There is a woman whose sensuality does not need to be embellished with flowery rhetoric, just a glance at her slender legs is enough to make people's hearts beat faster and their eyes locked. She is our "leg goddess" Karen Mok.
Even though the years have passed, this sexy stunner can still shine on the stage with a pair of long legs against the sky, making Wu Bai, Yang Kun and other peers instantly speechless, leaving only the faint sound of whistling and swallowing saliva.
Yes, Karen Mok's sexiness is an existence that does not need to be repeated, it is like a lightning bolt, instantly lighting up the night sky, which is amazing, but also lamenting that the years are so partial to her.
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However, Karen Mok's charm is by no means limited to the beautiful legs that make countless people salivate. In her music and acting career, she has vividly interpreted the word sexy.
Back then, she wore a flesh-colored jumpsuit like a body painting at the concert, boldly challenging the visual limit, so that the audience couldn't help but sigh while shocked: "This is a concert, it's simply a flowing artistic feast!" and the slip dress with hot dance steps, as if instantly igniting the entire stage, so that the audience was deeply attracted by her ubiquitous style while enjoying the beautiful singing. As for the graceful figure under the sequin dance skirt, it makes people sigh: "Where is this forty-eight years old, it is clearly a sexy elf who will stay young forever!"
Speaking of Karen Mok's sexiness, how can you not mention her "lethality" to her peers? When Wu Bai saw her, I am afraid that even the cool rock and roll style on weekdays had to be put away temporarily, leaving only the word "wow" echoing in his heart. Yang Kun made no secret of his appreciation for her, and said bluntly: "That stage, that figure, and that voice are simply audio-visual double enjoyment, which makes me, an old Jianghu, can't help drooling." It seems that the title of sexy goddess is well deserved by Karen Mok.
Of course, Karen Mok's charm goes far beyond that. Her grandfather was the founding principal of King's College in Hong Kong and a well-known philanthropist, her father was a film and television writer, and her mother was a pioneer in Hong Kong's television industry.
Such a family background gives her a unique temperament, which has both the gentleness and introversion of Eastern women and the independent self-confidence of Western women. She was awarded the title of One of the Ten Outstanding Students in Hong Kong during her secondary school years, and later went to the University of London to study Italian literature.
Just imagine, if Karen Mok hadn't entered the entertainment industry, maybe she was sitting in an academic forum at the moment, switching between five languages freely, telling the beauty of the rhythm of Italian poetry, and the picture was equally fascinating.
Karen Mok's music and film and television career can be described as soaring all the way. When she first set foot in the music industry, although the sales of her first Cantonese album of the same name were not satisfactory, she unexpectedly opened the door to the film and television industry and was appreciated by Stephen Chow, which opened her indissoluble bond with Xingye.
In "Journey to the West", the role of "Bai Jingjing" played by her is deeply rooted in the hearts of the people, and the classic sentence "If you take half a step forward, I will kill you!" is still talked about by fans. On the road of music, Karen Mok ushered in a real explosion after going to Taiwan in 1997 to develop.
Under the careful polishing of the talented Li Zongsheng, her first Chinese album "Be Yourself" was released, and sales soared, especially the song "He Doesn't Love Me", which instantly became a classic sung on the streets. Since then, Karen Mok's musical style and line - the spokesperson of urban women - have been established, and she has been promoted to one of the divas of the Chinese music scene.
The cooperation between Karen Mok and Stephen Chow can be called a good story. In the movie "God of Food", she did not hesitate to sacrifice her image and played a heroine "turkey" with scars on her face and buckteeth.
Faced with such a subversive role setting, many actresses were discouraged, but Karen Mok gladly accepted it, and was even mistaken for a "crazy woman" who came to make trouble on the first day of filming, and was ruthlessly blocked by the security guards. In this regard, Karen Mok just smiled indifferently: "I like this character, although she is ugly, she is affectionate and righteous, and I am willing to pay for her." ”
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Facts have proved that Karen Mok's choice is extremely correct, "Turkey" has become one of the most outstanding female characters in "God of Food" and even Stephen Chow's movies, and she finally made a stunning appearance in the image of Guanyin Bodhisattva, which made the audience feel the profound connotation of "beauty is in the bones but not in the skin".
In addition to the tacit cooperation with Stephen Chow, Karen Mok is also favored by director Wong Kar-wai. In the movie "Fallen Angel", she won the Best Supporting Actress laurel at the Hong Kong Film Awards for her outstanding performance. The eccentric image of "Black Hero" still makes fans have endless aftertastes. Nowadays, although Karen Mok is rarely involved in the film and television industry, whenever she mentions those characters with distinctive personalities, people will always regret: "If only she could act in a few more plays, how good it would be!"
Karen Mok's emotional world is also colorful, and her relationship with Stephen Chow was a sensation. In the days when Xing Ye encountered a low point, Mok Wenwei always waited silently by his side, willing to pretend to be ugly for him, shaved his head, and even willing to be his "invisible girlfriend".
Although she failed to get together in the end, she never said a bad word about Xingye, but sang the theme song in Xingye's movie "Mermaid", which made her known as a model of "the best predecessor".
As the song goes, "Always hello in the world." Karen Mok is full of respect and gratitude for every relationship, her first boyfriend taught her German, Xing Ye let her taste the mellow of red wine, and Feng Delun taught her how to enjoy the joy of love. She always smiled at these former lovers and said, "They are all important passers-by in my life and have taught me a lot." ”
After going around and around on the emotional road, when everyone thought that Karen Mok would enter the ranks of "older leftover girls", she suddenly announced that she was going to get married, and the object turned out to be her first boyfriend at the age of seventeen. Fate is a magical screenwriter, and years later, the two are reunited at a class reunion, when he is divorced and she is still single.
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Karen Mok looked at the familiar face in front of her, and thought to herself: "Is this God arranging for us to renew our relationship?" So, in Florence, Italy, where the two met, she wore a white veil and married herself to her first love, realizing the romantic vow of "a long road, love is not to forget the beginning".
This is Karen Mok, a woman who combines sexiness, talent, and intelligence.
She conquered the world with a pair of beautiful legs, lit up the stage with her singing, shaped classics with her acting skills, and wrote legends with love.
Her life is like a wonderful movie, with both climactic plots and moving emotional entanglements, and she herself has always been the most dazzling heroine, no matter when and where, she can attract thousands of eyes with her unique charm, and people can't help but be fascinated by her.
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