Text: Jade cherishes poems
Editor|Jade Cherish Poems
Preface
Being old is capital, and debuting for a long time is the backbone of the drama? I don't think so.
I don't know when, the entertainment industry has set off an evil wind touting "drama bones", if you want to say who is blowing this wind, I think it is not those old actors with superb acting skills who blow up, but those "drama bones" who "sell dog meat on sheep's heads".
These people seem to have strong strength, but in fact, the drama road has already become narrower and narrower, and they can't support the title of "drama bones" at all. Today, let's take stock of who are those "drama bones" who "rely on the old and sell the old"!
Huang Lei
Huang Lei once confessed in front of the camera that he had worked for a period of time - there was no drama to film. This is the second year that he has not filmed, and the third year that he has not played the male lead.
As soon as Huang Lei's interview was released, it caused an uproar on the Internet. Until they saw the news, everyone suddenly realized that the "old drama bone Huang Lei" in the original impression had gradually drifted away from us. Those who know Huang Lei know that he is the kind of person who "is fed by God", and as soon as he debuted, he became the "stone" hand-picked by Chen Kaige, and played against Xu Qing.
During the filming of "Singing in the Middle of the Night", he not only got the opportunity to play on the same stage with Leslie Cheung, but also became popular all over the country. Relying on his acting skills, Huang Lei has made a name for himself in the actor industry. At that time, he was also prosperous at Nortel, and advanced from a student to an acting teacher.
Not only did Haiqing see that he wanted to be called "teacher", but the powerful actors Wen Zhengrong and Yao Chen in the circle also had a teacher-student relationship with him. The struggle in his early years established Huang Lei's status in the circle, and also gave him the capital to be a "drama bone".
But after a long time, Huang Lei also encountered a "bottleneck" on the road to becoming an actor. The middle-aged Huang Lei is no longer the collagen on his face in "April Day in the World". The words "middle-aged fortune" were vividly interpreted in him.
The change in body shape made Huang Lei lose the opportunity to continue to "pretend to be tender", and under the pressure of reality, he could only turn to urban family dramas to play the "short parents" of middle-aged men. Huang Lei relied on his acting skills to become the "ceiling" of this series, which is his luck and his "misfortune".
Because since he stepped into this circle, his acting career has quietly gone downhill. watched him play a middle-aged man for a long time, and the audience gradually became aesthetically fatigued, and after he frequently participated in variety shows, everyone could see that he was determined to eat the bowl of rice of "variety show coffee", and no one could stop him.
Watching Huang Lei lose himself, everyone sincerely felt sorry, but there was nothing they could do. Today, there are still people who call him honor. called him a "drama bone", but looking back at what he did, it seems that he can't support this identity anymore.
Jin Dong
Jin Dong's history of fame can be regarded as the best summary of the term "late bloomer". As an actor, Jin Dong's debut year is not short, but if you look closely, Jin Dong's "fire" began in the year of confusion.
With that "The Pretender". He exploded overnight, portraying the image of the multi-faceted lurking spy in Minglou vividly. Many viewers were conquered by his superb acting skills, and even began to call him a "male god", looking forward to him bringing more wonderful roles.
But after "The Pretender", Jin Dong was no longer able to surprise everyone, and all that was left for everyone was "disappointment". Jin Dong has potential, but he "chose the wrong track". He gave up the opportunity to work in the field of spy warfare, and turned to the elite field of the workplace.
Relying on an elite boss role, Jin Dong played himself as an "elite himself". At first glance, Jin Dong is challenging himself, and after thinking about it carefully, it is not difficult to find that Jin Dong has found his "comfort zone" and does not want to come out.
The script of flowing water, the iron-clad Jin Dong, no matter what kind of work he plays, the boss he plays is the same "taste", watching him appear in a suit, the audience can guess his performance below. It's no wonder that Jin Xing said the word "disappointed" when he saw Jin Dong's performance.
Since "Ode to Joy", Jin Dong's drama path has been set, and it is the kind of "stereotype" that can be seen at a glance. Jin Dong has acting skills, and this kind of acting skills may be called "drama bone level", but he himself does not cherish his acting skills and feathers, and he has been consuming the audience's favor.
Now, the wind of "The Pretender" has been blowing for many years, and Jin Dong is no longer the Jin Dong who was expected by the audience.
Yu Hewei
"Uncle circle top" Yu Hewei came out to be a demon again. His role as "Zhao Hui", the vice president of the bank, in his new work "City in the City", has attracted the attention of many audiences.
Yu Hewei has acting skills, which I don't deny, and when creating this role, he is indeed trying to present the three-dimensional and vivid side. But the longer I watched "Zhao Hui", the more I felt that Yu Hewei performed a "déjà vu" flavor.
When I saw Zhao Hui, I always felt that I saw Li Zhitian in "Solid as a Rock". is also a "blackened" role, and the effect of the performance is the same, with the same expression and the same deep scheming. If you really want to say that there is any difference between them, you can only say that in the new drama, Yu Hewei has more frowning and pouting expressions.
Some people say that these details just reflect Yu Hewei's acting skills, but in my opinion, this is not the case. When portraying the characters, Yu Hewei worked very hard, but almost all the characters presented could see his own shadow. Everything he plays feels familiar and takes for granted.
Perhaps for him, the role he understood should be like this. But for the audience, whether the role is successful or not depends on whether the performance is new and the degree of reproduction of the performance. Since his debut, Yu Hewei has brought us countless masterpieces, including many classics.
In the new "Three Kingdoms", he is Liu Bei, who puts benevolence and righteousness first, and in "The Alliance of Military Divisions of Sima Yi", he is Cao Cao. In the historical drama, Yu Hewei can perform contrasts and surprises. In modern themes, Yu Hewei always lacks something that makes people feel amazing.
He has highlight moments that can be called "drama bones", but when playing, he still needs to carefully consider and think about how to make the character a "soul" existence, so that the audience can come out of the feeling of "déjà vu". Yu Hewei is now undoubtedly a "powerful faction", but if he wants to advance to a "drama bone", it may take some time. I hope he can surprise us in the near future!
epilogue
This is that there are many "drama bones" in the entertainment industry who have been praised to the sky, and they have indeed had highlight moments, and they have also brought many excellent works to everyone.
But now they have all entered the "bottleneck period" without exception, either spinning in their comfort zone, or playing roles with insufficient charm and strength. In this unpredictable entertainment industry, there are countless old people who have been eliminated, and survival of the fittest has become an established rule in the entertainment industry.