Photo: Lu Yongliang, Editor: Snow Wolf Alien
Daxiyi Chinese painting, a traditional painting art, is undoubtedly extremely challenging for many artists. Even for those students who have received rigorous painting training in the Academy of Fine Arts, Chinese painting is a difficult problem to overcome. The famous painter Li Kuchan once mentioned that the students performed quite well in painting various types of paintings, but they often got into trouble when trying to paint Chinese paintings.
The reason for this is not that the students lack drawing skills or theoretical knowledge, but that they have problems controlling the brush. The emphasis of freehand Chinese painting is a kind of artistic realm that is free and free, and the brush and ink are blended. This requires the painter to have deep brush control and be able to freely apply ink on the paper to give the picture a natural, fluid effect.
And the control of the brush is not an overnight skill. It requires a long period of practice and exploration by painters, gradually mastering the elements of the brush, such as strength, speed and angle. Only in this way can we have a pen in our hearts, ink in the pen, and affection in the ink when painting the freehand Chinese painting, and integrate personal emotion, temperament and cultivation into the work, showing the unique artistic charm of the freehand Chinese painting.
Therefore, for friends who want to learn freehand Chinese painting, don't rush it. You should patiently practice the control skills of the brush, and gradually find out the painting method that suits you. Only in this way can you go further and further on the road of freehand Chinese painting, and finally become a real master of Chinese painting.
【Learning Steps of Traditional Chinese Painting】
(1) White drawing strokes ~ training modeling color ability.
(2) Learn the small handwriting ~ start training how to subtract.
(3) Enter the freehand ~
This way of using the brush that can be reduced not only reflects the profound skills of the painters, but also the perfect embodiment of their mood and temperament. In such artistic expression, each stroke carries the painter's deep thoughts and emotions.
In this world of freehand painting, the affirmative use of calligraphy plays a crucial role. Calligraphy, as a treasure of Chinese culture, has long been deeply rooted in the hearts of the people with its unique method of using the brush. In freehand painting, the affirmative use of calligraphy not only adds a unique rhythm and rhythm to the picture, but also makes the picture full of vivid charm.
This affirmative use of the brush is not only a demonstration of the artist's profound calligraphy skills, but also a true portrayal of their inner world. In the process of painting, the painters integrate their emotions and moods into it through the affirmative use of brushes, making the picture full of vitality and appeal.
In freehand painting, the affirmative brushwork of calligraphy and the generalized brushwork method complement each other, which together constitute the unique charm of this art genre. This charm is not only reflected in the composition and color of the picture, but also in the deep thinking and emotional expression of the painters. It can be said that the generalized brush method of freehand painting is precisely under the support of the affirmative brush of calligraphy to show its unique artistic charm.
Summary:
Without these three phases, it is highly likely that the freehand will be reduced to graffiti, which is regarded as an artistic expression even in modern times. However, capitalization is an art par excellence with subtraction as its essence. It is like a sculptor who can sketch the charm of all things in the world with a few brushstrokes. It abandons cumbersome details, but retains the purest artistic essence, like the bright moon, without the embellishment of stars, still shining. Freehand is the pinnacle of this art of subtraction.