Classical poetry is a treasure in the treasure house of the motherland's literature, which not only embodies the wisdom of the working people for thousands of years, but also shows the cultural level of each era. People appreciate and create poems after tea and dinner, not only to cultivate their self-cultivation, but also to continuously improve their taste and temperament.
The poetry was initially formed in the early Tang Dynasty, and through the continuous efforts of the talents of the Tang Dynasty, it was further improved and developed. In the middle and late Tang dynasties, lyric poetry had become an extremely mature style of poetry.
The poetry pays attention to plainness and rhyme, a harmonious rhyme, an excellent work of Seiko, and it must also be the work of the talents. The following shares the two songs of the superb level of folk masters, which are dreamlike, and the ending is even more inexhaustible.
Senzan
Author: Anonymous
The clouds and rivers are around, changing in the three mountains.
There is no way to go, floating or can be returned,
The smoke and waves are misty and the cranes and deer, and the reefs block the sails,
Where the light disappears and the rainbow is extinguished, there are rare wine fairies.
The gist of the poem is: the white clouds in the deep mountains, the flowing water murmuring, one step at a time, the changes are endless, people are in it, as if they have come to Penglai, Abbot Mountain, Yingzhou and other fairylands. The deep valley is inaccessible and there is no road to follow, making it difficult to reach the top. If you can ride the legendary floating chariot, you may be able to return it freely.
The sound of smoke and pine waves confuses cranes and deer growing in the mountains and forests, and reefs and boulders block the shipping lanes, and ships fluctuate in the rough waves. Through the flickering lights, in the neon light and out, people can vaguely see those immortals leisurely drinking.
This song adopts the new Chinese rhyme, the first sentence is equal and does not rhyme, and the middle two couplets are neat, depicting a fairyland-like picture. The opening is very poetic, and the second sentence inherits the word "winding", and uses the word "change" to further portray a magical feeling.
The jaw couplet and neck couplet depict the deep and difficult mountain and the activities of animals and humans in the foggy environment, respectively. The seventh sentence begins to turn, from realism to fiction, "where the light disappears, there is a rare wine fairy", which is fascinating and inexhaustible.
The use of dual syntax in poetry can broaden the imagination space of poetry, and the author will combine the vast space, distant time, and long melancholy and magical scenery in the middle of the two couplets, which can make the whole poem full of poetic interest.
The couplet of this poem belongs to the pair of flowing water, and the neck couplet uses "smoke and waves, reefs, cranes and deer, and sails" to fight, showing a bewildering scene, which is not only not vulgar, but also shows the author's superb expression skills.
Shunsui
Author: Anonymous
The spring water is dyed in the pond, and the smoke is light and the catkins fly.
The wind urges the green bank, and the dream falls into the green road.
The detention is sad, and the long song is drunk and forgetful.
The painting boat is gently rippling, and the lakeside wanders for a long time.
The gist of the poem is: the spring flowers are blooming, and the fragrance soaks the whole pond, and the smoke is thick, and the catkins are scattered in the wind. The warm east wind greens the grass and trees on the shore, and the clear spring water is like a piece of green jade, which makes people feel like a dream.
Homesickness and sorrow in the guest are lingering, lingering and following with them; long songs should be crying, drunk and sorrowful, wandering helpless, forgetting the way back. The tourists ride in painting boats and gently ripple on the water, but the poet has a heavy heart and wanders alone on the lakeside for a long time.
This five rules still use a new rhyme, and the first sentence is a positive case in the five rules. The first sentence points out the word "spring water", and "Fangchi" is the fragrant pool water. The second sentence is continued, depicting the beautiful scenery of spring, which is dizzying and fascinating, and lays the groundwork for the following.
The neck couplet mainly writes about the activities of the characters, and the author dyes the personnel, showing a strong sense of homesickness.
The author uses a lot of imagery in the text, such as "spring water, Fangchi, light smoke, catkins, green bank, green gui", to portray a beautiful picture of spring, but also to reflect the poet's inner sorrow. Although the jaw couplet "Japanese wind, ghostly dream" does not belong to the same kind of thing, it is an adjective and a noun in structure.
The couplets are neat and euphemistic, delicately conveying a kind of loneliness and melancholy that is difficult to discharge, so that the ending seems to be a matter of course. The contrast between "light ripples and long wandering" is extremely intriguing, and the whole poem deserves to be a rare masterpiece.