The May Day holiday is coming, are you still worried about taking bad photos when traveling? Next, I will share with you a few super good-looking universal character composition methods, hurry up and collect them! Without being verbose, scroll down!
[1] Fill the atmosphere and shoot a sense of layering. The figure is centered in the composition, with the focus focused on the front and the background blurred, so that the portrait is more prominent, leaving space above. In this way, the characters and levels all come out and complement each other.
[2] Focus on the side face of the character, and blur the front and back scenes. It is suitable for more people around, stand at a favorable height and shoot downward, occupy the lens with the scenery open in four or six, and focus on the portrait in the center.
[3] Select flowers to temporarily build an obstacle scene, shoot up and sideways with a low camera, the foreground is blurred, and the characters are tall, handsome and temperamental.
[4] Universal full-body photo composition. Open the nine-square grid of the mobile phone, put the character in the next two grids, make pose, and shoot straight at all, not tiring at all.
[5] The characters change their postures.
[6] Universal sitting composition. Take the background, shoot in the center of the nine-square grid, make gestures, and the characters can be matched with props to create an atmosphere.
[7] The characters support the picture and go straight out.
[8] The same is true for the universal half-body composition.
[9] Universal close-up composition. Open the nine-square grid, the upper third of the head is left blank, and the figure supports the desktop at the lower right corner of the Tian character grid.
[10] Change the shape at will.
[11] The figure leans on the right side of the six squares, walks forward with arms outstretched, and poses appropriately with the head, and the resulting photo is very dynamic.
[12] Universal side-sitting portrait composition. The figure sits on his side in the lower left four squares, his arms stretched upwards and left blank on the top, creating a photograph that is both dynamic and spacious.
[13] Similarly, with the appropriate use of the road to increase the sense of atmosphere, no matter how you shoot, it looks good.
[14] The figure is in the lower left six squares, looking sideways at the camera, leaving space in the upper right.
[15] The left and upper spaces are reserved for the scenery, and the characters are two-thirds of the way to the right, and the feet can be shot below, and the long legs are immediately shot.
[16] Close-up composition of the character, with the left side blank, and the character looking at the camera sideways than the heart.
[17] With the help of the railing in front of him, the left and right pictures are composed in four or six.
[18], the figure poses sideways, and the figure is composed diagonally.
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