 beam holes remains, indicating that the Buddha pavilion of the year is a huge system with 11 bays of face wide. Upper mesa two ends each a three-level square tower, between the two towers chisel two open windows, between the open windows is a palace-shaped cave room, the main image carved feet Maitreya. The east and west sides of the cave face each open a door, the north wall of the cave is carved Amitabha Buddha, Guanyin and the three statues of the Great Trend to the Bodhisattva, namely the "three saints of the West". The main deity Amitabha Buddha is 10 meters high, leaning and sitting, with a round and plump face and a transcendent expression. The bodhisattvas on both sides wear crowns, which are exquisite and solemn. The age of its carving and chiseling, there are currently the Northern Wei Dynasty, the Sui Dynasty, the Tang Dynasty and the Liao Dynasty, and it is mostly inferred according to the artistic style of the statue. The remains of dividing and unearthing rocks left in the cave are valuable material materials for understanding the excavation methods of ancient grottoes.
Cave 5: Big Buddha Cave
There is the largest Buddha statue in Yungang Grottoes (17 meters high), and the eye game basketball. Kangxi said that the Big Buddha is higher than the mountain, his hands are halfway up the mountain, his ears can play chess, and his hands can set up seats.
Cave 6: Shakya Buddha Cave
There are more than 30 pictures of the Buddha's story that reflect the life of Shakya, which is very precious. Cave 6 is known as the "First Great Cave" of Yungang, and it is the most typical and magnificent one of the caves in the middle period, and compared with the majesty of Cave 5, this cave can be said to be magnificent. The central square tower pillar in the cave is divided into upper and lower floors, with a height of 14.4 meters. The upper floor is engraved with a standing Buddha and two Bodhisattvas on each side, and the four corners are carved with an elephant bearing a nine-level pavilion-type square tower; The upper layer of the four walls in the cave is surrounded by 11 standing Buddhas, and the canopy bears the hanging, and the air is magnificent. The top of the cave is lattice-shaped, and you can see multi-armed gods riding peacocks, lions, tigers, long-tailed birds and other animals between the grids. Around the central tower pillar and the four walls of the cave preserved 33 relief comic books, the image and concrete depiction of the story of Shakyamuni from birth to enlightenment, is the earliest existing religious theme stone carving comic book treasures in the Chinese grotto art group. There are more than 3,600 Buddha statues carved in the whole cave, and when you look around, you can hardly find a cliff without carving.
Cave 8: Folai Cave
The carved multi-armed statue of the god is unique to the Yungang Grottoes. The eighth cave of the grotto, the west side of the cave door carves the Gu Mo Luo Tian who rides the peacock, five heads and six arms, Yan Ruo is a child, he laughs and laughs, he holds the sun and the moon in his hand, or holds a bow and arrow, and the lower left hand holds a turtledove in his chest. It has a strong exotic atmosphere. On the east side, riding the sacred cow of the Maha Shou Luo Tian, three heads and eight arms, the face is round, the small heads on both sides wear pointed hats, the main arm is one hand on the waist, one hand is holding the ear of grain, and the rest of the arms are either supporting the sun and the moon, or holding a bow and arrow, or mentioning Ruyi. The shape of the multi-armed statues of the gods comes from ancient India and was originally a Brahmanical deity. This group of statues is unique to the Yungang Grottoes, reflecting the characteristics of early Buddhism.
Cave 12: Bodhisattva Cave from the Dirt Land
Commonly known as the "music cave", the upper end of the wall is carved with a cheerful person, holding all kinds of musical instruments, vivid. The front and rear chamber caves, the eaves of the cave are dug above the outer wall of the front room, and the pillars of the cave entrance are arranged. On the top floor of the north wall of the front room, there are 14 heavenly palace musicians, which play finger blowing, drums, pan flutes, pipa, transverse flutes, qins, five strings, 筚築, gonghou, waist drums, prosthetic mouth flutes, conches and other musical instruments. A group of maiko on the lintel, the movements are coherent, the rhyme is unrestrained, and it is an artistic reproduction of the dance posture of the world. The top of the cave is rebellious, with a strong physique, and has the character characteristics of the northern ethnic minorities. The shape, performance mode and combination form of the musical instrument carving in the cave embody the style of the court band and the social music system of the Northern Wei Dynasty, and are precious materials for the study of ancient Chinese music history.
Cave 20: White Buddha Cave
The most popular Buddha is a representative work of Yungang Grottoes carving art. Cave 20 is the most brilliant work of Yungang Grottoes, and the walls of the cave are densely decorated. The main statue is 13.7 meters tall and has the robust artistic style of the Indian keydra. The big Buddha is magnificent, and his vigorous smile reveals an aggressive imperial atmosphere.
The feeling of worshiping the Yungang Grottoes
Visiting the Yungang Grottoes, it is like being in the long river of history, feeling the precipitation and heaviness of the millennium. Standing in front of these majestic grottoes, I couldn't help but be amazed by their craftsmanship and depth.
Yungang Grottoes, located in Datong City, Shanxi Province, are a treasure of ancient art in the mainland. When I walked into this sacred place, the first thing that caught my eye was the majestic Buddha statues. They stand or sit and lie down, or they are kind or solemn, as if they tell ancient legends.
Savoring the carvings of these grottoes, I was impressed by their fine lines and vivid images. Each Buddha statue is lifelike, as if it has the breath of life. The meticulous carvings not only show the superb skills of the ancient craftsmen, but also reflect their devotion and reverence for Buddhist culture.
In addition to the carvings of Buddha statues, the Yungang Grottoes also show a wealth of historical information. During the tour, I felt as if I had traveled through time and witnessed the spread and integration of Buddhism in this land. Those carved elements rich in regional characteristics made me feel the breadth and profundity of Chinese culture.
Standing in front of the Yungang Grottoes, I felt my own insignificance and ignorance. These grottoes are not only palaces of art, but also vivid history textbooks. They make me more in awe of history and more in the present.
Personal insights into the Yungang Grottoes
For me, the Yungang Grottoes are not only a tourist attraction, but also a living historical scroll and an artistic treasure of Chinese civilization. Every time I walk into this sacred place, I always feel a strong cultural shock, and it also has a profound inspiration and influence on me personally.
The Yungang Grottoes show the outstanding achievements of ancient Chinese art. Standing in front of those majestic Buddha statues, I was fascinated by the serenity, solemnity and mystery. These Buddha statues, some kind, some majestic, some contemplative, some smiling, each seems to have its own life and story. The carving behind it is even more delicate, whether it is the flow of clothing lines or the facial expression, all show the superb carving skills and endless creativity of ancient craftsmen.
The Yungang Grottoes are an important carrier of Chinese civilization. These grottoes are not only a display of Buddhist art, but also a comprehensive reflection of ancient society, politics, economy, and culture. They record the spread of Buddhism in China, and also reflect the customs and aesthetic concepts of the society at that time. Through the Yungang Grottoes, we can get a glimpse of the historical appearance of ancient China, and we can also feel the breadth and profundity of Chinese civilization.
Practical information: Tips for visiting the Yungang Grottoes
The Buddha statues inside the grotto are lifelike, and the precise and delicate carving techniques are breathtaking. The Buddha statues have different expressions, giving people a great visual shock. As a cultural treasure that has gone through vicissitudes, Yungang Grottoes is not only a treasure of ancient Chinese civilization, but also a treasure of grotto art all over the world. It attracts tourists from all over the world with its unique charm. To ensure your visit is enjoyable and safe, consider the following practical advice
Opening hours: 9:00-17:00 (8:30 in summer)
Tickets
The platform searches "Yungang Grottoes" to buy, 120 yuan / person.
Free admission for children under 6 years old/over 60 years old, half price for other primary and secondary school students·
All students (including graduate students) in Beijing-Tianjin-Mengjin are admitted to the park for free -9.30
Traffic:
The distance between the city and Yungang Grottoes is about 20km, and it takes about 30 minutes by taxi.
Datong urban area can take a taxi to the four bus companies, and then transfer to No. 3 direct
Yungang Grottoes - Datong South Station - Hanging Temple has a scenic spot through train 39 yuan / person (Yungang Grottoes - small program booking)
explain
The explanation of the scenic spot is divided into gold medal 380 / silver medal 300 / bronze medal 240 / ordinary 180, and the network platform is also available, so you can choose according to your needs
Recommendations for visiting
The duration of the visit is 2~3 hours, before going to the documentary, it is highly recommended to watch the documentary "A Thousand Years of Cave to See Yungang" / "Yungang", there are a lot of knowledge points, from the historical background, political power, national culture, to the cave in the creation, damage, theft, repair, etc... When you walk into Yungang with knowledge, and the text and images are converted into real scenes in front of you, the rest is only shocking and clear, which can completely help you save the cost of explaining, and the personal test is better than the gold medal commentator of the scenic spot
Most of the grottoes are forbidden to take pictures
Excursion routes
Route 1 (about 6-8 hours)
Tanyao Square - Yungang Art Museum - Yungang Yuan History Museum - Buddha Relief Wall - Lingyan Temple - Grottoes - Yungang Museum - Performing Arts Center - Yungang Shadow Puppet Museum - Premier Zhou Memorial Room - Shibing Art Museum Exit 1
Route 2 (about 2-3 hours)
Tanyao Square - Buddha Relief Wall - Lingyan Temple, a grotto, an exit
You can take a battery car on the hot day return, 10 yuan/person