Recently, there has been a "strange thing" in internal entertainment.
The old drama "The Legend of Ruyi" six years ago suddenly became popular.
However, it was scolded red.
And it's been to the point where everyone is shouting and beating.
The latest reviews on Douban are all one-star negative reviews.
It also derived a "Yixue".
starring
Zhou Xun's reputation collapsed.
From the state and character design in the play, the trial to the emotional experience outside the play.
Even, many people questioned that his acting skills were overrated and that he had "no works".
The official Weibo of Zhou Xun's studio has also been captured.
There were a lot of ridicule and P black pictures in the comment area......
To be honest, Uncle Yu was a little confused.
How did you get to this situation?
Let's eat melons together today-
Uncle Yu had a general understanding of what happened.
At first, it was a certain video blogger who published an issue of "Ruyi's Biography" last year to complain.
was questioned in the comment area, and simply angrily issued a series of related complaints.
Subsequently, the camp expanded, and bloggers from all walks of life joined one after another.
As a result, complaining about "The Legend of Ruyi" has become a team building project.
From the details of the props to the plot and theme of the whole play, they have all been judged in an all-round way.
Originally, this thing was not out of the circle.
But two months ago, some of the complaining videos were complained about and taken off the shelves, which heated up the discussion.
Recently, related events have suddenly been on the hot search and accelerated out of the circle.
So far, the drama and actors have been scolded.
What are you scolding?
The character of the heroine Ruyi bears the brunt.
Some viewers feel that this character: White Lotus, Green Tea, Auntie, Selfishness, Hypocrisy, Nestling, Double Standard......
I don't want to fight in the palace, I just want men.
is as light as a chrysanthemum, and others do bad things for her, and she has to be reprimanded by her standing on the moral high ground.
was compared with other palace fighting drama protagonists.
Ruyi's "love brain" also seems to be deep in the bone marrow.
After becoming the queen, Ruyi tried her best to maintain the imperial power.
Compared with Zhen Huan's dragon slaying and Wei Yingluo's calculations next door, they are obviously not advanced enough.
So even with the theme of the series, it is also regarded as feudal dross.
At the same time, some viewers' disgust with the characters and dissatisfaction with the series spilled over to the actors.
formed a "collapsed house" encirclement and suppression of Zhou Xun.
For example, the role of Ruyi in the play has a large age span, and she does not match Zhou Xun's state when she was a girl.
So "pretending to be tender" and "tooting mouth" were ridiculed, and even the hand movements became "chicken feet".
The processing of facial expressions has also developed from "sluggish" to "poor acting".
At the same time, the unlikability of the character is blamed on the actor's ability to understand.
Netizens also dug out that Zhou Xun mentioned changing the script in a show, so as to ridicule her shallow cognition, which led to the protagonist being changed to "White Lotus".
At this point, the discussion still revolves around the series.
But for now, the trial seems to have turned into an all-out crusade.
On the one hand, it is aimed at Zhou Xun's identity as an actor.
questioned that she had her own styling team and was good at changing the script, which not only caused the failure of the role but also the performance of playing a big name.
Especially before and after the start of the drama that year, the news that Zhou Xun's salary was nearly 100 million (later refuted) was revealed.
This makes her and the drama seem more and more unforgivable.
On the other hand, for Zhou Xun's private life.
The interpretation of the role of Ruyi is questioned as projecting her own emotional values.
As a result, Zhou Xun's various love histories were dug up, and "The Biography of Ruyi" was also said to be autobiography.
So far, Zhou Xun inside and outside the play has become a "big woman" with a corrupt emotional outlook.
was once a talented actor full of aura, the first three-gold slam actress in Chinese film history, and became a straw bag with simple luck.
It seems that overnight, the reputation is completely stinking.
Is it really that bad?
Uncle Yu was suspicious and opened "The Legend of Ruyi" again.
found that there are some complaints, but there are facts.
For example, compared with the chewy "The Legend of Zhen Huan", the production of this drama is indeed much rougher.
The lines are half white and half literal, and the text is always wrong.
The title is full of errors and omissions, and the characters are not modern or ancient.
There is almost no manners, and all the physical upbringing is ignored.
The queen mother lifted her pants and sat down to scold the street, and the emperor always liked to kick people in person.
The plot of Gong Dou is also monotonous and protracted.
Over and over again, pregnancy, miscarriage, childbirth, and death of a child.
The character design of the heroine Ruyi does not meet the current preferences.
This is a role that is anti-Gong Dou in a palace fighting drama.
Don't be in position, don't want power, be emotional.
In the eyes of some audiences, it is a love brain that wants men not to have careers.
was framed and didn't explain or fight back, only grievances and helplessness, so I had a sense of cowardice.
In the later stage, some passive choices for self-preservation and saving people gave birth to the flavor of being and standing.
can put aside the plot and talk about the character design, which is a hard bar.
After reviewing the play, Uncle Yu found that Ruyi's character design may be controversial, but her motives and behaviors are always self-consistent.
For example, if she doesn't fight, she really doesn't need to fight from the perspective of the characters.
She and her husband Hongli have gone from childhood sweethearts to teenager couples, and the two have always been in touch.
Before entering the marriage, she was given a solemn commitment and a great sense of security.
Ruyi's early fall from grace was also the result of an agreement between the two.
Whenever it was critical, Hongli did stand on Ruyi's side and trusted her with full authority.
In other words, the two seem to be in this imperial power game, tacitly performing a scene of pretending not to love each other.
Let others panic and compete for favor, but they confirm each other's weight in their hearts.
Only then does the so-called person have the confidence to be as light as a chrysanthemum, after all, people don't need to fight for what they have already gotten.
And Zhou Xun's acting skills are not as bad as he said.
Her grasp of emotions is still accurate, natural and not stylized.
was scolded like this, Uncle Yu felt that there was another reason.
After reviewing "The Legend of Ruyi" this time, I always feel that this drama gives people too much sense of separation.
For example, episode positioning.
Compared with Gong Dou, this drama is more like a literary "Lan Yin Suguo" marriage elegy.
The protagonist is not in the palace fighting game of the favor, but only in the marriage with the husband.
She does not seek power, but only seeks "once in a lifetime", and treats her wholeheartedly when she loves.
And when the other party is corrupted beyond recognition by power, love dies and love is not there, only fatigue and boredom remain.
Ruyi is too lazy to hate, and she can't complain.
The rear glory is all abandoned, and he just wants to quickly disconnect everything.
The topic of the demise of love is universal and should resonate.
It's a pity that it was placed in the imperial marriage that seems to need the least love.
In the harem where Wan Yan is grieving, there are countless women who cling to their lives and sacrifice for their families.
In contrast, living for love is too lucky, extravagant, and naïve.
As a result, the main story line has the risk of isolation, and it is more difficult for the audience to substitute.
If you want to make up for it, you must increase the audience's sense of identity in the play.
For example, it is necessary to lay down Ruyi's character and love part, and enhance the protagonist's behavior.
Or although Ruyi knows in her heart that there is no need to fight, she should still make a gesture of fighting to appease people's hearts.
In this way, it is more logical, and it can also make Gong Dou establish and meet the expectations of the viewer.
Unfortunately, the logic of the play is as contradictory as the protagonist's situation.
The important foreshadowing part is the later reshooting, which was hastily polished, which also made the actor's state worse.
In the later period, Ruyi's suffering was mostly passive.
She likes to help others, but she is stingy with self-defense, so she has to let others compensate for it.
What is lacking behind the contradiction is the subjectivity of the protagonist that no matter how good the love is, it needs to be managed.
Therefore, in the eyes of the audience, Ruyi may be an alternative sample of palace fighting, but she is also the protagonist who has lost her vitality.
And Zhou Xun's performances with other actors also have stylistic separation.
starred in a palace fight drama for the first time, and she still retains her film acting skills.
Restraint closure and focus on the eyes.
The director also intends to cooperate with it audiovisually.
But with the other actors in the play, there is obviously a difference in painting style.
As you can imagine, it exacerbates the protagonist's sense of isolation.
Several fragments, coupled with the fact that the play is not too hard, naturally bury the risk of overturning.
But now, it has also been a little out of shape.
The so-called complaint, at the beginning, there was a plot to follow.
But soon after, it turned into a malicious personal attack, just to scandalize and achieve the purpose of meme.
Based on the opposition to this and copyright issues, the takedown was also used to stir up emotions.
The so-called 100 million yuan salary has long been refuted.
Bullying actresses in the same group and playing big-name questions are also taken out of context for behind-the-scenes interviews.
Such a battle of love and evil and death does reflect some changes in the direction of entertainment in recent years.
First of all, the standards of some audiences are very different from before.
After all, women's consciousness has awakened and class consciousness has deepened.
Most of the love brains have been judged, and it has become really sober to break off love and engage in career.
The audience is more and more interested in the offensive protagonist, and they are more empathetic to the identity of the underprivileged.
So Ruyi was scolded, and the villain Wei Yanwan, who climbed up step by step from the palace maid, became the heroine in the eyes of the audience.
And the barrenness of good domestic entertainment dramas has made the wind of "archaeology" constant.
From drama to actor, if you eat old melons and new ones, you must also find new dishes to eat.
In addition, the generalized all-round trial shows a decline in "tolerance".
In the past, the audience hated a drama, and it seemed that it was easy to separate the drama from the drama, and even if the scolding was over.
Now, not only to scold, but also to knock down after scolding. Characters and actors, episodes and reality are all mixed up.
Spitting for the sake of spitting has evolved into a trend.
uses extreme methods such as taking quotes out of context, personal attacks, and even cyberbullying to convey anger at poor plays, bad internal entertainment, and disparities in income.
Perhaps this is the evil result of the deformed ecology of internal entertainment.
But what does the audience get after the brief thrill of the trial?
Uncle Yu suddenly thought that He Jiong once said when introducing Zhou Xun:
"If it was easy to introduce her with awards, she would have won all the awards."
In an era when traffic is not king, awards are still a professional recognition of performance strength.
And now, it seems that all this glory can be written off, just because of a spit carnival.
It seems that overnight, Zhou Xun has become a negative teaching material in the entertainment industry with "no works", "random script changes" and "sky-high salary".
Uncle Yu remembered a message from an aquarist a few days ago:
"Young people nowadays are unscrupulously suspicious of the past. 」
There is no problem with doubt.
But doubts are problematic to knock them down.
There is an essential difference between criticizing a drama and cyberbullying an actor.
Once the middle line is crossed, Pandora's box is opened.
In the end, every creator will fall into a situation of "being at a loss for words".
In the final analysis, public opinion strangling a Zhou Xun can't save a work.
Of course, it can't save the entire internal entertainment.