Original2024-04-17 08:42·The Paper
The surging news learned that on April 12, the National Palace Museum in Taipei opened a new exhibition "Fang Cun Inscription", exhibiting more than a dozen pieces of old Qing Palace collections and donated seals from the National Palace Museum in Taipei, including the Qing Dynasty "Selected Seals" album, modern and modern seal carvers Fang Jiekan, Wang Zhuangwei and other people's seals, etc., showing the beauty of Chinese seal carving art.
A history of seal carving, can be said to be composed of Xiao seals, official seals, private seals, as well as various leisure seals, collection seals, converged into a grand view. The art of seals is presented in the form of "seals", "screens" or "seals", leaving a sample of the seal after it is engraved, with the main purpose of collecting seal patterns and examining seals for study, appreciation and study.
Republic of China Wang Zhuang for the printing of the paper
Republic of China Wang Zhuang for the printing of the paper
Wang Zhuangwei (1909-1998), whose real name is Yuanli, was born in Yi County, Hebei Province. During the Anti-Japanese War, he joined the army, and took Gu Yun's "boy carving insect skills, strong man is not for", so he took "strong man can be" as a pen name alias for engraving. After coming to Taiwan, he taught seal carving and calligraphy history in colleges and universities. In the early years of calligraphy, he studied the calligraphers of the Jin and Tang dynasties, and explored the pre-Qin jade and silk characters, leading the trend of the moment, especially the fine seal carving. In this exhibition, Wushen (1968), Renzi (1972), Bingchen (1976) and Nonji (1981-1982) are exhibited.
Selected prints on paper (detail)
Selected prints on paper (detail)
Selected Prints on Paper (Detail)
Selected prints on paper (detail)
Selected prints on paper (detail)
The "Selected Prints" album consists of 36 sheets, with 12, 18 or 24 prints per sheet. It was originally numbered as the word "law" and was hidden in Jingyang Palace. The printing surface is pasted with Zhu Zhu, and the printing text is interpreted in ink pen and regular script, and it is written directly under the printing surface. In addition to the idiom inscriptions of the history of each body, there are also the true shape of the five mountains, the double carp Xiao shape seal, etc. The arrangement format of the commentary and the printed text is the same as that of the 52nd year of Qianlong (1787) in the collection of the Rehe Summer Resort, such as "making a series of Fan Gu, Kaowen Ji Zhi, Yun Seal Collecting Names, Xinzhang Cui Gu, and Zhi Ni Shang Theory", which is the same as the seal of the old bone Dong Fang Collection of the "Guarding the Palace" of the old bone Dong Fang Collection of the year unknown.
Republic of China Fang Jiekan Baijuan Lou printed on paper
Republic of China Fang Jiekan Baijuan Lou printed on paper
Republic of China Fang Jiekan Baijuan Lou printed on paper
Republic of China Fang Jiekan Baijuan Lou printed on paper
Republic of China Fang Jiekan Baijuan Lou printed on paper
Republic of China Fang Jiekan Baijuan Lou printed on paper
Fang Jiekan (1901-1987), a native of Yongjia (now Wenzhou, Zhejiang), formerly known as Wenqu, the word Jiekan, with the word line, the old man of the late Cicada Garden, the room name Yuzhulou, Wanxiangtang, was the vice president of the Xiling Seal Society. Gong calligraphy and painting, fine seal carving, can be printed with cultural relics inscriptions, especially fine jade seals and bird and insect seals, the works are vigorous, and have a good reputation in the contemporary printing world. He has engraved many pieces for Zhang Daqian (1899-1983), and has the reputation of "Zhang Painting Square Seal". "The Seal of the White Juan Building" is a total of 1005 square prints, printed with Zhu Mo on the front and back, respectively made in 1922 (壬戌) to 1951 (Xin Mao), this piece was donated by Mr. Fang Guangqiang.
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen (1925-1996), a native of She County, Anhui Province, was a calligrapher, painter and seal carver and art history research scholar, and was the vice president of the National Palace Museum and the director of the Painting and Calligraphy Department in Taipei. Jiang Zhaoshen was good at seal carving when he was young, and what he made at the age of thirteen had been standardized, and he could sell it to support his family. Zhiyin took the seal of the Qin and Han seals of the Warring States of China, and also studied the former sages of Zhejiang and Anhui, and imitated the jade cutting method, or broke the edge with a broken knife, chiseled points, etc., to create a dry ink rhyme, and the ancient fun of gold and stone weathering.
The exhibition will be on view until June 23.
(The pictures and texts in this article are synthesized from the official website of the National Palace Museum in Taipei) "Square Inch Inscription", looking at the beauty of seal carving in the National Palace Museum in Taipei
Original2024-04-17 08:42·The Paper
The surging news learned that on April 12, the National Palace Museum in Taipei opened a new exhibition "Fang Cun Inscription", exhibiting more than a dozen pieces of old Qing Palace collections and donated seals from the National Palace Museum in Taipei, including the Qing Dynasty "Selected Seals" album, modern and modern seal carvers Fang Jiekan, Wang Zhuangwei and other people's seals, etc., showing the beauty of Chinese seal carving art.
A history of seal carving, can be said to be composed of Xiao seals, official seals, private seals, as well as various leisure seals, collection seals, converged into a grand view. The art of seals is presented in the form of "seals", "screens" or "seals", leaving a sample of the seal after it is engraved, with the main purpose of collecting seal patterns and examining seals for study, appreciation and study.
Republic of China Wang Zhuang for the printing of the paper
Republic of China Wang Zhuang for the printing of the paper
Wang Zhuangwei (1909-1998), whose real name is Yuanli, was born in Yi County, Hebei Province. During the Anti-Japanese War, he joined the army, and took Gu Yun's "boy carving insect skills, strong man is not for", so he took "strong man can be" as a pen name alias for engraving. After coming to Taiwan, he taught seal carving and calligraphy history in colleges and universities. In the early years of calligraphy, he studied the calligraphers of the Jin and Tang dynasties, and explored the pre-Qin jade and silk characters, leading the trend of the moment, especially the fine seal carving. In this exhibition, Wushen (1968), Renzi (1972), Bingchen (1976) and Nonji (1981-1982) are exhibited.
Selected prints on paper (detail)
Selected prints on paper (detail)
Selected Prints on Paper (Detail)
Selected prints on paper (detail)
Selected prints on paper (detail)
The "Selected Prints" album consists of 36 sheets, with 12, 18 or 24 prints per sheet. It was originally numbered as the word "law" and was hidden in Jingyang Palace. The printing surface is pasted with Zhu Zhu, and the printing text is interpreted in ink pen and regular script, and it is written directly under the printing surface. In addition to the idiom inscriptions of the history of each body, there are also the true shape of the five mountains, the double carp Xiao shape seal, etc. The arrangement format of the commentary and the printed text is the same as that of the 52nd year of Qianlong (1787) in the collection of the Rehe Summer Resort, such as "making a series of Fan Gu, Kaowen Ji Zhi, Yun Seal Collecting Names, Xinzhang Cui Gu, and Zhi Ni Shang Theory", which is the same as the seal of the old bone Dong Fang Collection of the "Guarding the Palace" of the old bone Dong Fang Collection of the year unknown.
Republic of China Fang Jiekan Baijuan Lou printed on paper
Republic of China Fang Jiekan Baijuan Lou printed on paper
Republic of China Fang Jiekan Baijuan Lou printed on paper
Republic of China Fang Jiekan Baijuan Lou printed on paper
Republic of China Fang Jiekan Baijuan Lou printed on paper
Republic of China Fang Jiekan Baijuan Lou printed on paper
Fang Jiekan (1901-1987), a native of Yongjia (now Wenzhou, Zhejiang), formerly known as Wenqu, the word Jiekan, with the word line, the old man of the late Cicada Garden, the room name Yuzhulou, Wanxiangtang, was the vice president of the Xiling Seal Society. Gong calligraphy and painting, fine seal carving, can be printed with cultural relics inscriptions, especially fine jade seals and bird and insect seals, the works are vigorous, and have a good reputation in the contemporary printing world. He has engraved many pieces for Zhang Daqian (1899-1983), and has the reputation of "Zhang Painting Square Seal". "The Seal of the White Juan Building" is a total of 1005 square prints, printed with Zhu Mo on the front and back, respectively made in 1922 (壬戌) to 1951 (Xin Mao), this piece was donated by Mr. Fang Guangqiang.
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen of the Republic of China printed on paper for his own use
Jiang Zhaoshen (1925-1996), a native of She County, Anhui Province, was a calligrapher, painter and seal carver and art history research scholar, and was the vice president of the National Palace Museum and the director of the Painting and Calligraphy Department in Taipei. Jiang Zhaoshen was good at seal carving when he was young, and what he made at the age of thirteen had been standardized, and he could sell it to support his family. Zhiyin took the seal of the Qin and Han seals of the Warring States of China, and also studied the former sages of Zhejiang and Anhui, and imitated the jade cutting method, or broke the edge with a broken knife, chiseled points, etc., to create a dry ink rhyme, and the ancient fun of gold and stone weathering.
The exhibition will be on view until June 23.
(The pictures and texts in this article are synthesized from the official website of the National Palace Museum in Taipei)