"Long Moon Embers" is popular on the screen, the Xianxia trend has set off a frenzy again, the popularity of Luo Yunxi and Bailu continues to rise, and the expectations of the new drama have exploded. In contrast, the suspense drama "Thirteen Years in the Dust" and the spy war dramas "Infernal" and "Thin Ice" failed to continue their popularity, and the audience's aesthetic fatigue of the same type of dramas is becoming increasingly apparent.
In this ever-changing drama market, the dramas to be broadcast have always tugged at the heartstrings of the audience. Wu Lei and Zhao Jinmai co-starred in "In the Blizzard", which has attracted much attention, and the romantic story written by Mobao Feibao will shine with a new brilliance under the interpretation of this pair of high-value CPs. And Xiao Zhan and Bai Baihe starred in "The Sun with Me" also sparked heated discussions, and the collision of workplace and love in the play made people look forward to how the sister-brother love will deduce different sparks.
However, just when the audience was looking forward to it, an urban family ethics drama "Dragon City" unexpectedly broke into sight. The play is adapted from Di'an's novel Dragon City Trilogy, which tells the growth story of the three sisters and brothers of the Zheng family. However, casting has become the focus of heated discussions among the audience. The 46-year-old Ma Yili challenged the young role, which was very different from the original image, and the performance of forcibly pretending to be tender was shocking. What's even more laughable is that in the play, she also calls Liu Lin, who is only 2 years older than herself, "third aunt", which makes the audience outrageous.
In recent years, problems in the casting of domestic dramas have been common. Middle-aged actors pretending to be young, young actors challenging elderly roles and other phenomena emerge one after another, which greatly reduces the audience's expectations for the series. Casting should be based on the setting of the character and the characteristics of the actor, rather than blindly pursuing traffic and attention.
In this highly competitive drama market, we expect more high-quality domestic dramas to stand out. I hope that the crew can pay more attention to the rationality of casting, so that the audience can feel the superb acting skills of the actors while enjoying the plot. Only in this way can domestic dramas gain a foothold in the market and win the love and support of more audiences.