Learn about the "head garden" worn by Fujian Pupu women, admire the intangible cultural heritage lacquer art paintings, and listen to the moving stories that happened in the process of ethnic exchanges...... On the 18th, the second phase of the 2024 Chinese National Excellent Cultural Experience Project at the former site of the Mongolian and Tibetan School was completed. Until mid-July, visitors can visit here to enjoy the regional customs of Fujian and Ningxia.
Dehua porcelain, white as jade, gorgeous hairpins, and unique She ethnic costumes...... Walking into the Fujian exhibition area, it is like entering a sea of colors. The most eye-catching is the hairpin flower circumference. According to a commentator, Pupu Village is a small fishing village in the East China Sea of Quanzhou, with a village history of nearly 800 years. There is one of the three major fisherwomen in Fujian, the "Pupu Girl" - the girl does not cut her hair before the age of 11, and her family will coil up her hair during the coming-of-age ceremony, tie a red rope and comb it into a bun to fix it at the back of her head, and then wear flowers, silk flowers, etc. In 2008, the custom of Pupu women was included in the national list of intangible cultural heritage. In the exhibition area, the artists also combined glass technology to make a new interpretation of the hairpin, a vivid display, attracting many visitors to stop and appreciate.
Intangible cultural heritage lacquer art "floats" colorful paintings on paper. "Here condenses the two intangible cultural heritage of Fuzhou lacquer art and millennium Han paper. The narrator said that the artist first diluted the lacquer on the surface of the water and painted it directly, and then transferred the "painting in the water" wet rubbing onto rice paper. "In the process of creation, the speed of the water flow and the air flow from the outside world will affect the final picture presentation, so each work is unique and cannot be reproduced. ”
In the Ningxia exhibition area, the docents told moving stories that happened in the process of ethnic exchanges. Near the entrance of the exhibition area, a lacquer coffin painting of the Northern Wei Dynasty is particularly eye-catching. "The Northern Wei lacquer coffin painting was unearthed from a Northern Wei tomb in the western suburbs of Guyuan, Ningxia. The story is rich in content and the picture is complete. A single picture constitutes a continuous filial piety story, which is the prototype of later comic strips. The narrator deliberately said that the painting is a traditional story of the Han nationality, and the characters in it are all dressed in Xianbei costumes, which is a vivid testimony of the exchange and integration between ethnic groups at that time.
Similar stories are told in the exhibition halls. In August 1935, the Red 25th Army came to Danjiaji in Xiji County, Guyuan City, strictly abided by local customs, and formulated the well-known "three disciplines" and "four attentions". Cheng Zihua, commander of the Red 25th Army, also presented a brocade plaque to the mosque with the words "Hui and Han brothers are like a family", which became the best portrayal of national unity.
As a museum area of the Memorial Hall of the Early Revolutionary Activities of the Communist Party of China in Beijing, the Excellent Cultural Experience Project of the Chinese Nation at the former site of the Mongolian and Tibetan School adopts a rotation mechanism, and this is the fifth phase of the rotation. Visitors do not need to make an appointment and can enter the museum directly.
Source: Beijing Daily client reporter Niu Weikun, Wu Yibin
Process edit: u028
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