Sentence | An-ching-hsien
Edit | 9527 Meow Goo-kun
The track of 85 flowers has actually always been a competition between the head actresses Yang Mi and Zhao Liying.
In the past two years, Zhao Liying's word-of-mouth dramas have continued to output, not only successfully transformed, but also participated in Zhang Yimou's film works and gained recognition for her acting skills.
And Yang Mi, who debuted earlier and has more stardom, has no works with a strong reputation since several popular ancient puppet dramas.
The latest "Harbin 1944", the quality is online, the configuration is outstanding, and as a result, Yang Mi's idol-style acting skills overturned when they were launched, and passers-by completely saw the situation of Zhao Liying gradually throwing Yang Mi off.
Zhao Liying's unbeatable ride almost laid the pattern of 85 flowers.
But in fact, after "Flowers", Tang Yan, who has always been more Buddha, also returned to the battlefield in a small way, almost impressing the audience.
In "Flowers", Tang Yan's acting skills were completely trained by Wong Kar-wai's aesthetics, she is wanton and bright, high-spirited, although the emotional line is regrettable, but the image charm is really outstanding. As long as "Flowers" is followed by a passable work, Tang Yan's acting career will be stable.
But as soon as the latest trailer of Tang Yan's new drama "Nian Wushuang" was released, the audience suddenly broke their defenses.
质感廉价，抠图痕迹明显，粗制滥造太劝退
If you click on the Douban comment area of "Nian Wushuang", you will find that the audience is generally dissatisfied with the trailer, some netizens bluntly said that "the scenery art is ridiculously poor", and some netizens complained that "the face is too white, which makes me feel high and pasty".
After reading the trailer, you will find that the problems reflected by netizens are really quite objective.
In the trailer, the modeling and makeup of the male and female protagonists is the standard configuration of today's streamlined ancient puppets, grabbing a lot of light-colored ancient costumes, like mosquito nets, and you can't see the intentions of the costume group at all.
Not only that, "Nian Wushuang", as a fairy puppet theme, reveals the cheapness of the later period everywhere.
When the male and female protagonists appear, the traces of the green screen cutout are too obvious, especially when the heroine is behind the clouds, the heroine and the background are completely in two layers, and the stiff outline is comparable to the level of the Meitu show.
As for the later stage of the filter, the main one is a miserable white, and the male and female protagonists are all ground into puppets with no personal characteristics. Tang Yan, who is full of vitality in "Flowers", is like a dummy in "Nian Wushuang", she is very beautiful, but her face has no pores, and her face is full without ups and downs, which is more AI than AI.
The most outrageous thing is Tang Yan's hairline, is this a failure of a hair transplant? The hairline is like a hood, Tang Yan has no performance, but there is an inexplicable sense of funny.
As for the male protagonist Liu Xueyi, his appearance is really not outstanding, Zhao Liying's partner Lin Gengxin, Yang Mi's Xu Kai, and even Liu Yifei's male protagonist Chen Xiao, are all handsome guys at first sight.
But Liu Xueyi's handsomeness has to be combined with the character design, just from the preview, he is mediocre, and the costume headgear is a bit too round, and it is rare to see the male protagonist of the costume drama also pursuing the effect of covering his head and face.
At present, "Nian Wushuang" is not at all like a TV series starring 85 flowers, and the overall texture is more like a low-cost online drama, and there is not much attraction in terms of quality.
All in all, the latest trailer of "Nian Wushuang" is full of an unreliable temperament. The dubbing of popular actors is also particularly shocking.
In the play, Liu Xueyi's dubbing is quite reasonable, but Tang Yan's voice has a weird feeling floating above his head. There is no big problem with Tang Yan's original lines, from "The Legend of Sword and Fairy III" to "Why Sheng Xiaomo" and even Wong Kar-wai's "Flowers", her original voice is very suitable.
But in "Nian Wushuang", Tang Yan's dubbing has a feeling of being old and young, her voice is very feminine, and the rhythm of her speech is very old-fashioned, but Tang Yan is a well-known actor, with the audience's familiarity with Tang Yan, this kind of voice that is too different from Tang Yan's own timbre will only make the audience play.
Facts have proved that Wong Kar-wai is the filter of Tang Yan's acting skills, and without Wong Kar-wai's aesthetics, Tang Yan can't bear the drag of streamlined ancient puppets.
Of course, the biggest problem with "Nian Wushuang" at present is that the plot direction is not attractive.
The plot is old-fashioned, the characters are mediocre, and this time it's going to overturn again?
Following the tender costume drama "Yanyuntai", Tang Yan, as the appeal of 85 flowers, was completely left behind by Yang Mi and Zhao Liying, and the audience finally had expectations for Tang Yan, but after "Flowers", Tang Yan returned to the ancient puppet market.
The drama "Nian Wushuang" is adapted from Shishilang's "Unparalleled in the World", the main plot line is that the heroine went down to earth to find the treasure, originally just to kill the high priest, but it turned out that the high priest had other hidden secrets, and finally fell in love with the high priest.
In the play, the heroine's character is cute, wooden, and pure and flawless, and the adaptability of this setting and Tang Yan is almost 0.
It can be seen from the early "The Legend of Sword and Fairy III" that Tang Yan's comfort zone in ancient costumes has never been simply hung up, she is suitable for playing a femme fatale, a glamorous royal sister, and the early Zixuan can become the audience's white moonlight, just because Tang Yan is suitable.
What's more, the current Tang Yan is no longer the little girl in her twenties as before, which 85 flowers can still support a simple and pure idol drama character?
Even Zhao Liying, who is peerless, is also a heroine with a strong core in "Walking with the Phoenix".
Therefore, it can be seen from this ancient hostess and Tang Yan's own temperament that the probability of "Nian Wushuang" hitting the street is a bit high.
As for the high priest played by Liu Xueyi, there is also a setting in the character design that likes to flirt with the little sister, may I ask? The male protagonist of the ancient puppet drama filmed for female audiences has a habit of flirting with the little sister, is this a bit too explosive.
If this size is not grasped well, the audience will be scolded every minute.
Of course, "Nian Wushuang" is not without highlights, Guo Xiaoting, who has always been outstanding in acting, plays the second female in the play, although the character is not surprising at all, but Guo Xiaoting's acting skills are trustworthy.
Not only that, Zhou Keyu, Zhang Li, Chen Chuhe and other actors are all powerful actors that the audience is familiar with, from the perspective of the team, "Nian Wushuang" are all old acquaintances, but in this worldview background, it is really hard to say what effect these old acquaintances can collide with.
All in all, Tang Yan's "Flowers" almost took away her acting career and made her rise quickly, but watching the quality of "Nian Wushuang" is likely to make Tang Yan return to the original point overnight, after all, the audience still has a good idea of the real acting skills of her idol dramas.
Finally, what are your expectations for the drama "Nian Wushuang"? Can you get the charm of this drama after watching the trailer and follow the drama on time? Participate in the discussion in the comment area, and leave your prediction of the broadcast effect of "Nian Wushuang".