In today's TV drama market, works of various themes emerge in an endless stream and the competition is fierce. During the same period, an urban-themed TV series "Chenghuan Ji" and a financial-themed TV series "City in the City" were broadcast one after another, attracting the attention of many audiences.
Although these two works have the same broadcast time, their performance on the popularity list is very different. This article will provide a comparative analysis of the two dramas and delve into the ratings of "City in the City" and its problems.
First of all, let's take a look at the differences in the themes of these two dramas. "Cheng Huan Ji" is set in urban life, telling the story of a group of young people struggling and growing up in the city, which is close to real life and easy to resonate with the audience.
"A City Within a City" focuses on the financial industry, telling the story of how people struggle, choose and grow in this field full of competition and challenges. Although both dramas have a certain appeal, in terms of subject matter, "Cheng Huan Ji" seems to be more popular with the public
The acting skills, appearance are average, and the status is not low
With the popularity of the TV series "City in the City", the audience has also had a lot of discussions about the performance of the actors in the play. As a high-profile work, the performance of the actors directly affects the quality of the series.
However, in "City within a City", the performance of some actors is worrying, especially Bai Yufan's acting skills are controversial. Even with a veteran actor like Yu Hewei joining, it is difficult to restore the overall quality of the series.
This article will provide a detailed analysis and evaluation of the performance of the actors in "A City within a City".
Bai Yufan's role in the play is Tao Wuji, a young man with a full sense of justice. However, Bai Yufan's performance in the play is unsatisfactory.
First of all, from the perspective of expression, Bai Yufan lacks a sense of hierarchy when creating a character, and many times his expression is too simple and cannot accurately convey the character's inner emotions.
For example, in a scene about loyalty and betrayal, Bai Yufan's expression is too flat to show the character's inner struggles and contradictions.
Secondly, from the perspective of action, Bai Yufan's behavior in the play is not natural enough.
As a character born in a military force, Tao Wuji should have a kind of masculinity. However, Bai Yufan's movements in the play seem too soft and lack a sense of power.
This way of expression not only fails to highlight the personality characteristics of the characters, but makes the audience feel that the character image is ambiguous.
Compared with other actors, Bai Yufan's acting skills are obviously at a disadvantage.
For example, in the rivalry with Yu Hewei, Bai Yufan's performance seemed overstretched, and he could not be compared with Yu Hewei's superb acting skills.
Similarly, in the confrontation with Wang Xiao, Bai Yufan could not show enough competitiveness. These comparisons undoubtedly highlight Bai Yufan's shortcomings in acting skills.
In stark contrast to Bai Yufan, Yu Hewei's performance in the play is amazing.
The role of the male director he plays is deeply rooted in the hearts of the people, and his every move reveals a kind of temperament of a superior. Under Yu Hewei's interpretation, this character became lifelike and became a highlight in the play.
In addition, the performance of actors such as Zhao Hui is also remarkable. Their characters in the play are plump and full, which adds a lot to the plot. In comparison, Bai Yufan's performance pales in comparison.
There is a strong connection between plot development and character performance. In "City within a City", the performance of the characters directly affects the progress of the plot.
For example, after Tao Wuji was involved in a fight, his performance directly determined the course of the incident.
However, because Bai Yufan's performance in the play was not good enough, the handling of this incident seemed too simplistic and could not bring enough shock to the audience.
The performance of some actors in "City within a City" is not good, especially Bai Yufan's acting skills need to be improved.
This situation has undoubtedly affected the overall quality of the series, making it difficult for "City in the City" to become a classic.
In order to improve the quality of the series, it is recommended that the director conduct more rigorous selection and training of actors in future creations to ensure that each role can be fully played.
Bai Yufan was turned into slag by the big guy in seconds
In the final scene of the TV series "City within a City", bank employees gather and talk passionately about the content of this interview.
The scene gives the illusion of being in a market or square. However, when the screen opens to reveal the office and bank logos, all the questions are answered.
In this scene, some of the actors' performances are fascinating, such as Yu Hewei and Wang Xiao's superb acting skills, however, Bai Yufan's performance and expression are awkward, affecting the overall perception.
In this final scene, the bank employees sit around and discuss the interview that has just ended.
Their expressions varied, some excited, some confused, and some impatient.
This scene contrasts sharply with the austere atmosphere of the real-life banking environment, which raises the viewer's question: can there be so many people in a bank in reality?
Zhao Hui, played by Yu Hewei, said in the script: "Although there is not much money, the impact of this incident is very bad, I am at fault, but the two of them also have unshirkable responsibilities." Every word and look in his eyes revealed the anger in his heart.
Miao Che, played by Wang Xiao, looked at Bai Yu with a scrutinizing look, although he didn't say too much, but it gave people a feeling of great oppression. The superb acting skills of these two actors undoubtedly give life to the characters.
Tao Wuji, played by Bai Yufan, said expressionlessly in an interview: "At present, it is an external business department, and it turned out to be a teller. This answer gives one a sense of indescribable strangeness.
Compared with his previous performance, Bai Yufan's acting skills in this last scene were a little embarrassing and could not impress the audience.
Bai Yu, played by Yang Yuting, said in an interview: "The children at home are still young and still owe a lot of money, but I have no intention of changing careers. There was innocence in her eyes, and Miao Che, who was sitting across from her, responded with a scrutinizing look.
Wang Xiao's performance at this time can be described as uncoordinated facial features, but the eyes that widen give people a strong sense of oppression.
In this scene, the body language and expressions of Yu Hewei, Wang Xiao and others played a key role in the character building. They don't need words to make the audience feel the inner world of the characters.
This kind of expression adds a lot to the plot and also makes the audience resonate with the characters.
In the last scene of "A City within a City", the performances of some actors are fascinating, such as Yu Hewei and Wang Xiao's superb acting skills.
However, Bai Yufan's performance and expression were embarrassing, which affected the overall perception. This phenomenon once again proves the importance of actors' performance in TV dramas.
I hope that the director can pay attention to the expressiveness of the actors in his future creations and present more wonderful performances to the audience.
epilogue
After watching the eight episodes of "City in the City", if it weren't for Yu Hewei, Wang Xiao, and Wang Jinsong, this movie would not be in the top five at all.
So, in this drama, whose performance catches your eye the most and makes you watch "City within a City"?
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