Brilliant millennium, the people of the country love the landscape. If you wish to live, there is always the bright moon that is better, and the green mountains and green screens are hazy.
Take the fence order side by side, condensed into the background of the entrance;
Green hanging paintings, like stacked mountains fading,
If the blue waves surge, they are like green shadows......
Mountains and water, intertwined and flowing,
It is born in the subtle action of "light".
The green stone of the back wall is a landscape artistic conception of the landscape, and the local hollow depicts the layers, forming a framed scene, borrowing from each other.
The lines and surfaces are wandering, the wind sweeps the bamboo shadows, and the platinum crystal Taihu Lake stone is placed in the hollow position of the partition to focus on the visual focus of the traction space. Succession progresses, and the scenery changes.
The glazed glass forms an enclosure along the curved curve, the screen invokes it, and the green landscape painting glass is quietly embellished, and the tea table is half curved, which seems to be placed casually, but in fact hints at the lightness and freedom of the space......
The bar counter serves as an "axis" to build a spatial connection and promote an open layout of dining and kitchen. The twist is reduced by a rounded curved chamfer that reflects the laminates of the metal components, interpreting oriental aesthetics through contemporary design language.
The creation of "real" objects in the space incorporates the open exterior scene of the "virtual": the large floor-to-ceiling windows blur the boundary, constructing a kind of interpenetrating spiritual perception between the transition and blending of the virtual and the real, and softening the rigid separation of the "boundary".
The dressing table is combined with the cloaking area at the entrance of the master bedroom, and the layout suggests that the space is open, and the gray wave cabinet has a faint visual effect, adding a little transparent atmosphere.
The background is carved with a landscape painting, and the green bed screen echoes the topic. The autumn breeze is in the evening, meaning in the form, and the bamboo shadow is accompanied by the wind, and the nature is harmonious.
The cold tone and the warm light complement each other, the eclectic tone, the harmony of freehand and the beauty of simplicity, with "blank" to highlight the rhyme.
The background wall of the second bedroom is divided into large and small joints, which is matched with the soft decoration paintings, which is related to the balance of space and gives people just the right sense of rhythm.
The open coat rack combined with the bedside table, the integrated treatment outlines the clear outline of the ancient style with modern brushstrokes.
The bay window is small, the tea is fresh, the scenery is natural, and the wind is strong.
The children's room has a bed by the window to allow more space for movement. The curved bed screen uses color changes to set off the color atmosphere, and the integrated design of the bed and the rest area adds fun and vitality to the space through the staggered height of the circle and dinosaur dolls.
If the green painting scroll of the Song Dynasty takes the steepness of the mountains, the river is charming, the painting is stretched, poetry and thought are blended, the clouds and mist are ethereal, and the dust is clear and far away.
Project information
Project Name: C&D Tongxiang Manyun
Project address: Tongxiang, Zhejiang
Project area: 169 square meters
Design style: Chinese Zen realm
Party A's unit: Hangzhou Division of C&D Real Estate Southeast Cluster
Hard design: a new design
Design team: Lin Tianxin, Wang Hualei, Ma Chao, Ye Min
Photography Team: Outside Zhu Kaifeng