Wang Jing shouted to Tony Leung: It's time for the Academy Awards to be virtuous?
The Hong Kong film industry has recently set off a lot of turmoil. Director Wang Jing publicly questioned Tony Leung after the Academy Awards ceremony, believing that he should follow the example of his predecessors and abdicate to make way for the virtuous, no longer accept the award, and give the younger generation more opportunities. This remark quickly caused an uproar on the Internet, and netizens stood in line and expressed their opinions.
Wang Jing's remarks seem sharp, but in fact they reveal concerns about the future of Hong Kong films. He believes that Tony Leung, as a veteran actor, has won many awards to prove his status, but should young people be given more room to show now?
The controversy quickly ignited the enthusiasm of netizens. Some people support Wang Jing's view, believing that Hong Kong films need fresh blood, and the older generation of actors should abdicate in due course; others retort that Tony Leung's strength is obvious to all, and his acting skills and influence are unmatched, so why should he be virtuous because of the opportunities of young actors?
In this controversy, we have also seen questions about the selection mechanism of the Academy Awards. Some netizens bluntly said that whether the selection of the Academy Awards is really fair? Is there a black-box operation? Is Tony Leung's award just a personal preference of the judges? These questions have made people doubt the authority and credibility of the Academy Awards.
However, in this controversy, we have also seen the unity and tolerance of the Hong Kong film industry. Despite the different views, everyone hopes that Hong Kong films will continue to prosper and bring more excellent works to the audience.
This controversy is not only a personal evaluation of Tony Leung and Wang Jing, but also a discussion of the future development direction of Hong Kong films. We hope that after this controversy, the Hong Kong film industry will learn from its experience and continue to improve, bringing more exciting stories and characters to the audience.
However, what is the truth behind the controversy, is there really an injustice in the selection of the Academy Awards, and whether Tony Leung should really let Xian be? These questions may not have clear answers, but they undoubtedly provide us with an opportunity to think about the future development of Hong Kong films.
In this era full of uncertainties, the Hong Kong film industry needs more innovation and breakthroughs. Perhaps, we can draw inspiration from this controversy and inject new vitality and hope into the future of Hong Kong cinema. In any case, we hope that Hong Kong films will continue to shine with their unique brilliance and bring more unforgettable memories and touches to the audience.