Recently, there have been signs of discord between the actors of the film "Article 20".
At the award ceremony, Ma Li said that Zhao Liying was connotated, and Gao Ye also choked "splashing love". These actions have undoubtedly ignited the fire of war among fans, making movie performances that belong to art become a comparative tool for traffic stars.
The core of this dispute is that people characterize Zhao Liying as a "traffic actor" and deny her contribution to the movie. However, this labelling view ignores Zhao Liying's own efforts and artistic pursuits.
In the development of film and television dramas, Zhao Liying has never relied too much on traffic.
Whether it is her debut work "Qiu Shuzhen", or her masterpiece "The Legend of Chu Qiao" and "Do You Know", Zhao Liying has conquered the audience through her solid acting skills, and her popularity relies on strength, rather than rigid traffic PACK.
Zhao Liying's dedication to art is also obvious to all. As early as 2010, she came to Nortel's performance department for further study.
In the movie "Article 20", Zhao Liying worked hard for a year to interpret the role of "dumb girl". It is this professionalism that has touched countless audiences in her 5-minute scene.
We should not distinguish actors only into "traffic" and "strength", which in itself is a simplification of artistic creation. The success of a movie requires a combination of many factors, and the actors are only one of them. If a popular actor does not have the strength to support him, it is difficult to become a big player.
Both Ma Li and Zhao Liying have their own excellence. We should appreciate the different shining points of different actors, and should not reduce it to a comparison of traffic and strength. This not only violates the essence of art, but also easily triggers unnecessary confrontation between fans.
In fact, whether it is a movie or a TV series, it is a platform to tell about human nature. As long as the work touches people's hearts, the so-called traffic and strength are no longer important. We should focus on the work itself, not the fame of the actor.
It's like a movie that celebrates mothers is always touching. The motherly role created by Zhao Liying in "Do You Know" and "Happiness to Ten Thousand Homes" has influenced generation after generation. The root of this power lies in her delicate interpretation and interpretation of the role, rather than traffic packaging.
It is true that the operation of traffic in the entertainment industry is inevitable. But just as water can carry a boat or overturn a boat, flow is a double-edged sword. Singer Zhou Shen once said that artists should rely on strength rather than traffic to prosper for a long time. The same insight applies to film and television actors.
An excellent actor ultimately has to speak through his works. We should not be confused by the superficial traffic, but return to the source and perceive the artistic charm of the actors through their works. This is the best respect for film and television.
Whether it is Ma Li or Zhao Liying, they are all shining in their respective fields. We don't have to selectively dismiss one party's efforts for the sake of comparison. On the contrary, we should appreciate their dedication to art and expect them to bring more moving works.
Only by maintaining a positive attitude can we inject positive energy into artistic creation. What we need is not traffic, but the power to shock people's hearts.
If a work can touch you and me, why care about the box office and traffic? A wise audience will perceive it with their hearts.