The style of Yuan's epitaph calligraphy, the expression technique is flexible and changeable, the technique is mature, or vigorous and vigorous, or elegant and stretching, or warm and gentle, or elegant and straightforward, taking off the early anger, adding a bit of elegance.
"Yuan Xun Epitaph" Northern Wei Dynasty Turtle three years (519) carving, unearthed in 1920 Henan Luoyang Anjiagou Village, 16 lines, 15 words, the main book. The rubbing is 61 cm long and 62 cm wide. There is a re-engraved, which is now stored in the Henan Library.
"Yuan Xun Epitaph" with the pen to the square pen for more, skimming heavy, more with the cutting pen, the outside of the square and the inner circle, its style of writing is mellow and smooth, soft and mature, dense and rigorous, beautiful and beautiful, dignified and plump, with the atmosphere of the temple, not only has the fierce and moving side of the Jin Ge iron horse, but also has the "Xiao Ran has its own forest wind" of the Jiangzuo wind and the wide robe slow Youyou is free, there is strong, there is clear, there is gathering and scattering, there is grace, steady but not losing agility, elegant and simple.
"Yuan Xun Epitaph" is a typical representative of the inscription of the Northern Wei Dynasty, although it is a mature regular script, but it is in the evolution process of the transition from official script to regular script, with rich inclusiveness and diversity, and the singleness of the later Tang Kai is obviously different. It is this richness and inclusiveness that has provided infinite opportunities for later generations to create calligraphy, so it has always been highly regarded.
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