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"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

author:Ten Mile Movie

The plot of the financial anti-corruption drama "City in the City" is becoming more and more interesting.

Although there are not many anti-corruption elements, the down-to-earth content is still easy to resonate with the audience. Moreover, the "depth of water" in the financial industry is clearly presented in the play, although there are flaws, but the flaws are not hidden.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

There are currently three storylines that are hotly debated.

One is that Zhao Hui, vice president of the bank, was hunted by capital, and he never thought that he was actually calculated by his old classmates Xie Zhiyuan and Su Jianren, and a "dark war" kicked off.

The second is the career and emotional choices of young people such as Tao Wuji and Tian Xiaohui. They are facing the challenges of life and too many unknown factors, can this relationship, which has lasted for four years, withstand the test?

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

The third is the emotional line between Zhao Hui and his "mistress" Zhou Lin. This person is too similar to Zhao Hui's deceased wife Li Ying, and with the contact between the two, feelings gradually arise, and sparks spread......

These three story lines have become the hottest topics in the whole show.

It is not difficult to get a glimpse that the scale of "City in the City" is also very realistic, and it does not beautify the good and evil of "human nature", but expresses it very intuitively.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

Especially the extreme pull between Zhao Hui and the "mistress", although there is no one-second passion scene, every frame reveals ambiguity.

01

Facing someone who resembles his deceased wife Li Ying, how can Zhao Hui's heart not ripple?

At Dai Qiye's funeral, Zhou Lin appeared, and it was so sudden that Zhao Hui was defenseless. Su Jianren, Miao Che and Xie Zhiyuan, who were with him, were all dumbfounded, what was the situation.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

In fact, Zhou Lin was just a chess piece that Xie Zhiyuan found.

The two have known each other for a long time, and they have a close relationship, more precisely, an exchange of interests. Zhou Lin needs money, and Xie Zhiyuan is not short of money.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

Zhou Lin tried her best to get close to Zhao Hui.

She created a "chance encounter" in the community and began to approach Zhao Hui's daughter, making this simple and defenseless little girl seem to have met her relatives again.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

Instead, Zhou Lin lived in Zhao Hui's "opposite door" and became a neighbor who looked down and didn't look up.

Even if Zhao Hui went to the supermarket to buy something, Zhou Lin also happened to appear at the right time, this kind of accident was really surprising.

Zhao Hui deliberately kept his distance, but the encounter in the elevator still made him chuckle in his heart.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

Another time, when he was on the phone on the balcony, she could hear it clearly from the balcony next door. By the time the phone hung up, Zhou Lin had already appeared at his house.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".
"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

Zhao Hui looked at the high heels placed at the door, and then looked at Zhou Lin's back. In this trance, he seemed to see his wife Li Ying, who had left.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

Later, when Zhao Hui drank too much and vomited wine, Zhou Lin was by his side to take care of him.

It was also in an instant that Zhao Hui really regarded the person in front of him as his favorite wife, and Zhou Lin had the shadow of his deceased wife, which was the most exciting part of Zhao Hui.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

In fact, as the bank's vice president, Zhao Hui is glamorous on the surface, but he is also under a lot of pressure. Because of his daughter's eye disease, he had to lower his figure in some considerations.

After Zhou Lin appeared, he didn't realize that he was falling into the trap of his old classmates, and he was likely to be in prison.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

Zhao Hui is not without determination, but the change in human nature is only in a moment, in the face of temptation, can he refuse, or how to refuse?

Feelings are such a thing, once they sprout, they are out of control.

02

At the beginning, when Zhou Lin appeared, it did feel a little simple, that is, he was used by Xie Zhiyuan.

But with the update of the plot, I found out that this person is not simple.

To be more detailed, Zhou Lin's situation is not satisfactory. After the divorce, she took her son by herself, but she didn't expect her son to be close to his grandmother and unwilling to live with her.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

This scene that happened in the bakery left her embarrassment with nowhere to put it.

When he met Zhao Hui when buying bread, Zhou Lin greeted his son very politely and politely and then left. At this time, the child's grandmother came to pick up the child, and the two had an unpleasant and even quarrelsome.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

The grandmother was also not polite, and when she led the child away, she did not forget to throw the bag in her hand out, and the bread fell to the ground.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

Zhou Lin was in a lost mood, and slowly squatted down to pick up the bread. When she turned around to leave, she found that Zhao Hui had witnessed all this.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

It is not difficult to find that when Zhao Hui saw this scene, he sympathized with this woman, and even inexplicably felt a little more good at this moment. The desire to protect her also began to sprout at this moment, and Zhao Hui was finally tempted.

On the way home, Zhou Lin was full of thoughts, and she was hesitating in the heavy rain at this time.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

Suddenly, an umbrella covered herself from all the rain, and Zhao Hui followed behind her like this, silently accompanying her.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

But the more this is the case, the more uncontrollable Zhou Lin's emotions become.

Finally, she couldn't hold back any longer, turned to look at Zhao Hui, and poured out all her grievances and depression over the years. The more he talked, the more excited he became, and finally he cried directly.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

The rain and tears intertwined on her face, magnifying the sadness in her heart.

Zhao Hui took out a tissue and handed it to her, how could this kind of close action not make Zhou Lin's heart move. In the end, Zhao Hui also picked up the paper towel that had fallen on the ground and squeezed out the excess rainwater. This detail is also an encouragement to Zhou Lin, hoping that she can better face her future life.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".
"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".
"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

In these few minutes of footage, Zhao Hui saw Zhou Lin's most embarrassing side, her former amorous and glamorous and glamorous no longer exists at this moment.

Because he was standing in the rain, Zhou Lin raised his hand and pressed Zhao Hui's hand, and moved a small step forward, and the distance between the two was quite close.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

She said, "You're wet. "At this time, the eyes are like silk, how can people refuse?

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

Zhao Hui said disapprovingly, "It's okay", he still tilted the umbrella to Zhou Lin's side, this "preference" is obvious.

When the two looked at each other, different lights appeared in their eyes. Zhou Lin's affection, Zhao Hui's dodge, this kind of scene that doesn't need a passion scene but is a little ambiguous, makes people go straight to the head, which can be regarded as a top-level extreme pull.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".
"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

Including in the subsequent dialogue between the two, some of the "facts" that Zhao Hui said may have slandered Zhou Lin to a certain extent, so it also made him feel a little more guilty.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".
"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

Later, Zhao Hui and Zhou Lin came into contact more and more, and their inner emotions were already uncontrollable, and finally broke out at a certain moment......

Write at the end:

For the relationship between Zhao Hui and Zhou Lin, there will definitely be a period of enthusiasm in the future, just like when the two kiss on the balcony, the tension is directly full.

And in the current plot, this extreme pull has already begun.

"A City in a City": There is no one-second passion scene, but it is the extreme pull of the governor and the "mistress".

There is no passionate kiss scene, no close contact, just eyes and simple body language, which have gradually made the ambiguous atmosphere thicker.

It can only be said that "City in the City" is too good at playing scale, and it also makes this relationship the most topical plot.