Please beg the screenwriter of this drama, stop bothering to portray the "poor", no poor person dares to be so arrogant
Copywriting | Easy luck
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Zhao Hui still did not accept the bank card of his eldest brother Wu Xianlong.
This made the eldest brother fall into despair again, but Xie Zhiyuan was unhurried, probably still waiting for the "beauty plan" to work later.
It's really funny, how can I send these eight million can't be sent, I can see that the roots of my teeth are itching, rich people are really rich.
Seeing that there is no hope of promotion, and he will be suppressed by his boss, and the house on the other side is about to be gone, it is ridiculous that he has been honest for half of his life to be replaced by such a situation.
Zhao Hui rarely drove a red light, but in his career, he gave Xie Zhiyuan a green light-
Agreed to cooperate.
On the other hand, Zhou Lin's beauty plan is also progressing steadily.
The drizzling rain gave her a chance to get closer to Zhao Hui.
Although Zhao Hui was still indifferent on the surface, this first step was finally crossed, and coincidentally, this scene was seen by Su Jianren again.
Su Jianren was furious and called Xie Zhiyuan directly.
Everyone is an adult, and he knows very well what this situation is.
He once again hit the nail on the head to break Xie Zhiyuan's plan, and Xie Zhiyuan on the other end of the phone continued to explain and deny it.
Back then, Zhao Hui snatched love with a knife, and Su Jianren was so angry that he didn't talk to Zhao Hui for two years.
This time, in order to retaliate, his subsequent series of operations will unlock the vicious methods of the most evil boss in the whole show, Wu Xianlong.
Of course, after all, it is a financial drama of "Yu Hewei's strict selection", and the characters involved in the main line of the play are vivid and three-dimensional, and the confrontation between the actors is also particularly exciting.
But I have to say that in terms of portraying the male protagonist Tao Wuji, "City in the City" is still a little less interesting.
This role itself is not likable, and Bai Yufan's acting skills are not so comfortable in comparison, and it is not new to become a "concentration of artillery fire".
But in fact, the details of the service did not add points to the design.
Even in the urban drama directed by Teng Huatao, the so-called "poor" will make most young people in front of the screen envious.
How poor is Tao Wuji?
can only be said to be very in line with the stereotype of urban drama screenwriters.
First of all, he was going to take the subway.
Second, the house must be in tatters in the eyes of others.
That's right, in the room rented by Tao Wuji, even the landlord and aunt admitted it herself-
"My house is old and small..."
At the same time, the poor protagonist still has to be harassed by the landlord after renting such a dilapidated house.
For example, the landlord aunt in "City in the City" began to babble non-stop when she saw Tao Wuji buy a turtle and come back.
The male protagonist explained vigorously that this turtle is not a cat or a dog, and it has no hair.
Seeing this, the intention of the screenwriter and director is already very clear, it is nothing more than wanting to show that the male protagonist's life and work are unsatisfactory.
But in fact, when they signed the contract, they had already stated that pets were not allowed, and the aunt was right, if the turtle didn't know where to climb, it would be easy to leave a smell after drying.
If it were in real life, young people would definitely have to apologize, but the male and female protagonists in the play pouted.
So, since it took so much pen and ink to show that the male protagonist didn't live well, how depressed he was living-
This is a sunny room, the daylight is very good, and the whole room is bright and clean.
The spacious single bed could sleep two people.
As soon as you enter the door, there is a large refrigerator, and on the left hand side is the kitchen, which is really small and complete, and all the cabinets in the room are still wooden.
Opposite the bed are desks and bookcases.
Yes, you heard it right, it's the landlord's "old and small" room with a desk.
The computer used by the male protagonist is not only a notebook, but the display screen can be used as a small TV, and there is even a printer next to it.
No, you're just a teller at a bank, what are you doing at home, the table is expensive.
Near the window, it is tatami mats.
Filled with dolls and floor mats, the male and female protagonists sat side by side in front of the large floor-to-ceiling windows, looking at the brightly lit high-rise buildings in front of them with a lot of emotion.
No, you're the so-called "old and small"?
The central location, large floor-to-ceiling windows, desks and computers, I don't know how many young office workers can't find a place to rent if they want to live.
In addition, the male and female protagonists in urban dramas really don't know how to live.
Every day crying and shouting that I am too poor, when I open the refrigerator, I see that it is full of drinks, not even a bottle of the cheapest mineral water, I really don't understand your life.
Later, the female protagonist paid her salary, and she said that there was not much, and after the male protagonist asked several times, she came to a sentence -
"It's 50,000. ”
Although the heroine gradually became vain, she hadn't been promoted to manager for long at this time, and she didn't show any dislike for the male protagonist, and as soon as she opened her mouth, she was 50,000.
Don't make me laugh too much.
Is it a shame to sit at the counter of a big bank in a first-tier city?
Such a good job, at the beginning of the protagonist was complained about again and again, for today's young people, this kind of work on time and on time does not need to work overtime or regular employees, I don't know how blessed it is.
And changing departments and moving a small box of things to transfer the "position" is not an exaggeration.
The funniest thing is that Cheng Jiayuan actually hugged a small box of food, all of which was eaten without any office supplies.
Let's say that there is still time to eat so many snacks, isn't it quite easy to work at the counter?
I really want to live such a poor life.
But the "poor kids" in "City in the City" are so outrageous, and the audience has even looked down on them.
The screenwriters who have never been to work have already given the audience a preventive shot.
From the pampered heroine into a simple small western-style building, it is unbelievable that "there can be someone so poor".
is in huge debt, and he still has to drive a luxury car, live in a luxury house, and even raise a little nanny to eat enough for four dishes at night.
and then eating a fat reduction meal and drinking coffee in the company, and letting my younger brother boil two eggs at home, all of which are said to be outrageous plots of "luxury".
If you have money, you have to pretend that you don't have money, and if you don't have money, you have to eat a big meal with good clothes, but you don't know how to write the real "poor" in the real world.
epilogue
In fact, the quality of "City in the City" is very good compared to most urban dramas on the market.
The pen and ink that can be used to depict the poor can still only be a dry subway ride, or a simple peasant father.
is because I don't want to really experience life without life, so I can only repeatedly use other people's mouths or appearances to deepen the audience's impression that the male protagonist is "very poor".
But in reality, it is impossible to prove it with details and gesture habits.
Obviously, I didn't really understand it, and just relying on imagination would make me laugh.
The acting skills of "Lao Mo", who kills people without blinking in "Hurricane", are enough to get out of the circle, but he still chooses to run errands for the role.
Recognized by passers-by and took two group photos, he hurriedly said that he was going to finish his work and ran away directly on an electric car.
In this way, are you still worried that you can't create a character that makes the audience have a sense of substitution?
Poverty is obviously the easiest to show, but when it comes to urban dramas, it has become the most difficult problem.
Of course, if you really can't fix it, don't fix it, but you have to knock on the side to deepen the character design, and you will only make jokes and laugh generously.
Urban dramas, isn't it good to tell a good story?
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