The finale of "Wind Chaser": The lonely goose has become a big highlight, and the damn one is finally dead!

In the finale of "The Wind Chaser", Wei Ruolai returned from the Long March, and Shanghai met the old man again, the former government Shen Shi, and finally became today's "Lonely Goose Comrade".

Shen Tunan's code name is Gu Yan, perhaps also because Shen Jinzhen is deceased, the brother and sister should be each other's wings, but the younger sister died early, and the elder brother was in a deep puzzle;

(The lonely goose is a common image of ancient poetry, and there are too many appearances, so let's not find anything from the permutations and combinations of "Lonely Goose" and "Tu Nan" "The rivers and lakes have their own reunion, and Tu Nan doesn't need to be surprised" "The Lonely Goose Sends Wang Meisuo")

In those years, Shen Tunan probably fought silently with Shen Jinzhen's will.

The lonely goose is separated from the group, and now Shen Tunan finally ushered in the old knowledge, the lonely goose is not lonely, and the journey is long and wide.

The youthful past and grievances are like a lifetime, and now they are finally red confidants fighting side by side in Shanghai.

Let's expand and talk about the rest of the finale.

One, master and apprentice

Shen Laizhi's pen and Secretary Shen Tu Nan Huang have a very interesting relationship between seniors and seniors.

Secretary Huang was full of loyalty to Shen Tunan and did not hesitate to risk his life to protect him, but this kind of loyalty and admiration lacked the deepest resonance compared to Shen Lai's pen.

Whether Shen Tunan wants to send a telegram to warn that "salt is poisonous", or the tendency to turn to the red camp, Secretary Huang actually doesn't really understand. He doesn't have Wei Ruolai and Shen Tunan's hills and valleys in his heart, and the longitude and latitude of all the people, so he can only look up, but even if he looks up with the meaning of separation, blessed with the loyalty defended with his life, it is bound to be moving.

The relationship between master and apprentice in "The Wind Chaser" is good-looking, in the first half of the bright line, Master Shen is Wei Ruolai's master, taking him to stir up the financial storm in the big world, watching Zhu Chengbi, and watching the ebb and flow of the tide;

One in front and one in the back, one white, one red, one bright and one dark, very interesting.

The excellence and solidity of the play are also reflected in the complexity of the transformation process of Wei Ruolai and Shen Tunan.

The young Wei Ruolai, who at first joined the central bank to try to save the country financially, was once disheartened in the face of a series of vicious operations of the corrupt Nanjing system to exploit the people, and finally gradually accepted and joined the red camp.

On the other hand, Shen Tunan, a noble family in the Republic of China, believes that he is "deeply benevolent" and believes that he has a natural affiliation camp from the family lineage, and the transformation is far more complicated and twists and turns than Wei Ruolai.

Shen Tunan also had the ambition to serve the country as a young man, returned to the country thousands of miles, and had grand plans to be exhibited, forgetting life and death, and draining his liver and gall, but after discovering that the superiors were all well-dressed beasts, he once had a little bit of foolish loyalty similar to "sinking with the sinking ship".

In fact, this kind of slow change, hesitation, and entanglement are exactly in line with the identity and characteristics of the role, he has always believed in the Three People's Principles, and after understanding that the Nanjing high-level can not practice his Three People's Principles, he will not be able to swing the sword and kill the old people immediately in the next second.

This kind of "slowness" and "difficulty" is not so much stupidity or cowardice, but rather a more prudent and profound decision for those who have been disillusioned, those who have been victimized, injured and deceived. (Of course, there are also the influence of family merits and natural kinship)

The wonderful thing about the story is that in the process of transformation, Wei Ruolai's mental journey on the bright side is actually the transformation process of Shen Tunan in the dark side that has not been written.

This kind of treatment method is in line with the characteristics of the character, the second is to leave the suspense of "whether Shen Tunan has turned red" to the end, and the third constitutes a subtle intertextual pun control group.

Second, the villain group portrait

The real villains in "The Wind Chaser" are the "invisible" big characters who do not appear in the cast.

Either it only exists in the lines, such as Jiang.

Either it only exists on the phone, such as Mr. Song and Mr. Kong (the dialect accent processing is also very detailed).

or only exists in the silhouette, such as the eldest sister, the eldest sister and her lackeys, the sentence "clean up the bank and clean up the retail investors", a hammer smashed out the tragedy of the destruction of thousands of people's homes and the destruction of their souls on the beach.

A few fluttering words correspond to the great tragedy of everyone being displaced, and the contrast between one heavy and one light can show the despicability of "they are rotten".

You see, this kind of "invisible big man" treatment method is not the first in "The Wind Chaser", but the play binds "will from above" and "big man eats people's blood to fatten himself" into a more valuable and critical nature, which is used subtly.

The rest, Yu Lao, Kang Ye, and even Qian of the Yue Army camp are all executioners in troubled times. understands that the Jiang dynasty is bottomless, but they all believe that they can go to evil ghosts and eat meat and drink soup with them.

Li Shengda, a dog-legged villain who is greedy for life, afraid of death, greedy for money, and forgetful, is essentially no different from the above-mentioned "want to drink soup with the big evil people".

The exception in the villain camp is Lin Qiaosong, who once had ideals and beliefs before the fall, but the way he executes it is very paranoid, extreme, and perverted.

After seeing through the nobles wearing gold and silver and eating people, and the ground was full of vain and white bones, Lin Qiaosong's perversion intensified, and he completely became a more extreme and evil executioner.

Lin Papi can only barely look like a person in front of Meijuan and Silly Biaozi. At other times, Lin Papi is a more terrible hell dog than "people who just want to make money".

Lin Qiaosong said goodbye to Meijuan, lived up to her infatuation and followed her all her life, deceived her brother's whereabouts all the way, and finally cruelly told the news of his death. If you really don't have the chance to be a pair of lovers in troubled times, you are destined to deceive the tragedy from the beginning, and you have already written an ending that cannot end well.

Lin Qiaosong was finally shot by Shen Tunan, and the grievances were settled;

But the death of a bullet is too polite for Lin Papi, and passers-by want to beat gongs and drums to order a "self-service peeling" package for Lin Papi.

In the final analysis, the culprit is not Lin Peel (there is no meaning to whitewash Lin and say that he deserves to die), in the wrong and distorted structure, Lin is the end, and he alone cannot cause trouble in the whole world.

The treatment of the play between the end detail cause and the source and the end cause is very clear.

Detailed comparison, virtual and real ratio, also see the chapter.

More importantly, through these rotten people, it is clear why "they are not the future of the people" and why another group of people in the red base area are loved.

III. Female group image

The female characters in "The Wind Chaser" are all outstanding.

Shen Jinzhen is an idealist with the ambition of wind and thunder, and he is also a pragmatic person who can move forward with mountains and rivers.

can endure the long loneliness that lurks, can withstand the dangers of being a spy, firm and warm, persistent and bright.

Yesterday I wrote "like a whistling bullet, streaking across the night sky of pretending to be asleep".

See through the emptiness behind the drunken gold fans, see through the decay behind the hypocritical slogans, regard gold and silver wealth as floating clouds, and see fame and fortune like dung, join the right team as soon as possible, and pay for it without hesitation.

Comrade Jinzhen's life is very short, but her spiritual charisma, and the mountains and rivers and the earth and spring and Jingming have always been with her.

The character is not blindly empty and false "good", her sense of strength, her multi-dimensional sense, and her delicate sense of landing in various situations are very infectious.

I have written a lot before, and I will not expand on this article for reasons of space.

Niu Chunmiao, at first glance, looks very unreliable at first glance, but under the slippery appearance is cute and vigorous vitality.

She is a laughing pistachio, with joy, but also from the natural vitality of the land and the countryside, and has the centripetal force of red light.

It's fresh and cute, and there's a lot of room to grow.

Su Cishu, surprisingly good, this role at first glance seems to be the traditional "husband and daughter" virtuous and virtuous type, at first glance it is a "pendant" completely attached to the husband, but in fact it is not.

At some times, she was far more transparent and focused than her husband.

It not only has the traditional warm tone, the righteousness of the family and the country, but also has a highly recognizable sense of responsibility, wisdom and proportion.

Aunt Zhou on Qibao Street usually chatters and has a lot of daily fireworks, and it is really a headache to make money and not listen to persuasion.

The bloody clothes of the 19th Route Army were washed, and in a drop of tears was the feelings of the army and the people of the war, and the people of the land that the smoke could not burn.

The base color is moving, warm, three-dimensional and vivid with small problems, and the crazy ending is even more embarrassing.

Meijuan, dare to love and hate, dare to say to Lin Papi, "I'll raise you".

The dancing girl in the land of fireworks is actually very chivalrous, and compared with Lin Papi, who has become more and more perverted after her faith has festered, Meijuan is more like a warrior who has never forgotten her original intention.

Full of affection, no one can entrust him, and his love is finally blocked by the hatred of killing his relatives.

Meijuan and the person she loves are destined to not be able to sleep together in life and die in the same hole.

Comforting conclusion

In "The Wind Chaser", Wei Ruolai left Jiangxi and sounded "Ten Sending the Red Army".

It's a familiar routine song, but the usage is not routine and not stiff.

In a sense, the play is also an affectionate chant written to the red faith, and Yangguan is still thinking about it three times overall, ten gifts and one hundred sends.

Because it really captures the temperature and power of faith.

Wei Ruolai joined the new journey of breaking the wind and waves, returned to Shanghai after a few years, and the master and apprentice finally became red comrades-in-arms.