Introduction:
With the increasing prosperity of the domestic drama market, the audience has higher and higher requirements for the quality of dramas. In this context, the two major dramas "Chenghuan Ji" and "City in the City" launched by CCTV launched a fierce competition. This article will provide an in-depth analysis of the market performance and audience response of these two dramas, and explore the importance of authenticity and fiction in the creation of dramas.
Body:
"Cheng Huan Ji" and "City in the City" are dramas released at the same time, and they each represent different creative directions. "Cheng Huan Ji" quickly won the love of the audience with its close-to-life plot and high-value starring lineup. "City within a City" tried to show the working life of professionals by focusing on the financial industry, but it suffered a cliff-like decline in word-of-mouth after it was broadcast.
First of all, from a professional point of view, the failure of "City within a City" lies in the disconnection between its plot and the real financial industry. Sharp criticism from bankers reveals the show's inadequacies in logic and rigor. For example, the loan approval process and workplace behavior in the play are far from reality, resulting in professionals being unable to agree and ordinary viewers being confused.
Secondly, the problem of acting skills is also an important reason why "City within a City" has been criticized. Although the series invited many actors to join, the young actors had too many roles and their performances were unsatisfactory. The character creation of the protagonist Tao Wuji is too bland and lacks memory points, and the setting of the heroine Tian Xiaohui is also different from real life, which makes it difficult for the audience to resonate.
In addition, the suspension and bloody plots in the series are also the focus of the audience's complaints. "A City in the City" tries to attract viewers by adding emotional lines and conflicts, but the overly deliberate arrangement only weakens the appeal of the series. In contrast, "The Legend of Cheng Huan" won the hearts of the audience through real emotions and details of life.
Conclusion:
The failure of "City in the City" sounded the alarm for domestic drama creators. While pursuing popularity and word of mouth, we should pay more attention to the professionalism and authenticity of the series. The audience's aesthetics are constantly improving, and the quality requirements for dramas are getting higher and higher. Only dramas that are really close to life, carefully polish the script, and pay attention to the performance of the actors can stand out in the fierce market competition.
As viewers, we should support shows that focus on quality and reflect real life, while also being wary of works that try to attract attention with fiction and suspended plots. Let's work together to promote the healthy development of the domestic drama market, and look forward to the emergence of more high-quality domestic drama works.